I only know that Poetry has gone to Su Huang, but who is it? A brief analysis of critical poetry This poem is a criticism of the poetic style of seeking novelty and pursuing danger and its disadvantages. Su Shi and Huang Tingjian are famous poets with great influence in the Northern Song Dynasty, and their poems have made great achievements. Su Shi's poems are magnificent, full of narration, unrestrained artistic conception, vigorous brushwork and full of rational interest, but Su Shi's poems tend to be prose and discussion. Su Shi is brilliant and knowledgeable, so it is inevitable to show off and create new ideas in his poems. Huang Tingjian's poetry strives for novelty, likes to use unused allusions and other people's words, makes strange sentences, gambles on dangerous rhymes and makes hard words. His poetry style is new, thin and hard, and he is good at winning by surprise. He used "replacing bones with fetuses" and "turning stone into gold", which increased the tendency of "learning as poetry" Su and Huang made great efforts to innovate in techniques, pioneering and innovating, and made outstanding achievements. Therefore, Yuan Haowen admitted their poetic achievement and influence of "only doing poetry in Su Huang" ("after another wave of unrest"). On the other hand, Su Huang's post-scholars often don't have Su Huang's talent, so they get short first, which is prone to the disadvantages of blindly advocating adventure, piling up classics, collecting strange images, blunt and obscure language, and unnatural words and expressions ("strangeness is more strange"). Yuan Haowen criticized the bad atmosphere caused by the shortcomings of Su and Huang's poems. At the same time, it also reflects Yuan Haowen's poetic thought of advocating nature and elegance and opposing strange and dangerous carving. Yuan Haowen, the word in it, is from Xiuyong, Taiyuan (now Xinzhou, Shanxi); North Wei Xianbei Tuoba Department, Yuan Hao asked his stepfather Ge Yuan; At the age of seven, he was able to write poems. At the age of fourteen, he studied Hao Tianting and became a scholar in six years. After five years, you won't choose Xingding (122 1); In the first year of Zheng Da (1224), he was a scholar with a macro character, who was awarded Confucianism, compiled by the national history, and passed the county orders of Zhenping, Nanyang and Neixiang. In the autumn of eight years (123 1), he was called to the capital and transferred to a foreign minister except Shangshu Province and Zuosi. Jin Wu was not an official, and Yuan Xianzong died in Lujia for seven years; Poetry and prose works were very important in the Jin and Yuan Dynasties. Poetry has a gloomy style and hurts people. Thirty quatrains in On Poetry occupy a very important position in the history of China's literary criticism. He is the author of One Mountain Collection, also known as One Mountain Collection, and the editor-in-chief of Zhongzhou Collection. Yuan Haowen
China's ballad "Wei Shi Jiu" has different opinions, but no one has discussed it in detail. Who is the chisel in this poem? For the time being, teach quietness to be clear and turbid. -rulers, Yuan Haowen "Thirty Poems" is one of the thirty poems.
China's ballad "Wei Shi Jiu" has different opinions, but no one has discussed it in detail.
Who is the chisel in this poem? For the time being, teach quietness to be clear and turbid. The poetry of the review group is devoted to the eternal love of autumn insects, and Shan Gui is crying in front of the lamp. Jianhu Spring is so deserted, "Peach Blossom Waves are born on the shore." -Yuan Haowen's Sixteen Poems and Sixteen Poems in the Jin Dynasty
Cherish the eternal love of autumn insects, Shan Gui burst into tears in front of the lamp.
Jianhu Spring is so deserted, "Peach Blossom Waves are born on the shore." After criticizing the chaos of the clique, metaphysics lost its original foundation, and it was only sad to look at flowers. Liu Lang is also a guest of human beings, complaining about rabbits and sunflowers to Chunfeng. -rulers, yuan Haowen "on thirty-five poems" on twenty-five poems.
After the troubled times, Xuan lost his original foundation, and looking at flowers and poems was only sad.
Liu Lang is also a guest of human beings, complaining about rabbits and sunflowers to Chunfeng. Poetry criticism