First of all, Wang Wei introduced:
Wang Wei (693 or 694 or 70 1-76 1) was born in Zhou Pu, Hedong (now Yuncheng, Shanxi) and Qixian, Shanxi. Poets and painters in Tang Dynasty.
Wang Wei was born in the royal family in Hedong. In the 19th year of Kaiyuan (73 1), he was the first scholar, right official, suggestion and judge in Hexi. During the Tianbao period of Emperor Xuanzong of the Tang Dynasty, Wang Wei worshipped the official department as a doctor and servant. When An Lushan captured Chang 'an, he was forced to accept a fake post.
After the recovery of Chang 'an, Wang Wei was named Prince Zhongyun, and later the official went to Shangshu Youcheng. Wang Wei died in July of the second year of Shang Dynasty (76 1) at the age of 6 1.
Second, the representative figures of landscape pastoral school:
Wang Wei's works have a wide range of themes, but people call him an pastoral poet because his pastoral poems can best represent his style and artistic achievements. In the early days, his poems had broad artistic conception and magnificent spirit. In the later period, his life changed, and his pastoral poems focused on the quiet and comfortable environment of nature.
Wang Wei lived in the prosperous Tang Dynasty and wrote some frontier poems full of the spirit of the times, as well as some landscape poems with the flavor of the times. He experienced the Anshi Rebellion, but he didn't write a poem that deeply reflected the reality. He just held a negative attitude and was attached to the countryside.
The artistic style of Wang Wei s poems and its poetic influence;
First, the artistic style:
Wang Wei's poems, which often appear in the form of five laws and five sentences, are short in length, exquisite in language and soothing in syllables, especially suitable for expressing the tranquility of mountains and rivers and the poet's leisurely mood. People often comment on Wang Wei's poems with "paintings in poems", which really summarizes the artistic characteristics of Wang Wei's poems.
There are many pastoral poems written by Wang Wei, and most of them have the characteristics of this combination of poetry and painting. The so-called "painting in poetry" refers to a high degree of visualization, that is, using language to describe a seemingly tangible picture of life.
The picturesque beauty of Wang Wei's pastoral poems is mainly manifested in two aspects. On the one hand, it is hierarchical beauty. Wang Wei's pastoral poems skillfully use artistic composition techniques, which are reflected in many poems. On the other hand, its color is beautiful. Wang Wei knows the mystery of color and uses it for innovation. He does not stick to style and theme, absorbs the experience of predecessors and boldly innovates.
Second, the influence of poetry:
Wang Wei is one of the important representatives of China's pastoral poetry school. He not only inherited and developed the tradition of landscape poetry initiated by Xie Lingyun, but also absorbed the plain and mellow beauty of Tao Yuanming's pastoral poetry, and pushed it to a new height, occupying a very important position in the history of China's poetry development.
Wang Wei's landscape poems are mostly written in the later period. Compared with his predecessors, he expanded the content of this kind of poetry and added its artistic style, which made the achievements of landscape poetry reach an unprecedented height. This is his outstanding contribution to China's classical poetry.
Wang Wei's poems enjoyed a high reputation before and after his death. In the Tang Dynasty, the poems of Liu Changqing, Dali Ten Talents, Yao He and Jia Dao were all influenced by Wang Wei to varying degrees. Until the Qing Dynasty, Wang Shizhen's verve theory was actually based on Wang Weishi.