It turns out that this kind of poem has existed in history, and people are used to calling it philosophical poetry. For example, Su Shi's poem "Topic Xilin Wall" looks like a mountain peak on the edge of a ridge, with different distances. I don't know the true face of Lushan Mountain, but I am only on this mountain. "The problem is that this poem by the poetess is not a philosophical poem in the general sense, but two problems that need to be solved rationally: First," What is a poem ",which is originally a logical problem, and its extension and connotation should be considered when defining the concept of art, as follows; First, "what's the use of poetry" is also a question that poetry theorists should sum up. However, the poetess crossed the barriers and creatively answered with poems, which showed her extraordinary artistic courage and aesthetic wisdom.
This kind of poem is easy to be written as a concept poem, just like a concept novel. For example, first of all, abstract language is easy, but female poets are still moving forward in image thinking. What's the difference between abstraction and image? Simply put, what our senses can feel is images. You can see the dragonfly water, which is a visual image; "plucking", audible, is an auditory image; What others can smell is the olfactory image, what they can taste is the taste image, and that "warm wind" is naturally the tactile image. Thinking in images is an important feature of poetry, which is easy for poets to do. In this image thinking, we often talk between poets and nature, such as Ouyang Xiu's "Tears ask flowers without words, red flies over the swing" and Lv Benzhong's "Who knows that annoying smell?" In this poem, the poetess also talks with the four seasons and heaven and earth. On the one hand, it enhances the vividness of the language, and the natural objects talking to themselves are meaningful, which means that the poem has the vast space-time value of the four seasons and the emptiness of heaven and earth.
Another problem with conceptualized poetry is the concept of graphics, which is rigid in content and a simple deduction of some understandings and ideas. For example, what is the poem in our hearts? According to the definition of a network: "Poetry is a literary genre that expounds the soul, and poets need to master mature artistic skills and express social life and human spiritual world with concise language, rich emotions and rich images according to certain requirements of syllables, tones and rhythms." We divide this into eight aspects, each of which is expressed by a poem. For example, we write "according to the requirements of certain syllables, tones and rhythms" as "poetry is the singing of spring water in the mountains and the singing of orioles in the willows at sunrise"; Write "concise" as "poetry is wine brewed from grains and gold soaked in sand" to understand the concept map. Its characteristic is that the concept of poetry is comprehensive and fixed, so it must be rigid and unchangeable, without its own unique sentiment and artistic brilliance. Lin Fangbing, a poetess, obviously doesn't write poetry under the framework of that conceptual attribute, but writes poetry with her own artistic perception and aesthetics, so she must have her own unique perspective, which is her real feeling. She won't think about what this conceptual fact is, nor will she consider whether this writing reveals the essential attribute of poetry. For example, "Poetry is the warm sun in spring, and all flowers are blooming", and writing the beautiful feelings of poetry to female poets is like the sudden arrival of spring sunshine in a cold winter; The beauty of poetry is colorful and varied, just like flowers in spring. Do you think this tastes as bad as an illustration?
Although such poems are related to thoughts, the poetess still uses the highly concise and implicit language of poems to express them, and never uses the straightforward language commonly used to express thoughts, which makes the taste of poems the same as Jue wax. In order to achieve this artistic effect, the poet adopted various artistic techniques, such as the vague language of poetry, saying, "Poetry is a thirst for straw in summer and a dragonfly flies in Liuxi", which is a rhetorical metaphor. In summer, rice fields are thirsty for rain under the scorching sun, which means that poetry is thirsty now and needs the nourishment of "rain", otherwise it will be burned to death. The poet didn't say it, and the expression was so vague, but it gave readers room to think and imagine in combination with the reality of poetry, so it was more intriguing! The last sentence reminds us of the lightness, cuteness, liveliness and vividness of dragonflies, which are more charming and full of vitality against the backdrop of Liuxi. This is an implicit feature of poetry, because dragonflies have different aesthetic feelings in different people's eyes, so their perception of poetry is also different, so the expression is naturally a hazy beauty! However, there is a great semantic span between the two, and it also shows the jumping characteristics of poetic language. When we think together, we will vaguely feel that the above anxiety of poetry is too heavy and too dead. This "rain" is realized from the "dragonfly water", so it is natural to write poetry as light and vivid as a dragonfly. This reminds me of Qian Zhongshu's "Metaphor for Second in Command": "Wei Chuhou wrote that the master of justice said,' The Buddha is still in the water, so it is not desirable'. It is wonderful but not desirable, and it is still a cloud of' the mountain rises, though it is unreachable, and the heart yearns for it', which is a compliment to faith. Huang Tingjian's "Spring in the Garden": "Flowers in the mirror, the moon in the water, eager to get close to Iraq for no reason", as the saying goes, "Sweet sugar wipes his nose and only teaches him not to lick" is an itchy word. "This shows that grasping the two handles of metaphor is an artistic vision and a comprehensive artistic skill. Then, the poetess is not only good at expressing emotions with image language, but also good at reasoning with image language. She also grasped a kind of "second-hand image" and an unconscious declaration of artistic talent.
Let's look at another artistic skill of the poetess, that is, the arrangement of the scene density of poetic images. I think this is as valuable and meaningful as the arrangement of movie scenes. Fan Suhua said in The Creative Ability of Movie Scenes: "The density of the scene determines the speed of the story. Film and television stories are linear art, every second and every minute is precious and can't be wasted without purpose. Stories with overtime scenes on average will inevitably reduce the density, and a scene will last more than five minutes on average. The story is like an old cow pulling a broken car, which makes the audience unbearable. " You see, when the poet talks about the "four seasons", isn't it just an image scene that changes rapidly in the order of spring, summer, autumn and winter? This arrangement embodies the conversion of the poet's thinking theme, the quickness of thinking, the pleasure of thinking and emotion, and the breadth of thinking. At the same time, we once again realize that the value of poetry has spread to a vast space and time.
Poetry should not be cold at any time, but should be emotionally brilliant. Although this poem expresses its own ideas, the shadow of feelings never leaves. For example, "Poetry can be like a sharp arrow, peeling off the veil of ills", that is to say, "ills" have a veil, and we can't see its true face clearly. Facing this veil, we will have all kinds of wrong cognition and perception, and even have a beautiful illusion. Therefore, the veil of "ills" contains the poet's disgust, and poetry can shoot down this veil like a sharp arrow, so poetry is good at expressing emotions with images. When the aesthetic image triggers our association or imagination, we can inject the emotions we once had into poetry, make it laugh and scold, and it will come alive. Isn't that what the poetess wrote? We often say, "when you put pen to paper, it will shake the wind and rain, and poetry will make you cry." The former sentence is about talent, and the latter sentence is about appeal, which is related to feelings. Your feelings, even the hard-to-move ghosts and gods are crying, and that kind of appeal is admirable! The poet's poetry is really extraordinary. Judging from the structure of the whole poem, it is a dialogue with "four seasons", "heaven and earth" and one's own "heart". Some people say that "structure itself is a form, but it also contains an understanding of' meaning'. We thought it over. This structure not only understands poetry from the external time and space, but also praises poetry from its own "heart".
Good poetry always has its uniqueness, which is the embodiment of artistic talent, which makes me admire my friends as movie stars and poetry stars!