1. Rewrite the ancient poem Weichuan Tianjia into a short story
Hello! Su Mo has the answer for you!
As the sun sets and night approaches, the poet feels envious when faced with a picture of the Tian family returning home at night, enjoying themselves. The core of the poem is the word "return".
At the beginning, the poet first describes the scene of the setting sun shining slantingly on the village, exaggerating the strong atmosphere of twilight, which serves as the general background and unifies the entire article. Then, the poet landed on the word "return", describing the scene of cattle and sheep slowly returning to the village, which naturally reminded people of a few poems in the "Book of Songs": "Chickens roost in the pond, and the sun sets. , the sheep and cattle come down. What should a gentleman do when he is at work?" The poet watched the cattle and sheep return to the village infatuatedly until they disappeared into the alley. At this moment, the poet saw a more touching scene: outside Chaimen, a kind old man on crutches was waiting for the children returning from grazing. This simple affection exuding the fragrance of earth infected the poet and seemed to share the joy of the shepherd boy returning home. For a moment, he felt that all the life in the field seemed to be thinking about returning home at dusk. Isn't it? The pheasants in the wheat field crow so emotionally. They are calling for their spouses; there are not many mulberry leaves left in the mulberry forest, and the silkworms begin to spin silk and make cocoons, creating their own comfort zone and finding their own destination. . In the fields, farmers were seen in twos and threes, returning from the fields with hoes on their backs. They met by chance on the field paths and chatted cordially. It was almost like they were so happy that they forgot to return home. The poet witnessed all this and thought of his own situation and life experience, and was very emotional. Since Prime Minister Zhang Jiuling was squeezed out of the imperial court in the twenty-fifth year of Kaiyuan (737), Wang Wei deeply felt that he had lost political support and was in a dilemma. In this mood, he came to the wilderness and saw that everyone had returned to their destination, but he was still wandering in the middle. How could he not feel envious and melancholy? Therefore, the poet sighed with emotion and said: "I am so envious of leisure and leisure, and I chant "The Decline" in sadness." In fact, farmers are not leisurely. But the poet felt that compared with the official life that he was worried about, the farmers were much safer and more comfortable, so they had a sense of leisure. "Shi Wei" is an article in "The Book of Songs: Bei Feng". The poem repeatedly chants: "Shi Wei, Shi Wei, Hu will not return?" The poet uses this to express his eagerness to return to the countryside. Not only is it similar in artistic conception to the first sentence "The setting sun "Photography of the countryside" reflects each other, and the content also falls on the word "Gui", which makes the description of the scenery and the lyricism fit together seamlessly, and reveals the theme in a finishing touch. After reading this last sentence, I suddenly realized: so many words "return" written before are actually a contrast. It means that everyone has a return, which contrasts that I have nothing to return to; it means that everyone returns in a timely, kind and comfortable way. It contrasts with the loneliness and depression of his late retirement and his involvement in the officialdom. This last line is the heart and soul of the whole poem. If you think that the poet's original intention is to complete the picture of Tian's late return, this is superficial. The whole poem does not involve engraving or painting, but is purely drawn in white. It is natural, fresh and full of poetry.
If you are satisfied, please adopt it! Thanks! 2. Write the first two sentences of Weichuan Tianjia in a composition
"Weichuan Tianjia"
The setting sun shines on the countryside, and the cattle and sheep return in the back alleys.
The old man in the wild misses the shepherd boy and relies on Jing Fei.
There are pheasants and wheat seedlings, and silkworms are sleeping on the mulberry leaves.
Tianfu came to hoe, and we met each other and talked to each other.
This is the time when I am envious and leisurely, and my sadness fades away.
The meaning of this pastoral poem is: the village is covered with the afterglow of the sunset, and the cattle and sheep return one after another along the deep lanes. The old man misses his grandson who is grazing, and his stick is waiting for him at the firewood gate of his house. The pheasants crow, the wheat is about to ear, the silkworms are sleeping, the mulberry leaves are already thin. The farmers returned to the village with their hoes in hand, laughing and loving each other. Why don't I envy you for being so comfortable? I couldn't help but recite "Shiwei" sadly (Shiwei is "Shiwei, Shiwei, Hu Bugui?" in "The Book of Songs·Beifeng·Shiwei").
The poem begins with "The setting sun shines on the village", which depicts the desolate scenery of the setting sun, approaching night, and the setting sun shining on the village houses. This not only explains the time, names the place, but also opens the curtain on the background of the whole poem. Next, the poet wrote with vivid and affectionate pen and ink, full of passion, "Cows and sheep return in the back alleys. The old man in the wild misses the shepherd boy and relies on the thorn gate." This kind of scene is extremely common in the countryside. However, it was this extremely common thing that infected the poet: the kind old man, thinking about his grandson in his heart, hobbled, leaning on the door and looking at the door to welcome his grandson's return. This deep affection between grandfather and grandson deeply moved the poet. It makes people seem to see the joyful atmosphere of wild old people waiting to return home and grandfathers and grandchildren meeting each other. The poet found his own destination from this peaceful and quiet picture. Then, the poet painted another pastoral landscape painting: "Pheasants and wheat seedlings are showing, silkworms are sleeping in sparse mulberry leaves. Field husbands are hoeing, and they meet each other and talk to each other." The first two sentences describe the quiet scene: when the wheat is blooming, Pheasants crow, calling for family members to return quickly; mulberry leaves are sparse and silkworms are dormant. The last two sentences describe the moving scene: farmers under the setting sun carry hoes, walk in the twilight, with the fragrance of soil all over their bodies, on their way home. When they meet the villagers, they talk cordially and greet each other, which seems very cordial.
This description of stillness and movement seems so natural and harmonious, as if the scenery and interest of this natural and unpretentious pastoral mountain village are right in front of you, making people feel more intimate! 3. Rewrite Weichuan Family into a composition of no less than 150 words
Wang Wei, (698-759 AD, also said to be 701-761 AD), courtesy name Mojie, Tang Dynasty He was born in Qi, Hedong (now Qi County, Shanxi). He was a Jinshi at the age of 21 and was promoted to Shangshu Youcheng. After the age of 40, he lived a life of both officialdom and seclusion, and became a Buddhist in his later years. Wang Wei is a versatile artist who is good at poetry, music, painting, and calligraphy. The predecessors called him the "Poetry Buddha", and his poems are "poems, paintings, and poems".
When he was young, Wang Wei was eager to make progress, actively participated in political affairs, and hoped to be mentored by famous people. Later, he was promoted by Zhang Jiuling to the position of Youshiji. However, due to the treacherous officials in the imperial court, Wang Wei saw through the red world and lost hope in the imperial court, so he half-hidden and half-retired, feeling extremely painful in his heart. In order to save himself and relieve the pain in his heart, he began to walk towards mountains, rivers, forests and springs to enjoy the beautiful scenery of nature, and wrote many beautiful landscape poems and pastoral poems about rural life in mountain villages. "Weichuan Tianjia" is one of them.
The setting sun shines on the countryside, and the cattle and sheep return to the back alleys.
The old man in the wild misses the shepherd boy and relies on Jing Fei.
There are pheasants and wheat seedlings, and silkworms are sleeping on the mulberry leaves.
Tianfu came to hoe, and we met each other and talked to each other.
This is the time when I am envious and leisurely, and my sadness fades away.
The meaning of this pastoral poem is: the village is covered with the afterglow of the sunset, and the cattle and sheep return one after another along the deep lanes. The old man misses his grandson who is grazing herds, and his stick and stick are waiting for him at the firewood gate of his house. The pheasants crow, the wheat is about to ear, the silkworms are sleeping, the mulberry leaves are already thin. The farmers returned to the village with their hoes in hand, laughing and loving each other. Why don't I envy you for being so comfortable? I couldn't help but recite "Shiwei" with sadness (Shiwei is "Shiwei, Shiwei, Hu Bugui?" in "The Book of Songs·Beifeng·Shiwei").
The poem begins with "The setting sun shines on the village", which depicts the desolate scenery of the setting sun, approaching night, and the setting sun shining on the village houses. This not only explains the time, names the place, but also opens the curtain on the background of the whole poem. Next, the poet wrote with vivid and affectionate pen and ink, full of passion, "Cows and sheep return in the back alleys. The old man in the wild misses the shepherd boy and relies on the thorn gate." This kind of scene is extremely common in the countryside. However, it was this extremely common thing that infected the poet: the kind old man, thinking about his grandson in his heart, hobbled, leaning on the door and looking at the door to welcome his grandson's return. This deep affection between grandfather and grandson deeply moved the poet. 4. Rewrite Weichuan Family into a composition of no less than 150 words
Wang Wei, (698-759 AD, also said to be 701-761 AD), courtesy name Mojie, Tang Dynasty He was born in Qi, Hedong (now Qi County, Shanxi). He was a Jinshi at the age of 21 and was promoted to Shangshu Youcheng.
After the age of 40, he lived a life of both officialdom and seclusion, and became a Buddhist in his later years. Wang Wei is a versatile artist who is good at poetry, music, painting, and calligraphy.
Predecessors called him the "Poetry Buddha", and his poems are "poems within paintings and poems within paintings". When he was young, Wang Wei was eager to make progress, actively participated in political affairs, and hoped to be mentored by celebrities. Later, he was promoted by Zhang Jiuling to become the Right Supplier.
However, due to the treacherous ministers in the court, Wang Wei saw through the red world and lost hope in the court, so he half-hidden and half-retired, feeling extremely painful in his heart. In order to save himself and relieve the pain in his heart, he began to walk towards mountains, rivers, forests and springs to enjoy the beautiful scenery of nature, and wrote many beautiful landscape poems and pastoral poems about rural life in mountain villages.
"Weichuan Tianjia" is one of them. The setting sun shines on the countryside, and the cattle and sheep return home in the back alleys.
The old man in the wild misses the shepherd boy and relies on Jing Fei. The pheasants are flying and the wheat seedlings are showing, and the silkworms are sleeping and the mulberry leaves are sparse.
Tianfu came to hoe, and we met each other and talked to each other. That is to say, this envy of leisure and relaxation fades away with sadness.
The meaning of this pastoral poem is: the village is covered with the afterglow of the sunset, and the cattle and sheep return one after another along the deep lanes. The old man misses his grandson who is grazing herds, and his stick and stick are waiting for him at the firewood gate of his house.
The pheasants are crowing, the wheat is about to ear, the silkworms are sleeping, and the mulberry leaves are thin. The farmers returned to the village with their hoes in hand, laughing and loving each other.
Why don’t I envy such comfort? I couldn't help but recite "Shiwei" with sadness (Shiwei is "Shiwei, Shiwei, Hu Bugui?" in "The Book of Songs·Beifeng·Shiwei"). The beginning of the poem, "The setting sun shines on the village," depicts the desolate scenery of the setting sun, approaching night, and the setting sun shining on the village houses.
This not only explains the time, names the place, but also opens the curtain on the background of the whole poem. Next, the poet wrote vividly and affectionately, full of passion, "The cattle and sheep return in the back alleys.
The old man in the wild misses the shepherd boy and relies on the thorn gate." This kind of scene can be seen in the countryside. It's extremely common.
However, it was this extremely common thing that infected the poet: the kind old man, thinking about his grandson in his heart, staggering, leaning on the door and looking at the door to greet his grandson. Return. This deep affection between grandfather and grandson deeply moved the poet.
5. Looking for a vernacular translation of "Weichuan Tianjia"~~
Weichuan Tianjia
Wang Wei
The slanting light shines on the village, and the cattle and sheep return in the back alleys.
The old man in the wild misses the shepherd boy and leans on his stick to wait for the thorn tree.
Pheasants? Wheat seedlings are beautiful, silkworms are sleeping and mulberry leaves are sparse.
Tianfu came to hoe, and we met each other and talked to each other.
This is the time when I am envious and leisurely, and my sadness fades away.
Definition
The village is covered with the afterglow of the sunset, and the cattle and sheep return one after another along the deep alleys. The old man misses his grandson who is grazing, and his stick is waiting for him at the firewood gate of his house. The pheasants are crowing, the wheat is about to ear, the silkworms are sleeping, and the mulberry leaves are already thin. The farmers returned to the village with their hoes in hand, laughing and loving each other. Why don't I envy you for being so comfortable? I couldn't help but chant "The Decline" sadly. 6. Guan Ju was rewritten into a 300-word essay, and Jianjia was rewritten into a 300-word essay
"Guan Guan, Guan Guan..."
The familiar sound of water birds sounded in my ears again. The rippling blue water of the lake, swayed by a patch of waterlilies in the wind, makes people even more intoxicated, just like her.
With a beautiful face and a graceful figure, she plucks watercress along the current, and her delicate hands are full in the evening. She is exactly the beauty I am looking for in my sleep, breathtakingly beautiful.
The funny thing is that the first time I tried to approach her, she was politely rejected. I, who had always been confident, suddenly couldn't find my direction. I felt lost and confused. It was dissolved in the wine and burned in my heart. For several nights, I couldn't sleep because I only had her in my mind. But for the next few days, I still couldn't even say a word to her.
I wanted to leave, but unexpectedly I saw her again before leaving. She was still walking through the patch of waterlilies like a fairy, with her delicate hands still as graceful as ever. But I am not qualified to be by her side, I just want to leave this heartbreaking place alone. . Thinking of this, a feeling of sadness came to my heart. I untied the Yaoqin tied behind my back and played a solo song "Beauty Pity". I wanted to vent my depression, but I couldn't suppress my admiration. When the song ended, I couldn't help but sigh again, and I thought: It's time to go.
"That song just now was "Beauty's Pity"?"
I looked up in surprise, and it turned out that she had parked the boat next to me without knowing it. At that time, I simply didn’t know what to say. I was so surprised that I forgot to answer.
She looked at me with a smile, "Master, can you play one more song?"
"Please give me some advice."
In the next ten days or so, Every day when the sun sets, I will always sit by the lake and play for her as she walks among the water plants, and she starts to sing happily along with the melody. Water birds flying low and chirping, waterlilies swaying in the wind, and songs and tunes echoing on the lake. . I suddenly found that this place is more beautiful and full of hope than before.
But now, the sunset without her seems so bleak.
The water birds are still flying low, the water plants are still swaying in the wind, and the Yao Qin on my lap has not played music for a long time. I wonder if the melody it plays is still beautiful.
A gust of wind blew by, and the love song from the past sounded again, giving blessings to her who once circulated among the water plants, and also to bless the beloved in the distance. . ..
Jianjia
In the early morning, the crystal clear dewdrops dotted the white reeds by the river. A figure was hiding in the haze. You looked back and smiled, which immediately attracted my attention. Endless lovesickness. I only drink a small amount of water from three thousand dollars. Are you willing to give me that chance? My beloved, do you still remember the first time we met? Although you are standing on the other side of the water, it is not difficult to arouse my infinite reverie about you. When I turn around, I am amazed by your extraordinary worldliness. "If you want to compare the West Lake to the West, it is always better to put on heavy makeup and light makeup." I think so. That's it. But beautiful things are often easily shattered. Suddenly you disappeared from my eyes without a trace, leaving only the lingering fragrance of your rouge in the air. I have to look for your beautiful figure in the reeds. I am willing to go upstream, but I see the difficulty and length of the road. Going down the river, you seem to be in the middle of the water. The reeds are still so lush, and the dewdrops have not faded away. The difference is that you stood on the bank of the river and smiled lightly at me, which made me intoxicated. If missing you is a mistake, I am willing to make it forever, just because beauty is like jade.
I long for you and remember each other. On the way home, all I could think about was you. Your every frown and smile are deeply engraved in my heart. Time without you is like cold winter without spring to cling to. Without you by my side, my four seasons will be only winter. The belt is getting wider and I don’t regret it anymore. I feel haggard because of Yi. Apart from thinking about you, I have almost nothing to do. A chance encounter made me fall in love. I am determined to make you a promise: We will Together forever!
You were still playing hide and seek with me by the Reed River. The flying reeds confused me. Maybe God already knew my thoughts. You passed me by with a reed in your hand. Buddha said: Looking back five hundred times in the past life only leads to one passing by in this life. Since you and I have missed so many times in our previous lives, how could I give up so easily in this life?
I am hurt by love and suffer by love. I only care about you, so I let that reed become a token between us. Your token pierces my heart, but it also reveals your loneliness. I want to hold you tightly and hold you in my arms. What I want is not a vigorous and life-or-death love. I just want a long-lasting love between us.
Did you know how pleasantly surprised I was when you shyly handed the reed to me? The reed dancing in the wind cheered us up. You ran away blushing. Your shyness made my heart beat. I knew you couldn't escape. Lost, we no longer need to be separated from the two sides of the Taiwan Strait, because the happiness of "holding hands and growing old together" between us has just begun!
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