Handwritten newspaper: common sense of ancient poetry

1. Rhyming: rhyming words at the end of a verse sentence, such as Li Bai's Thoughts on a Quiet Night, are there already frosts at the foot of my bed? Looking up, I found that it was moonlight and sank again, and I suddenly remembered home. The land of light and frost is rhyme. Usually the third sentence doesn't rhyme, but there are also poems with irregular rhymes (such as looking at Tianmen Mountain).

2. Rhyme: Poetry rhymes to make the tone harmonious and beautiful. For example, Li Bai's "Silent Night Thinking" uses rhyme.

3. The structure of metrical poems: * * eight sentences, with one or two sentences as the head couplet, three or four sentences as the parallel couplet, five or six sentences as the neck couplet and seven or eight sentences as the tail couplet.

4. The rhythm and rhythm of ancient poetry:

Judging from the sentence pattern, the four words of ancient poetry are generally two and two; Five words are two, two and one; These seven characters are two, two, two, one,

In a sense, sometimes there are special circumstances due to ideographic needs, such as: Shila | Wuyue | Gai | Chicheng, which becomes Type II, II, I and II.

Because there are no punctuation marks in ancient poems (punctuation marks were added by later generations), one line is one sentence.

6. Restore the inverted word order and grasp the poet's true intention and emotional focus.

A. the subject is postpositioned. Cui Hao's poem Yellow Crane Tower:? Every tree in Hanyang has become clear due to sunlight, and Nautilus Island is covered with sweet grass. ? Meaning? Qingchuan (on the sunny Yuan Ye) Hanyang trees are vivid (countable), and the grass on Nautilus Island is growing? ,

B. prepositional object. Du Fu's poem Moonlit Night:? Her cloudy hair is sweet with mist, and her jade-white shoulders are cold in the moonlight. ? Real? Sweet fog and wet clouds, cold and jade arms? .

C. transposition of subject and object. He Xinlang of Ye Mengde:? Autumn is getting stronger and stronger, and Jin Ju spreads the message of the first frost. ? Obviously, too Yellow flowers report frost letters? The meaning of.

D. the location of the attribute.

(1) Attributive moves forward. Wang Changling's poem "Join the Army": There is a dark snow-capped mountain in Qinghai, with long white clouds and a lonely city looking at Yumenguan. ? Next sentence? Isolated city? That is, Yumenguan, for? Yumenguan? The appositive attributive of has now moved to the verb? Look ahead? It was easy to be misunderstood as standing on another lonely city to see Yumen.

(2) After the attributive is moved. Li Bai's poem Mount Tianmu in a Dream: My heart and my dream are in Wu Heyue, and they cross Jinghu Lake on a moonlit night. ? Meaning? Flying over Mirror Lake on a January night? .

E. adverbial in the form of object. ? Today, I came here again. I don't know where the girl went. Only the peach blossoms are still there, smiling in full bloom in the spring breeze. Laugh at the spring breeze On the surface, it is a verb-object phrase, but in fact? Autumn wind? 、? Spring breeze? None? Moving? 、? Laugh? Dominate, but what about the difference? Walking in the autumn wind? 、? The meaning of laughter in the spring breeze.