50 words of Du Fu's poetry appreciation paper

Linguistically speaking, Du Fu's poems are generally regarded as "gloomy". The word "depressed" first appeared in the Southern Dynasties, which means "depressed and thoughtful, sad and picturesque". Later, Du Fu wrote the word "depressed and frustrated", which accurately summarized the language of his works. "As for depression and frustration, they are agile at all times, while Yang Xiong and Gomez are ordinary. A further study of Du Fu's poems shows that the formation of his poetic style is closely related to his adherence to Confucianism. At the same time, Du Fu was at the end of his heyday. When he was young, he was ambitious. "Once you reach the top, you will see that other mountains are dwarfed under the sky. "Later, the Anshi Rebellion broke out, the national movement declined and the official career was unlucky. The great gap between ideal and reality has also caused great changes in Du Fu's poetic style, approaching realism. The individualization of image selection in Du Fu's poems is the basis of his language. The images that often appear in Du Fu's poems, such as ancient blockhouses, autumn clouds, apes whistling, broken torches, steep gorges, defending the world, solitary boats, fallen flowers, sunset and other natural landscapes, as well as ordinary people such as weaver girls, old women, old farmers and wives, as well as powerful forces such as officials, generals and villains, all show Du Fu's urgent mood of "saving the world and helping the people" and his spearhead to confuse Gan Kun. The evaluation of Du Fu's later poems in Wu Ling's Poems Around the Stream: "Yang opens and Yin closes" says: "Only the meaning is far-reaching, and the next sentence is unknown". Wu Ling added: "When a mortal writes a poem, he only says one thing in one sentence, but he says two more. Du Fu's poems can say three, four or five things in one sentence; Ordinary people write poetry, which is far less than dozens of miles in front of them. Du Fu's poems can be said to be hundreds of miles, two armies and States, and the world is wonderful. "

inclusiveness

As far as style is concerned, Du Fu's poems are diverse in style. Yuan Zhen's evaluation of Du Fu is: "As for the beauty of the son, it is called frivolous and coquettish. At that time, Shen Song seized Su Li and swallowed Cao Liu, hiding his face and thanking him for his loneliness. He was beautiful and beautiful, which was unique in ancient and modern times." Qin Guan also has a similar view: "So Du Zimei people are poor and expensive, extremely luxurious, full of diluted interest, delicate and clean, and have the beauty of algae, which is beyond the reach of other families." However, if you don't gather the strengths of many families, Du can't be immune. "For example, Du Fu also has a wild and unruly side, and Du Fu's heroism can be seen from his masterpiece" Singing the Eight Immortals ". The mainstream view holds that Du Fu's poems are gloomy in style, refined in language, rigorous in meter, skillful in craftsmanship, sincere in feelings, elegant in speech, profound in description, delicate and touching, and vivid in image. "Elaborating beautiful sentences for human nature and gushing" is his creative style. "As far as the narrative style and discussion style of Du Fu's poems are concerned, some scholars think that it is influenced by The Book of Songs Xiaoya, and his elegy and generosity are similar to Li Sao. Some scholars believe that Du Fu's poems have the traditional spirit of benevolent government and the spirit of Sima Qian's record. There are also views that Du Fu's poems have "humanitarian spirit". Han Yu, a great writer in the Tang Dynasty, once compared Du Fu and Li Bai, saying, "Du Li's articles are endless. Wang Anshi praised Du Fu's poem "Ugliness and beauty are so different, but how to carve them". Chen Shan's "New Theory on Qin Tick" Volume 7: "Old Du Fu's poems should be six classics in poetry, while others' poems are philosophers". Jiang Shiquan's Collection of Zhongyatang, the first volume, Preface to the Collection of Du Fu's Poems, is also called "Du Fu's Poet, Four Books in Poetry".

The antithesis of exquisite words

In terms of meter, Du Fu's poems are characterized by refined words and neat antithesis, which conforms to the "architectural beauty" of China's poems. For example, "the wind blows in the wide sky, apes crow and birds crow, the blue lake and white sand return to their nests, the leaves fall like waterfalls, and I see the long river rolling in", which is the embodiment of Du Fu's superb diction and antithesis. In addition, Du Fu also has many innovations in genre, such as his creativity in the Five-Seven Laws and his uniqueness in literary creation.

Profound content

In the content of Du Fu's poems, most of his works reflect the social outlook at that time, with a wide range of themes and profound implications, especially describing the sufferings of the people and expressing his sympathy for the people and his feelings of worrying about the country and the people. Du Fu's poems, known as the history of poetry, first appeared in the late Tang Dynasty. "Du Fu's" Difficult in the Mountain, the flow of the dragon book, the poetry, pushed to the hidden place, almost nothing, so it is called the number. " In the Song Dynasty, the conclusion was drawn, but the significance of poetry history was different. Some people pay attention to Du Fu's poems about historical events, and think that Du Fu's poems are documentary poems, which can supplement and prove history, so they are called poetry history. This statement only pays attention to the truth and falsehood of historical events, but ignores the emotional characteristics of poetry. Some people think that Du Fu has profound historical knowledge and rigorous brushwork, which can be compared with Sima Qian, a historian of the Han Dynasty. Poetry has critics, and they can all be "the beauty that is not empty and the evil that is not hidden", so it is called the history of poetry. This is desirable. On the other hand, Du Fu's history of poetry is desirable to some extent, because he sympathizes with others, but some people don't write Du Like's poems and Yang Yi doesn't write Du Like's poems. Liu Fang's "On Poetry in Zhongshan" says: "Yang Danian is not a poet of the Ministry of Industry in Du Like, but is called a township owner.