Wang Xianzhi's character introduction (344-386), the word, alias official slave, the seventh son of Wang Xizhi. Because of his exquisite calligraphy, he has always been called Wang Xizhi? Two kings? , or your respectful name? Little saint? . Official to the secretariat, people call Wang Daling. He has served as a state master book, a doctor's secretary, a secretary, a long history, a satrap and other official positions; After he became Xu, he was promoted to secretary of the secretariat (equivalent to prime minister). But his grades are average, far less than his title.
Wang Xianzhi was born in such a family, his father was a famous "book saint", and his mother, uncle, grandparents and brother were all calligraphers, so it was inevitable to learn from childhood. Compared with others, he is more diligent, diligent and dedicated in learning calligraphy, and his temperament is quite fatherly.
Wang Xianzhi, like his father, is not confined to studying a complete subject, but comes from a poor family, so he can study in? Gather the strengths of many families and gather the beauty of many bodies? On the basis of Wang Xizhi, he created his own unique style, and finally achieved an artistic status that kept pace with Wang Xizhi. He said that? Walking up the mountain road, the mountains and rivers set each other off, making people overwhelmed? This has become a famous sentence that has always praised Jishan water mirror.
Wang Xianzhi's calligraphy art mainly inherited the family style, but did not stick to the rules and made a breakthrough. In his calligraphy works handed down from generation to generation, it is not difficult to see his inheritance of family studies and traces of his own new way. The predecessors commented on Wang Xianzhi's calligraphy "Dancing in the snow, Yue Long in the clear spring". Precise and ingenious, unexpected. "His pen has changed from" internal extension "to" external extension ".
His cursive script is even more valuable. Yu Zhuo once said: "The cursive script was passed down from Zhang Zhi in the Han Dynasty, and the wonderful people were just government slaves." Mo Bao's cursive scripts handed down from generation to generation include Duck Head Pill Post and Mid-Autumn Post. Emperor Qianlong of the Qing Dynasty listed it as a "national treasure" in Sanxitie.
He also created a "book", which turned his father's unconnected grass from top to bottom into connected grass, often a coherent number. Because of its magnificent calligraphy, it is valued by the world.
Wang Xianzhi studied calligraphy all his life. He has a lot of brains. He once said to his father: Cao Zhang in ancient times could not escape ... Adults should change their bodies. ? (Zhang Huaiguan's book breaks) He is not satisfied with everything being the same as others, so he innovates himself. "On Zhang Huaiguan" said: I am far-sighted, weeding and opening a new door. My husband's calligraphy is not true, far away, between Ji and Meng. Those who are both true and true are called true; The one with grass is called Zou Cao. Amethyst's method is neither grass nor line, grass is easy to flow, and line is open, grass is in the middle ... The most romantic brushwork style is also. ? The style of his new book, which is neither grass nor line, is called? Breaking the body? , also called what? A book? .
Wang Xianzhi's characters commented that Wang Xianzhi's regular script father and son were famous all over the world, and calligraphers below the Tang and Song Dynasties wrote regular scripts neatly and handsomely. Their father and son's calligraphy is really immortal and has indelible appeal.
For a century and a half from the end of Jin Dynasty to Liang Dynasty, his influence even surpassed that of his father Wang Xizhi. Yuan Ang, a painter of Liang Dynasty, said in the Book Review of Ancient and Modern Times:? Zhang Zhi marveled that Zhong You was unique and could escape less and contribute more. ? Combine the four sages. Wang Xianzhi was once pushed by the highest calligrapher during the Song and Qi Dynasties. He devoted himself to learning books from his father, was very talented and sensitive to innovation. He transferred to Zhang Zhi and created a cursive script that runs through from top to bottom. He is even more charming than his father, and he is as poor as a saint. Two kings? . Liang Tao Hong Jing "On Books with Liang Wudi:? Is it more important to respect books than this world? ,? In the sea, I not only know that there is one, but also more? . At that time, it almost became Wang Xianzhi's world. Until the Tang Dynasty, Emperor Taizong highly praised Wang Xizhi and belittled Wang Xianzhi. Some calligraphy critics began to think that Wang Xianzhi's calligraphy was inferior to his father Wang Xizhi. But Mi Fei, a calligrapher in the Northern Song Dynasty, mainly learned from Wang Xianzhi. Hu Xiaoshi, a famous modern scholar and calligrapher, thinks that Zhang Xu and Huai Su? Weeds? , is developed from Wang Xianzhi cursive script.
Wang Xianzhi's ink remains are rarely preserved, and the quantity is far less than that of Wang Xizhi. Wang Xianzhi's calligraphy is in the imperial palace, and he didn't buy it because Emperor Taizong was demoted? Only save? . Calligraphy in the early Song Dynasty, simultaneously? Two kings? Song Taizong attached great importance to calligraphy, bought Mo Bao, the ancient emperor, and ordered him to copy ten volumes. This is the famous Chunhua Pavilion post. ? Every minister who goes to the second palace will get a gift. ? What are half the posts? Two kings? The work of. There are 73 pieces of Wang Xianzhi's calligraphy works, and more than 20 pieces have been verified by later generations as fakes or written by others. During the reign of Xuanhe in the Northern Song Dynasty, Song Huizong was good at Wang Xianzhi's calligraphy, and the collection of Wang Xianzhi's calligraphy in Xuanhe Pu Shu increased to more than 80 pieces. However, most of these ink books have not been preserved, and the remaining ink books are no more than seven, and they are all replicas. Fortunately, there are still some original prints of past dynasties, which have left valuable information for us to learn and understand Wang Xianzhi's calligraphy.
Wang Xianzhi's comments on Wang Xianzhi (344? 386), word, Linyi, Shandong. He is the seventh son of Wang Xizhi, and father and son are called together in the history of books. Two kings? . Wang Xizhi's family are calligraphers, but Wang Xianzhi is the most talented, innovative and not trapped by his father. He has made outstanding contributions to modern calligraphy and modern grass since Wei and Jin Dynasties. His calligraphy is better than his father's in style and charm. Miffy called him? A brush is like drawing ashes with fire, even for no reason. If you are careless, what is a book? , that is, on the cursive script? A book? Weeds. He also advised his father? Change your body? It shows that his courage in calligraphy creation is worthy of praise from future generations? Little saint? .
Born in? Book saint? home page
Wang Xianzhi (344? 386), the word, was born in Linyi (now Linyi, Shandong) in the Eastern Jin Dynasty, and the small character was an official slave. He is the seventh son of Wang Xizhi. He worked as a state master book, secretary lang and long history. He was transferred to General Jianwu, the magistrate of Xing Wu, and applied for the secretariat, so he was called? Big order? . Famous in calligraphy history? Little saint? What's the name of its father? Two kings? .
Wang Xizhi taught him calligraphy since he was a child. It is said that Xi Zhi once pulled his pen from behind to test his writing ability and sighed. After having this son, I will have a big name! ? It can be seen that Wang Xizhi had high hopes for him very early. Legend has it that Wang Xizhi wrote "On Gestures": Tell your son to respect, and I notice that your book is extraordinary. Are you still busy? ,? Can an article on Gesture Theory enlighten you today? And then what? This book "On Music and Easy"? ,? Hide? . Not only in technique, but also in the infiltration of interest into calligraphy. According to legend, he once went out and saw the newly painted white wall of Beige clean, so he dipped a broom in the mud and wrote the words the size of the abbot, which blocked the audience. Xihe sighed at the beautiful woman and asked who did it. Everyone replied:? Shiro ?
Wang Xianzhi's calligraphy thought is superb and far-sighted. He advised his father to change his health, but he was fifteen or sixteen years old. His profound knowledge of calligraphy seems out of proportion to his age, but it is true. "Zhang Tang Huai Guan Shu Yi" records that Wang Xianzhi said to his father: Cao Zhang in ancient times could not escape, but it was different from the real body. Today is poor and false, and the grass is extremely drooping. If it is not between the lines, it is appropriate for adults to change their bodies. ? It is believed that things are rare, flexible and changeable, and Cao Zhang's ci is independent and makes waves, which can't show greater momentum and escape rhythm. After in-depth study, he thought that a breakthrough could be found between cursive script and running script? To France? What should my father do? Change your body? . Wang Xianzhi's profound study of traditional calligraphy style and his earnest exploration of innovative methods are really remarkable.
The innovative variant of calligraphy is that the soul dominates and guides the descendants of this book sage. He wants to break through the tradition of going to France and open up a new world. He also wants to surpass his father and shine on you. shine on you is better than blue, thus opening up a new school. In (hehe) On the Desk:? Xie An tentatively asked Amethyst:? How is your book like the Right Army (referring to Wang Xizhi)? A cloud:? So, I won. ? An yun:? Things are different. ? Amethyst replied:? The world knows this. ? Wang Xianzhi is not a nobody, and his self-evaluation is not nonsense. Sun's Book Score contains the topic of a trip to Kyoto. I sacrificed to secretly erase it, and wrote another one, which I thought was very good. I was really drunk when I went home and sighed. ? I feel embarrassed to provide it. This rumor shows that although he is willing to compete with his father, he is also self-aware. He not only advised his father, but also turned to Zhang Zhi. Should I change my body? I am also practicing another innovative method.
Zhang Huaiguan's On Calligraphy once commented on Wang Xianzhi's calligraphy creation:? Zi Cai Jing is far-sighted. He opened a new door outside the grass. ? Amethyst method, non-grass, non-line, easy-flowing grass, open in the line, grass in the middle. ? When it is popular, the rain will disperse, and when it is moved, it will bloom. The brushwork is the most romantic. ? It's a pity that he died at the age of 43, otherwise his achievements in calligraphy would be even more impressive. Nevertheless, he integrated his talent, unique mental outlook, thoughts and feelings into his calligraphy works, leaving an immortal reputation in the calligraphy world.
Wang Xianzhi is natural and unrestrained, detached from secular etiquette. Love is the crown of the moment? . Broken Book once said: Taiji Hall was newly built in Taikang of Jin Dynasty. Xie An wants to be the title of Amethyst, thinking it is a treasure on earth, but it's hard to say whether Zhong Wei can write Lingyuntai. Amethyst knows what he means, but he is serious. Captain Wei Xiang, are you willing to do this? If that's the case, we know Wade won't last long. ? Xie An is no longer reluctant. Sometimes people ask him for books, but they rarely get them; Even if powerful people force him, he will not be moved.
The Calligraphy Art of Shen Han's Correction
Wang Xianzhi's ink is rarely preserved, so we can only see his calligraphy skills in rubbings. There are nearly 90 kinds of Wang Xizhi's posthumous works recorded in Xuanhe Pu Shu, and there are 243 kinds of Wang Xizhi's calligraphy books in Xuanhe Neifu. It can be seen that there are far fewer works handed down from generation to generation than his father. Besides,? Two kings? There is controversy about the authenticity of ink. Shen once said:? There are fewer ink marks than Xihe's, and only the manuscripts of "Send Pear Post" and "Duck Head Pill Post" have been seen. In addition, if "Mid-Autumn Festival stickers" and "Dongshan stickers", it is rice. The ink of Rehmannia Tangtie handed down from generation to generation is also imitated by later generations, which is quite a tribute, but if it is not beautiful, it must not be the original of Daguan Sticker. ? The dedication of "December Chopping the Residual Post" is found in the seal cutting of "Bao Jinzhai", which is naturally credible, and it is verified by its pen, which is similar to the seal cutting in "Daguan Post". ?
? Two kings? Comparison of calligraphy skills between father and son
Comparing the calligraphy art of Wang Xizhi and Wang Xianzhi, there are different opinions in the history of calligraphy. Here is a brief introduction.
First,? Inside (disgusting)? With what? Extension? . ? Two kings? In terms of technical characteristics, calligraphers often use it? Inside (disgusting)? With what? Extension? Mark. As He Ming Liang Jun's "Four Friends Zhai Shu Lun" said:? A big bill with a pen? Extension? And expand, so scattered and colorful? ; ? To the military pen? Inside (disgusting)? And the color of God is beautiful and a strange mixture. ? Modern Shen also said: future generations use internal (boring) and external expansion to distinguish? Two kings? Book trace, very reasonable, your majesty? Inside (disgusting)? Xiao Wang? Extension? . Try reading the book of the king, vigorous and straight, beautiful and quiet; Xiao Wang's book is only soft, but it has actually increased. Explain it in visual terms? Internal (annoying) expansion? Meaning? Inside (disgusting)? This is a book about power. Extension? Is it the book of strength, the book of the right army? Go straight? , that is? Draw the sand into a cone? . ? Extension? Visualization of, can you use it? Leak marks? Describe it as more indulgence and less convergence (see Book of Two Kings). Use? Inside (disgusting)? 、? Extension? Although it can be explained? Two kings? There are many differences in calligraphy, but we can't cover everything, and careful investigation is not necessarily very scientific. Your majesty, is that okay? Inside (disgusting)? Is it okay? Extension? , when? Inside (disgusting)? Mainly? Extension? Auxiliary, little Wang Neng? Extension? Is it okay? Inside (disgusting)? , when? Extension? Mainly? Inside (disgusting)? As a supplement, the differences in orientation are based on their own aesthetic ideals. Pan Boying said? Some people say, happy? Inside (disgusting)? , offer? Extension? . This is only half the story at best. ? (On China's Calligraphy) This statement is quite insightful.
Second, the identification of technology sources. In Yi Yi written by Bao in Qing Dynasty, he once expressed his views and criticized Mi Fei's views. On the true grass calligraphy of the right army, which is divided into Chinese characters and goes deep into Zhonglang (referring to Cai Yong); Daling's calligraphy of true grass is the source of Qin Zhuan, and it is wonderful to meet the Prime Minister (referring to Reese). ? Mi Lao? Did the right army contain and expand? It is counterproductive to say so. ? Modern Hou Jingchang thinks that Bao thinks that Wang's pen originated from Li and Xiao Wang's pen originated from seal script, which is debatable. Hou Shi summed up the characteristics and origins of Zhong You, Wang Xizhi and three original works in one sentence: Zhong Shan turned over, Wang Shan sang and Xiao Wang Shan zhi; Digging out in the sub-book, Song came from seal script, directly from official script (on the authenticity of Zhong Wang's True Books and Preface to Lanting). Wang's and his son's calligraphy seems to have two main sources, the distant source is Qin and Han seal script, and the near source is Zhong and Zhang, and then they are cultivated and developed into their own style.
Third, the difference between cursive script and cotton. Wang Xizhi learned Zhang Zhi's cursive script, which broke through the division, isolation and connection of Cao Zhang from the situation, but generally he did not make multi-word couplets, and only printed two or three words at a time. He took advantage of Cao Zhang's turn and developed into an introverted and accumulated modern grass. Wang Xianzhi not only learned from his father, but also learned from Zhang Zhi, breaking through the continuous pattern of Wang Xizhi and becoming a link between more characters. A book? ; From introversion to extravagance, from accumulation to escape. So-called? A book? Meaning? The writing style is formed in one stroke, and occasionally it is not connected by blood, even if there is, the climate is staggered. Only the son respects his profound thoughts, so the words at the beginning of the line often follow at the end of the line? (see book broken). World name? A book? Since Cecilia Cheung, Wang Xianzhi has been based on Cecilia Cheung? Lever? , using the cursive script of Xi? Fulcrum? , complete one? Breaking the body? The creation of.
Fourth, the differentiation of bone potential. Yang Xin said: A good servant is not as good as a father. ? Zhang Huaiguan's book "Broken" says: Unfortunately, it is still rich in autumn, unrestrained, unrestrained, and incomplete bones, and sometimes very obscene. ? Wang Xianzhi is mainly expanding and fleeing, so sometimes he fails to be calm and happy in the rapid cycle, but he is suspected of being light and slippery; And Wang Xizhi has a strong personality, so he has a strong personality. Of course, this is a high-level comparison. Didn't Wang Xianzhi dive heavily? Such as "Thirteen Lines of Ode to Luoshen", Zhang Tingji in Qing Dynasty said in "Qing Yi Ting Ming Postscript". Thick character, wonderful and moving? ; ? However, the wind blows, the spirit is high, and there is no beauty. . Of course, Wang Xianzhi died in middle age. If he can exercise for many years, his bone potential will be better.
Fifth, the distinction between charm and interest. Wang Sengqian once said: Give is far less than your father's, but flatter it. ? Yang Xin said the same thing. Wang Xianzhi's book style is like a phoenix dancing and flying, with the beauty of returning hooks, the joy of flying, and the flying ink as an escape soul. What does Zhang Huaiguan say about its posture in book discussion? If the rain is scattered, what is the most romantic brushwork? . At the same time also pointed out that Wang Xianzhi? Sometimes tired, regardless of defects? . In fact, Wang Xizhi's book is also attractive, so some people criticize it. How about Han Yu's "Shigu Song"? Familiar with Wang Xizhi's calligraphy, although beautiful? Sentence. Zhang Huaiguan also said that he? Have a girl talent, no husband? . The charm in Jin calligraphy is related to the fashion of the times, this kind? Charming? , is a kind of male mei, rather than gentle and lovely. The charm of dedication is more attractive than his father in terms of flow and sudden release.
Sixth, the distinction between artistic philosophy and thinking. Wang Xizhi's calligraphy philosophy is mainly manifested in the neutralization, harmony and unity among various opposing factors. He can do anything in the form and quality of calligraphy (such as fat, thin, Fiona Fang, short, long, flesh and blood and so on). ), and he is not naughty in the expression of calligraphy (such as strangeness, tolerance, rhyme, interest, etc.). ). Xiangmu's calligraphy is elegant:? A little escape, propriety, strict law-abiding, colorful, is a strange mixture. ? Like breaking through his father's cursive pattern, Wang Xianzhi also consciously changed his father's creative thinking. Will he? Neutralization? Turn? Imbalance? , go? Strange? , use? Risk? A new realm of victory. Xiang Mu also thinks? Books are respect for children, and the door to novelty is open? .
Seven, the style of the book. Let's talk about Cao Zhang first. Wang Xianzhi inherited his father's legalist thoughts, and his Cao Zhang style can be seen from the article on July 2nd. The brushwork of this post is simple, but the pitch and jump, the size is patchy, and it also shows a free and informal personality. Besides, regular script. In Song Dynasty, Yu Yu wrote on his desk. The first sacrifice, learning from the father's book, is different in body. ? The narration says that Wang Xizhi wrote Yue Lun, which is easy to present. Learning can be small and true, and can be described as poor and sacred, with close bones and muscles, without reducing father's love. Big words are especially straight, less. How can it be the same year? . Besides, the running script, Wang Xizhi's deep love, the lesson from the past, and the perfection, Lanting preface is known as? The best running script in the world? . Wang Xizhi's conscious exploration and legislation set an example for future generations. Although Wang Xianzhi also made great contributions to running script, his running script failed to get out of his father's norms, and it was not as concise, elegant and brilliant as his father. In cursive script, father and son have their own characteristics, and the uniqueness of Xi is unique. They understand this way, saving complexity and creating a new grass system, but in? A book? On the other hand, sons are better than fathers. Wu Dexuan comments:? The big order is crazy, changing the law of the right army to create a portal alone, being extravagant and not taking the lead. I said that Daling cursive script, although vigorous and unrestrained, still retains the charm of Qingyuan. ? (See Lou Shu Lun at the beginning of the month.) Huang Tingjian compares it in The Inscription of the Valley: Da Ling Cao Fa extremely forces Britain, and hates less. So in the middle of the book, the right army grass enters the energy product, and the big order grass enters the spiritual product. I tried to compare the cursive script of the right army with that of the father and son. The right army is like the left, and the big order is like Zhuang Zhou. ? Of course, there are also unfair comments. For example, Emperor Taizong worshipped Wang Xizhi and belittled Wang Xianzhi. His biography of Wang Xizhi says:? Although it is my father's style, it is not a new coincidence. Look at its character, thin, like a dead tree in the middle of winter; Look at the trace of his pen. Is Yan's family hungry? Its dead trees are also, although there is no flexion and extension; If he is hungry, he will be restrained from indulgence. Two-pronged approach, solid disease Qin! ? Emperor Taizong's comments were completely inclined to Wang Xizhi's side, and he even died with the original preface to Lanting.
The Independent Value of Wang Xianzhi's Calligraphy
History is often based on? Two kings? He also said that Xiao Wang is often summarized by Wang, but Wang Xianzhi's calligraphy has its own independent value.
After Wang Xizhi arrived in Huiji, the artistic achievement of calligraphy reached its peak. However, the criticism is that most of the essays were written by ghostwriters after the oath tomb was not official. After Wang Xizhi's death, it took about a century and a half to reach the early years of the Southern Liang Dynasty. During this period, Wang Xianzhi's books were very popular because of their charm and elegance. During this period, famous teachers grew up as heavenly kings, such as Huan Xuan, Song Wendi Liu Yilong and Yang Xin. Yang Xin, in particular, is called? Who entered the room, only this man? So when people say? Buy the king's sheep without losing hope? . There are also Bao Shaozhi, Xie Lingyun, Kong Lin, Qiu Daohu,,, Xiao, etc. , have their own interests. This is one of the reasons for Wang Xianzhi's growing reputation. After Wang Xianzhi, Yang Xin taught his disciples calligraphy skills, which made his contribution more influential.
So, why did Emperor Taizong belittle Wang Xianzhi? Some scholars believe that in the early Tang Dynasty, Li Shimin had to learn books from Wang Xianzhi, because Wang Xianzhi's calligraphy was easier to obtain than his father's. Later, Li Shimin saw Wang Xizhi's ink. Li Shimin may not be satisfied with living under the rule of Wang Xianzhi, so he carried his father out. Because Li Shimin praised Wang and demoted Xiao Wang, people were frightened by the emperor's will, so they erased the name of the relic with Wang Xianzhi's signature, or changed it to the names of Yang Xin, Bo Shaozhi and others. But there were still many Xiao Wang in the Tang Dynasty, especially? Tang cursive script, all learn big eyes? (Wu Dexuan). Ou Yangxun's truth and behavior will learn from King and Xiao Wang, and they will not be integrated. Neighbor Shen also said:? More grass (referring to Ou Yangxun), truly normal order and change. ? Yu Shinan and other calligraphers also learned from Wang Xianzhi, Zhang Huaiguan said? Yu Shu got the macro rules of the great order, including five positive colors, which showed his brilliance and wisdom. Wang Shaozong is far-sighted, a lesson from the past, and respected by his ancestors. Sun,, have articles, cursive charter two kings. ? People in the Tang Dynasty attached great importance to Wang Xianzhi's cursive script, especially Weeds. Zhang Xu's cursive script was transformed from Wang Xianzhi. Tang comprehensive "on calligraphy" cloud:? Is it for heaven? ,? Did the discussant think that Zhang Gong and Xiao Wang would come out again? . Huai Su also converted to Xiao Wang, whose Notre Dame was written? How can you escape from the circle and go deep into Wang Shanzhai several times, but pull out his red flag? (See Zhao Han's Nature of Graphite). Therefore, although Li Shimin belittled Xiao Wang, many people still learn from Wang Xianzhi in the Tang Dynasty.
Yang Ningshi also studied at the end of the Five Dynasties? Two kings? Get excellent grades in study. Shen said to me? With the change of grass potential, it naturally expands, spreads vertically, makes a big order incarnate, escapes pride, shrinks and shrinks, in order to collect money and release it. (Zhang) Xu (Huai) Su Qijiao is out of this, and Yang is his clique. ? ("Ri Hai Lou Za Cong")
Mi Fei, one of the four great calligraphers in Song Dynasty, said: Amethyst is as naive and detached as his father! ? Big orders are posted in December, and pens are on fire, even for no reason. If it is casual, what is the so-called? A book? Worship the first post in the world? Mi Fei listened to Wang Xianzhi, and his right hand after that? Naive and detached? Interest. Secret books are closely related to Xiao Wang's books. Another calligrapher, Cai Xiang, also said:? In the early Tang Dynasty, there were still many handwriting of two kings. Scholars at that time had to imitate them, but they rarely exist today. The titles of Ou (), Yu (Heather), Chu (Sui Liang) and Liu (Gong Quan) are all masterpieces by the Wangs and their sons. Those who learn big orders are more indulgent and their brushwork is more exciting. ? Cai Xiang pursues Jinyun, and his charm and research are similar to those of Xiao Wang. Huang tingjian also praised? Big ling grass is fascinated? , yellow book? The pen is round and old, and its structure is compact, which is presented by Yan. (Da Zhongguang). That's Shi, although his writing is different from? Two kings? No, but there are similarities. Jiang Kui also praised Xiao Wang, saying: There are many cursive scripts handed down from ancient times, all of which are written in small letters except Luo Shenfu. Nanny Zhi Zhu is on the right track, and her writing style is strong and correct. It is a combination of Lanting and Yue Yi's theory, seeking two kings' laws, not believing them. ?
Zhao Mengfu in the Yuan Dynasty, Zhu Yunming in the Ming Dynasty, Wen Zhiming, Dong Qichang, Wang Duo in the Qing Dynasty, etc. have made outstanding achievements in learning Xiao Wang's calligraphy since the Yuan, Ming and Qing Dynasties. There are many examples, so I won't list them one by one.