Lipper
Li Bai (70 1-762) was born in Ji Cheng (now Qin 'an County, Gansu Province). At the end of Sui Dynasty, he moved to Broken Leaf City in Central Asia (now near tokmak in northern Kyrgyzstan), where Li Bai was born. Li Bai lived in the prosperous Tang Dynasty and was a great romantic poet in the Tang Dynasty. His poetic style is bold and free, his thoughts are unique, his language is fresh and bright, his melody is harmonious and changeable, and he is magnificent. At the same time, he was good at absorbing nutrients from folk songs and myths, and formed his unique magnificent and gorgeous colors, reaching the peak of the art of positive romantic poetry in ancient China.
Li Bai has the progressive ideal of "helping the poor" and "settling down". A large number of his poems not only reflected the prosperity of that era, but also exposed and criticized the debauchery and corruption of the ruling group, showing the positive spirit of despising the powerful, resisting the traditional bondage and pursuing freedom and ideals. There are more than 900 existing poems, including Li Taibai's poems.
The cost of pure wine is a gold cup, 10,000 copper coins and a hip flask, and jade plate is ashamed and straightforward [1].
I threw the food bar and cup aside. I couldn't eat or drink. I pulled out my dagger. I peeped in four directions in vain.
I want to cross the Yellow River, but ice will block the ferry and Taihang Mountain will be covered with snow.
I would sit on a fishing rod and lie lazily by the stream, but I suddenly dreamed that I was driving a boat and sailing towards the sun.
Travel is difficult. Travel is difficult by many different roads. What is the safety today?
One day, I will ride the wind and waves, sail straight up and cross the deep sea.
To annotate ...
[1] Two sentences in "Golden Zun": Zun (zūn): ancient wine-holding utensils. Bucket 1000: a bucket of wine is worth 1000 yuan. It is said that wine is very valuable. Shame: a precious dish. Shame: the same as "smell", food. Straight: same as "value", value.
[2] "Stop the cup": chopsticks. Be at a loss; At a loss.
[3] Taihang: The name of the mountain is continuous among today's Henan, Hebei and Shanxi provinces.
[4] "Idle" two sentences: Fishing: "Historical Records? In "Qi Taigong Family", Lu Shang fished by the Wei River in his later years, and later met Xibe Jichang (Zhou Wenwang), who was highly valued. Dream Day: Yi Yin's story is legendary, suggesting that although he is frustrated today, he will eventually be of great use.
[5] fork: fork in the road. An Zai: Where is it?
[6] "Changfeng" two sentences: Changfeng breaks the waves: "Song Shu? "Biography of Zong Yi" (Qu) contains: His uncle asked about Zong Yi's ambition, and Zong Yi said, "I would like to ride the wind and break the waves. Later generations used "braving the wind and waves" to describe their political ambitions. Yun Fan: Sails like white clouds, here are boats. Ji: crossing. The sea: the sea.
point out
Difficult to Walk is the old title of "Zaqu" in ancient Yuefu, which describes the hardships of the world and the sadness of parting. Li Bai wrote three * * * songs, this is the first one, which was written by Li Bai when he left Chang 'an in Tianbao Sanzai (744).
The whole poem is intertwined with the profound contradiction between reality and ideal and the complex mood of disappointment and hope, and is full of melancholy and high-spirited ambition to forge ahead. This not only reflects the heavy depression of the poet by the reality at that time, but also shows the poet's bold and independent personality.
On the one hand, Chang 'an's experience in these two years made him realize the darkness of the imperial court and the difficulty of his career. He was filled with grief and indignation, but he was helpless. He has a dilemma and a strong pain of being at a loss, and repeatedly sighs: "It's hard to go! It's hard to go! " On the other hand, his active use of the wishes of the world, his firm belief in his talents, and the cases in which some wise men were finally reused by wise men in history made him full of hope for the future, believing that he would eventually ride the wind and waves, showing his persistent pursuit of ideals and full confidence in the future.
This poem * * * has fourteen sentences and eighty-two words, which is a short story in the seven-character poem. However, the ups and downs of feelings, jumping thinking and high momentum in the poem make it a masterpiece praised by later generations.
Pearls and pearl discoverers
the Chen Dynasty
Chen (19 17- 1989), a native of Leshan, Sichuan, is a famous poetess of the Nine Leaves School. Pen names Lan Bing, Cheng Hui, Wengu, Mo Gong, etc. He worked as an auditor in Tsinghua University and Peking University, taught himself Chinese and foreign literature, and published essays and new poems. 1938 joined the Chengdu All-China Anti-Japanese Association. 1948 participated in the editing of China New Poetry. 1956, working in the editorial department of World Literature. He is a member of the Chinese Writers Association. He is the author of poetry anthology "Yingying Collection", "Symphony Collection", "Selected Works of Chen" (poetry anthology and prose anthology), "Time is getting old" and "Collection".
The pearl is in the clam. It needs to wait.
It knows that the highest happiness is
Give, not work hard.
Many sunny days and many moonlit nights.
There are also storms that occasionally set off white waves.
It has accepted all this.
In its growth, it has become its
All of them. In a tight clam shell
It listens to footsteps from all directions.
Some are anxious, some are hesitant.
Those stacked steps.
As it passed by, it clung to its own
Light doesn't flash at inappropriate times.
However, it has a wait.
It knows which direction the pearl picker is going.
With what sincerity and longing?
Walk towards it; Then it will be uncovered.
Hide yarn and live solemnly.
Spread out and throw yourself into a whole new world.
(Excerpted from Chen Wenxuan, Sichuan People's Publishing House, June edition 1983)
point out
This poem was written in the spring of 1948, and the poet was in Shanghai on the eve of dawn. After the sublimation of the poet's art, the thinking about the growth process and value of life rose to the height of philosophy. With the complex consciousness of modern people, Chen constructed a complex and diverse whole for her poetry world through the connection between pearls and pearl seekers. "Pearl and Pearl Seeker" chooses a unique angle to explore the thought of life in the connection between the two images of pearl and Pearl Seeker. The first three lines point out the meaning of life: "The pearl is in the clam, it has to wait/it knows that the highest happiness is/giving, not suffering." And waiting is a process of constantly expanding oneself, and it is also a painful and patient process, and the process of waiting is the process of finding. It is "in a tight clam shell" and pays attention to the outside world. "It listened to footsteps from all directions/some were hurried, some were hesitant,/and those footsteps piled up one after another." "It clings to its own light and doesn't shine at inappropriate times." Zhu is waiting for an opportunity of his own. Only when the pearl seeker "walks towards it with what sincerity and desire" can it "solemnly spread out to life and throw itself into a brand-new world", and the pearl has gone through all the hardships and finally won the long-awaited dedication. This poem symbolizes the poet's deep and beautiful mood. Beads and pearl pickers have become symbolic images with profound implications. In the connection between these two images, the poet implies the relationship between the individual and the times and between the individual and the great cause. She would rather "pay" than "bury hard". She knows that "pay" is not an easy choice, but to recognize the real value. A person's greatest value is realized in the "investment" after this decisive choice.
The poet's focus on the psychological process of philosophy and his profound philosophical thinking are realized in this plot. The relationship between pearls and pearl seekers is certain, but their image connotation is uncertain, which can be love, life, philosophical thinking of the times and people ... In short, this is a symbol that the hazy beauty of poetry "gives" the poet rights. Perhaps this is the artistic charm of pearls and pearl seekers.