The central idea of spring hope

Spring Hope expresses the author's hatred of war, anxiety about the rise and fall of the country, and longing for peace and happiness by describing the extreme chaos and desolation caused by the war in Chang 'an during the Anshi Rebellion in the Tang Dynasty.

What spring looks like.

Don? Du fu?

Chang' an fell, the country was broken, and only the mountains and rivers remained; Spring has come, and the sparsely populated Chang' an city is densely forested.

Sad state, can not help but burst into tears, amazing birds, leaving sorrow and hate.

The war lasted for more than half a year, and letters from home were rare, with a hundred thousand gold.

Twisting with melancholy, scratching my head and thinking, the more I scratch my white hair, I can hardly insert a hairpin.

translate

Autumn in Beijing is just like mountains and rivers, and the urban areas are overgrown with weeds in spring.

I am worried and sad, but I will cry when I see the flowers bloom. It pains me to leave my family.

The war has not stopped in March, and the letters from home are precious and can be worth thousands of dollars.

I only scratch my head when I am depressed and upset, so that my white hair is sparse and I can't insert it.

Extended data:

Creation background

This poem was written in March of the second year of Su Zong's visit to Germany (757). In June of the first year, the Anshi Rebellion invaded Chang 'an. "After three days, Dassault, all private wealth was plundered", and the city was set on fire, making the prosperous and magnificent Kyoto a ruin. In August of the first year, Du Fu placed his wife in Qiang Village, Zhangzhou, was captured on the way to Lingwu in the north, and was taken to Chang 'an after the fall. It's been over half a year. It was late spring, touching the scene and breaking my heart. I created the five laws that have been passed down for generations.

This poem is a blend of scenes, deep feelings, implicit and concise, which fully embodies the artistic style of "depression and frustration". This poem has a compact structure and revolves around the word "Wang". The first four sentences are lyrical by borrowing scenery and scenery. The poet's sigh and anger, in the cross-transformation of feelings and scenery, have been conveyed implicitly from climbing to overlooking, from far and near, from weak feelings to strong feelings.