Li Bai wrote "Fu Dapeng" in the 13th year of Kaiyuan, and he himself was a Dapeng, all of which originated from "Kun Peng" in "Happy Travel in Zhuangzi". The original meaning of Kun only refers to trivial fish eggs. Er Ya Shi Yu: "Kun, Song." Hao Yixing's book: "All children of fish are always named Kun." From small roe to big fish, and then from big fish to Peng, it is obviously a process of constant idealization. Although it was initiated by Zhuangzi, Li Bai's Dapeng is not based on the re-creation of Zhuangzi's beautiful things, but just like Zhuangzi, it is the product of ideal heart and ideal sense accompanied by a certain degree of tragic consciousness. This is the difference between what was originally idealized and what was idealized. In the face of ideal things, after all, there are certain restrictions, so we can take the form of "talking". Idealized things are different. You can imagine and brag boldly, so it is relatively easy to explode. Li Bai has extraordinary ideals and ambitions. In "Dapeng Fu", he created a Dapeng image of "looking at the universe and Kunlun Mountain" ... promoting HarmonyOS system, fanning thunder, shaking the sky, shaking the mountains and rivers "to express his lofty aspirations. This poem was originally written in Li Bai's youth, which has obvious self-comparison. In Preface to Fu Dapeng, he bluntly declared: "I saw Sima Weizi in Jiangling and on the rooftop, which shows that I have a saint-like demeanor, which can be compared with my mind." "Dapeng meets rare birds" is very popular. "The image of Dapeng in literary works first appeared in the pre-Qin period. Zhuangzi, who is also the master of ancient romanticism in China, created this artistic image with imaginative romantic pen in his stunning masterpiece "Wandering Away": "There are fish in the north, called Kun, whose size is unknown for thousands of miles. Become a bird. Its name is Peng. Peng's back is thousands of miles away. Fly away in anger, and its wings hang like clouds in the sky. " In Happy Travel, Dapeng set out from Beiming, spread his wings and soared for 3,000 miles. Wan Li climbed up and flew all the way to the South China Sea, which was completely unexpected. This Dapeng, shaped by Zhuangzi's brilliant flower pen, is full of personality and romantic sentiment, disdains to go with the flow, and has unimaginable ambitions and abilities of ordinary birds, which undoubtedly has a great influence on Li Bai. As we all know, Li Bai thought highly of himself all his life. In this essay, Li Bai, a teenager, compares himself to Dapeng and expresses his extraordinary ambition of "struggling to turn the sky into the sky and shaking the sea" with passionate brushstrokes. Later, Li Bai was frustrated in Chang 'an officialdom, squeezed out by the powerful people in the DPRK, and paid back by Emperor Xuanzong of the Tang Dynasty. After that, he didn't lose heart, and the image of Dapeng was still active in his poetry creation. The most famous is "Dapeng rises in the wind one day and soars into Wan Li" in Li Yong. If the wind weakens, it can still lift away the turbulent current. ..... "At this time, Dapeng is no longer as arrogant and brave as he was at home. Although he failed, he is still unwilling to be lonely and still struggling, but in Ge, he is overwhelmed and has reached the terminal of fate. Li Bai, a romantic genius who calls himself Dapeng, is about to complete his lifelong struggle, from "the sky turns to the sky, and the mountains shake the sea" to "the wind is broken, but the clouds are surging" and then to "the sky is weak and indestructible". Although his vitality and influence are high and low in different stages of life, his tenacity is accompanied by his life. In his early years, he was a top player. " Jet will generate electricity in Liuhe, and it will fly thousands of miles "("Fu Dapeng "); After leaving Chang 'an, he is still unwilling to fail, eager to make a comeback one day. "Dapeng rises with the wind one day and soars into Wan Li" ("Li Yong"); In his later years, on his deathbed, he was still singing "Bazi in Xi Town, Peng Fei" ("Brother Lu")! Eight people are from all directions. This is singing that he is flying high in the sky like a Dapeng bird, and its momentum is shocking in all directions. He also said in the preface of Fu Dapeng that he would "wander on the octupole table". The image of Dapeng, free from all bondage and always eager to soar, is the best artistic portrayal of Li Bai's own pursuit. This time, however, Li Bai understood that this has become a regret that can never be realized. So the second sentence is "the sky is too weak to be destroyed", but unfortunately it only flew halfway, but because its wings were broken, it could not fly again. These two poems at the beginning of Duiluge can be said to sum up the poet Li Bai's life's struggle experience artistically. He was favored by the supreme ruler in his early years. Chang' an imperial court, attracting thousands of people's attention, has unlimited scenery. It's really "a big fly, a great shock to eight people"! But in the end, due to the negligence of calculation, the villain in the DPRK was driven out of the court and had to leave the political center not far away. Although he is full of lofty sentiments, he can't serve his country. "Isn't the sky full of destruction? "This poem was written in the style of Chu Ci. From the first day of Qu Yuan's creation, it has obvious tragic color and strong personality style. Therefore, it is appropriate for Li Bai to sum up his life experience and pursuit with Chu Ci.
It is true that the ancients also paid homage to the dignitaries, and even the poet Du Fu had his own flattery poem "Carving Fu", which has long since disappeared. When reading Du Fu's poems, you should know his talent. Du Fu wrote three great gifts in ten years in Tianbao, Xuanzong. Then the emperor called an article in the book hall of Jixian Academy. After calling an article, he asked him to wait. He waited for three years without news. So Du Fu presented another poem "Carving Fu". Carving is also a kind of eagle. Du Fu said that the sculpture represents a man of integrity and courage, and he said that it should be like this as an exhorter. It is the villain in the imperial court who is attacked by the remonstrating officer, so we should "why not attack everything and spill weeds with blood?" This is the metaphor of the remonstrator, and the remonstrator in the imperial court should have this unyielding fighting style. Therefore, Qiu praised Du Fu in "Detailed Notes on Du Fu's Poems", saying that Du Fu "every poem must be full of vitality, so the old pen is full of vitality and the gas field flies". He said that whatever Du Fu recited, he put all his spirit and feelings into it, so he wrote so sophisticated and powerful, and there was an aura flying in the middle, which made him write differently.
September autumn bleak, straight up to see the owl, male material as their own responsibility, go it alone. ……
A husband is better than gold, as ancient as iron. The eyes are connected to the brain and the muscles are at the joints. Above the porch, it is pure lacquer light.
Mang; Between Liang Dong, the cold wind blows hard. Although the toes are ever-changing, the forest attracts thousands of points and the clusters are sparse.
Sudden fork and full fold, but also have the meaning of touching evil. ……(24/2 173)
In these two poems, the heroic ambition of the goshawk, the courage to do things, and the justice of touching evil are vividly on the paper. Zhang Ergong said, "Carve, Alakazam birds are as big as eagles." [45] shows the image connection between eagle and sculpture. Du Fu's "Into Sculpture" said: "I thought that sculptors and birds of prey, each with its own characteristics, could not fight, but they were spectacular and crazy about the original. For example, this is what the minister means by primly. " [46] This is the main significance accepted by Huang Che, Yang Lun, Qiu and the previous generation of researchers.