"Tian Jing Sha·Spring" is a short poem composed by Bai Pu, a Sanqu writer of the Yuan Dynasty. This song is one of the four "Tian Jing Sha" by Bai Pu. The four "Tian Jing Sha" are respectively titled with the four seasons. Now I bring you the Yuan song "Tianjingsha·Spring" about Bai Pu's spring. I hope you like it!
"Tianjingsha·Spring"
Dynasty: Yuan Dynasty Generation
Author: Bai Pu
The spring mountain is warm and the wind is gentle, the curtains of the pavilions are covered with curtains, and the willow swings are in the courtyard. Orioles are singing and swallows are dancing, and the flowing water on the small bridge is red.
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The sun is warming up and a warm spring breeze is blowing. On the pavilion, the girl leaned on the railing and looked out, with the curtains rolled up. In the courtyard, the willows cling to the trees, and the swings sway gently. Outside the courtyard, there are flying spring swallows and chirping orioles. The water flows under the bridge and the falling flowers are red.
This piece uses painting techniques to describe spring scenery from different spatial levels. Specifically, the background of the entire picture is the distant view, the second sentence is the character's foothold is the close-up view, and the third sentence is the courtyard. The noisy scene in the middle shows a picture full of vitality and spring, which is the middle ground. The two adjectives that best reflect the characteristics of spring are warm and singing, while the most vibrant scenery in the courtyard is dancing swallows and flying red. The character of this song should be a woman. She stands beside the railing and under the curtain, peeping at the spring scenery. The spring in her eyes is more delicate and beautiful...
This song and music are entirely composed of Liejin, which is a special rhetorical method in Chinese classical poetry. This name was proposed by contemporary rhetorician Tan Yongxiang. His explanation of Liejin is: a peculiar sentence pattern in classical poetry works, that is, the whole sentence is composed of nouns or noun phrases, without verbs or adjective predicates, but it can still be used It has the effect of describing scenes, expressing feelings, and narrating feelings. ("New Patterns of Rhetoric", Fujian Education Press)
Using "Liejin" can achieve good expression effects. As people have analyzed, Liejin has the beauty of condensation, simplicity, implicitness, ethereal beauty and artistic conception. Taking today's art category as an example, Liejin has achieved certain effects of clever editing of film and television shots (that is, montage), which can stimulate readers' rich imagination and associations, and it is full of words and endless meanings.
Appreciation
This piece of music "Spring" uses painting techniques to describe spring scenery from different spatial levels. Specifically, the spring day and spring mountain in the first sentence The background that forms the whole picture is the long shot, the second sentence is the foothold of the characters is the close shot, the third sentence is the noisy scene in the courtyard, showing a picture full of vitality and spring, which is the middle shot. The two adjectives that best reflect the characteristics of spring are warm and singing, while the most vibrant scenery in the courtyard is dancing swallows and flying red.
Every sentence in the whole song is inseparable from the characteristics of spring. "The warm sun and wind in the spring mountains", the beginning of the work presents a grand and warm background from a distance. In other words, the author paints a warm, warm and vast spring background picture. In this sentence, the author deliberately highlights the characteristics that spring has come to the world. The "mountain" is full of spring, the "sun" is warm, and the "wind" is warm and tender. This picture is very beautiful: in the bright spring light, the spring mountains are moist, the spring sun is melting, the spring breeze is warm, joyful and comfortable.
The two sentences "Land pole pavilion curtain" and "Willow swing in the courtyard" are written closely. The poet changed from the "spring mountain" in the distance to the "pavilion" and "in the courtyard" nearby. scenery. The "curtains of the pavilions and pavilions" in this bright spring light are also completely different from those in other seasons. They all reflect the new green of the "spring mountains", bathe in the brightness of the "warm sun", and are draped in the warmth of the "gentle wind". It is a pleasant thing to stand on the pavilion, stand in front of the window, lean on the railing and enjoy the spring scenery. The sentence "In the Willow Swing Courtyard" refers to the quiet and elegant courtyard. There are proud white poplars and graceful weeping willows in the courtyard. Especially the swing under the tree swings leisurely, as if there are the laughter of young girls. The biography will come out, full of poetry and painting.
"The orioles are dancing and the swallows are dancing, and the flowing water on the small bridge is flying red." In these last two sentences, the poet's eyes moved from the courtyard to the clear sky and to the wilderness, exaggerating an intoxicating atmosphere. . On the branches of spring trees, orioles sing melodiously; in the clear sky, swallows fly leisurely; in the wilderness, gurgling streams gurgling under small bridges, and fallen flowers fall quietly in the gentle spring breeze. At this point, the artistic conception of the work becomes more harmonious and interesting.
This poem with the title of "Spring" is like an ink landscape painting, with only a few strokes, clear and meaningful. "If you don't touch the road, you won't lose the words." Qu Jia based on his careful observation, Experience and write new artistic conception and new style.
Appreciation
This piece uses painting techniques to describe spring scenery from different spatial levels. Specifically, the background of the entire picture is the distant view, and the second sentence is the foothold of the character. The first point is the close shot, the third sentence is the noisy scene in the courtyard, showing a picture full of vitality and spring, which is the middle shot. The two adjectives that best reflect the characteristics of spring are warm and singing, while the most vibrant scenery in the courtyard is dancing swallows and flying red.
The character of this song should be a woman. She stands beside the railing and under the curtain, peeping at the spring scenery. The spring in her eyes is more delicate and beautiful...
This song and music are entirely composed of Liejin, which is a special rhetorical method in Chinese classical poetry. This name was proposed by contemporary rhetorician Tan Yongxiang. His explanation of Liejin is: a peculiar sentence pattern in classical poetry works, that is, the whole sentence is composed of nouns or noun phrases, without verbs or adjective predicates, but it can still be used It has the effect of describing scenes, expressing emotions, and narrating feelings. ("New Patterns of Rhetoric", Fujian Education Press)
Using "Liejin" can achieve good expression effects. As people have analyzed, Liejin has the beauty of condensation, simplicity, implicitness, ethereal beauty and artistic conception. Taking today's art category as an example, Liejin has achieved certain effects of clever editing of film and television shots (that is, montage), which can stimulate readers' rich imagination and associations, and it is full of words and endless meanings.
Introduction to the poet
Bai Pu (1226-about 1306) was originally named Heng, with the courtesy name Renfu, and later changed his name to Pu, with the courtesy name Taisu, and the pseudonym Langu. The Han nationality was originally from Chizhou (near Hequ in present-day Shanxi Province), later moved to Zhending (today's Zhengding County in Hebei Province), and lived in Jinling (today's Nanjing City) in his later years. He remained in office throughout his life. He was a famous writer, composer, and dramatist in the Yuan Dynasty. Together with Guan Hanqing, Ma Zhiyuan, and Zheng Guangzu, he was known as the Four Great Masters of Yuan Opera. The main representative works include "Tang Minghuang's Autumn Night with Wutong Rain", "Pei Shaojun's Horse on the Wall", "Dong Yueying's Story of the Flower Moon on the East Wall", etc.