Dune City, located on the bank of Wenshui in Shandong Province, is where Li Bai stayed in the middle of Shandong Province. The poet bid farewell to Du Fu and returned to the sand dunes alone from a life full of friendship and joy, feeling lonely and the value of friendship. This poem is to express the feelings of "thinking of the monarch" that cannot be ignored in this situation. At first, the poet used a lot of pen and ink to write about his life, the surrounding environment of his residence and his mood. There is neither the word "thinking" nor the word "jun" in the first six sentences of the poem, which gives the reader a feeling of being at a loss, and it is not until the end of the poem that the word "thinking of jun" is suddenly realized. There is not a sentence in the poem that doesn't say "I miss you", which is stronger than the couplet, so that in the end, I can't express my feelings directly. The smoke of the first six sentences became the foil of the last two sentences. Such an idea can not only create momentum for the theme of poetry from various angles and feelings, but also endow those daily life events with rich poetry.
The poem says, "What am I doing here?" This is the poet's own problem, which is quite a bit of unspeakable indignation and regret. This will attract readers' attention and cause suspense. "High-lying Dune City", with high terrain, actually refers to the poet's idle and boring life. On the one hand, this sentence describes the present life, on the other hand, it also responds to the reasons for raising the above questions. The reason why the poet doesn't "lie high" on the sand dunes is because he misses Du Fu as a friend. The beginning of this row of poems is the complicated and depressed feelings of the poet after his love and happy life disappeared, which is produced in a sudden way.
One or two sentences tend to express subjective feelings, while three or four sentences turn to the description of objective scenery. "There are ancient trees on the edge of the city, listening to autumn sounds every day." For the poet, the sand dune city in front of him seems to have nothing to see except the old trees on the edge of the city, rustling day and night in the autumn wind. "In the middle of the night, the wind and bamboo knock on the autumn rhyme, and Chiba hates it." This bleak autumn wind and sad atmosphere make the poet miss his friends and reminisce about the past, which is even more difficult for him to care about. "There is a yearning for parting, Yao Se and Jin Zun." However, here and now, this situation is extraordinary, wine can't eliminate sorrow, and songs can't forget sorrow. Lu and Qi refer to Shandong where the poet was at that time. "Don't get drunk" means that you are not interested in getting drunk. "Empty feelings", because the poet has no intention to appreciate, and can only sing sentimentality. Such rewriting will greatly increase the weight of lyricism, and at the same time, it will also force the following.
Wenshui, which originated in Laiwu, Shandong, flows to the southwest. Du Fu bid farewell to Li Bai in Lu County and wanted to go to Chang 'an, which is also located in the southwest of Lu. Therefore, the poet said, "My yearning for you is like this mighty river, which follows you south day and night." The poet sends his feelings to the flowing water, takes care of the title of the poem and points out the main idea. The artistic conception of flowing water and endless lovesickness make the language enjoy a long charm. This kind of endless thoughts, as well as the kind of "green water on the horizon, green hills on the sea." "Let's meet each other, why get drunk" broad and free-spirited mind. It shows the richness of the poet's feelings and styles.
In the development of China's ancient poetry, ancient style precedes metrical style. However, the prevalence of legal style also influenced the writing of ancient poetry. For example, Li Bai's five ancient poems are all eight sentences. Although the middle four sentences are not neat antithesis, the antithesis and overall format of some words can still be seen. This kind of composition and sentence pattern, which is correct in ancient times, better expresses the poet's pure and deep feelings and makes the whole poem have a natural and dignified style. In the Ming Dynasty, Gao Yun's Poems of Zhengtang was simple and affectionate.
The Return of Zhong Xing and Tan's Tang Poems in Ming Dynasty: Zhong Yun: The word "Lian" is strange (under the sentence "Rixi"). Gordon pai' ea chung-hoon: I am really angry The works that Li Bai gave Du Fu were natural, needless to say clumsy.
Shen Deqian on Tang Poetry in Qing Dynasty: The sand dunes are in Laizhou, and the water comes out of Yishui. In Qingzhou, the situation is connected and I want to send my feelings because of the water.
Poems of Tang and Song Dynasties compiled by the Qing emperor: Bai and Du Fu know each other best, and "one mountain has a meal" is necessary, which is contained in Yi Wen Zhi and You Yang Zaji, covering folk rumors, and Bai Ji is nothing. Bao, Yu, Yin, He, the word flow is the most important, and the real case is still like this. If the special merit is great, it will not be sent under the fence. Does Andrew think this is a mockery? There are more than ten poems and white poems, and white poems are also repeated, which means this conclusion is not thin. Secular contempt for the ancients is often the case, and people who are still talking about it should know it. Shen Deqian said, "There is space, but there are feelings. This poet is sincere, but shallow people think it is tasteless.
Li Taibai Shichun, the quintessence of Japanese Kondo: A famous sentence will have a lasting appeal after reading it (under the sentence "on the edge of the city"). Xie Yun: There is an ancient poem "Love is empty, but it hurts". Today it is divided into four sentences, especially seeing nature (the last four sentences).