Fu Liang's Song (Fu) is recorded in this way: step out of Qidong Gate and look into the shadows. There are three graves in the forest, and the number is almost the same. Ask whose grave this is, Tian Qiang Guyez. Power can sweep the south mountain, and literature can be a Jedi discipline. Once slandered, two peaches kill three scholars. Who can do this, the country will be harmonious. According to Fu Liang (Fu), it is a place name and a hill at the foot of Mount Tai. After the death of the ancients, many people were buried in the mountains, so it gave Yin a sad crown style. This feature is not difficult to see even from the only remaining Song of Fu Liang under Zhuge Liang's name. But is Song of Fu Liang the name of a poem or a Yuefu poem? Whether Zhuge Liang wrote it or just liked it, it is difficult to draw a definite conclusion from the words "good to Yin". It was once thought that the difficulty lies in the word "Wei", because the word "Wei" can be interpreted as "writing" and "reciting". That's true, but why not combine "good" at the same time? This "good" of course refers to love and enthusiasm, and it is the kind of constant love and enthusiasm. If Song of Fu Liang is only the name of a poem, and this poem was written by Zhuge Liang, then the word "good" cannot be solved. Isn't it possible that Zhuge Liang always writes the same poem happily? Therefore, the conclusion can only be one of two things: either "Song of Fu Liang" is the name of Yuefu poetry, and Zhuge Liang wrote a group of poems for it (just like Tao Yuanming wrote a group of drinking, and Nalan Xingde wrote a lot of Huanxisha); Either "Fu Liangsong" was not written by Zhuge Liang, but Zhuge Liang just likes to recite it. No matter which of the two conclusions, it does not prevent us from reaching the understanding that in the process of writing or reciting Song of Fu Liang, Zhuge Liang, who is in Longzhong, is deeply compassionate, pays endless attention to current events and the world, and his reclusive posture implies the idea of being born. Zhuge Liang is right in Longzhong, and his costume would rather be heavy than tall. We have no reason to imagine Zhuge Liang at that time as a hermit who only knew how to live alone.
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