Let me first introduce the rhythm of poetry, including three aspects: First, it was first put forward by Shen Yue in the Northern and Southern Dynasties, and was widely used in metrical poetry after the prosperous Tang Dynasty, mainly focusing on the coordination of flat and oblique tones. The second is duality. In verse, especially in metrical poems, the requirement of duality is strict. There are generally sentence pairs in poetry, and there are also many sentence pairs and paragraph pairs in fu and eight-part essay. The third is rhyme, which means that rhyming words regularly appear in appropriate places (usually pause places). These three aspects all come from the characteristics of Chinese pronunciation, that is, monosyllabic morphemes are dominant and have tones. When writing poems, especially metrical poems, the use of parallelism, duality and rhyme is good and natural, which can enhance the sense of music and present the beauty of rhythm; Poor use and excessive use will give people a feeling of thankless, and even hurt the meaning with words. Parallel prose from the Six Dynasties to the early Tang Dynasty is an obvious example. This is the basic skill that every poetry lover must master. Rhyme is the strictest in metrical poetry. Many words, such as "final", "wind" and "public" in East China and "middle", "wind" and "public" in East China, are all pronounced the same now, but metrical poems can't pass. If you pass, you will make rhyming mistakes, be laughed at and fail the exam. After the middle Tang Dynasty, neighboring rhymes gradually appeared, such as the thirteen-yuan rhyme used in Du Mu's poem Qingming, but the first sentence used twelve neighboring rhymes. The rhyme of words is not so strict. Like a flat voice, the words are merged into 14 rhyme. Rhyme also has the difficulty of choosing rhyme and secondary rhyme. When writing a poem, you will encounter difficulties in actively choosing rhyme or passively limiting rhyme. Like the four branches and eleven truths in Pingsheng, it contains many words and is easy to choose, called Kuan Yun; Rhymes like Wuwei and Twelve-character Rhyme contain fewer words and are difficult to choose, so they are called narrow rhymes. There are also some rhymes, such as Sanjiang and Fifteen Salts, which contain fewer words and are difficult to choose. They are called dangerous rhymes. And like some friends' "rhyme limit", the traces are close to word games. Poets must pay attention to the choice of rhyme when writing poems. Having said that, does it mean that all poems should use rhyme, and without rhyme, it is not a good poem? On the contrary, we advocate innovation. "Sticking to the rules everywhere will damage the artistic conception of words and reduce the artistry of words. Vocabulary rules serve people, and we can't be its slaves, so that ideological content can accommodate rules. "
I just want everyone to know something about "Chen" and then come up with "new". What's more, poets often have to rhyme, and some friends like to write poems in the same style. At this time, we can follow the old meter and keep the reasonable parts of the old meter, such as adhesion, antithesis, rhyme, etc., but the pronunciation is completely from now on. In fact, we did this when we were reading ancient poems. Like "Hanshan Mountain is far away and the stone path is inclined, and there are people in Bai Yunsheng. Stop and sit in the maple forest late, and the frost leaves are red in February flowers. Who else reads "Summer" besides ancient prose researchers?
There are many kinds of systematic rhymes. I recommend you to use the new rhyme of China New Rhyme, including *** 18, Ma Er Lang San Ge and other poems. Each rhyme is divided into four tones: flat tone, rising tone, rising tone and falling tone. This is stipulated according to the pronunciation of Putonghua. It naturally rhymes with it, which conforms to the reading habits of modern people. In addition, the thirteen quotations used in Chinese opera are also good. Familiar with this rhyme, flexible use of meter, taking this tone as a new verse, you will surely write excellent works. Some poets think that writing ancient poems, especially lyric poems, is not a "word" without ancient rhyme, which is personally inappropriate.