In study, work, and life, everyone is familiar with those catchy ancient poems. Ancient poems can be divided into two categories: ancient poetry and modern poetry. Are you still looking for excellent classic ancient poems? Below are Bai Juyi's ancient poems on "Grass" that I have collected and compiled. Welcome to read and collect them.
The grass grows in the original land, and it grows brighter and wither every year.
Wildfires never burn out, but the spring breeze blows them again.
The distant fragrance invades the ancient road, and the clear green meets the deserted city.
I sent the king and grandson off again, and they were full of love.
Translation
The grass on the long plain is so lush. Every autumn and winter, the grass turns yellow and becomes thicker in spring.
The ruthless wildfires can only burn away the dry leaves, but the spring breeze blows the earth green again.
Wild grasses and flowers are spreading and submerging the ancient road. Under the bright sun, the end of the grassland is your journey.
Once again I bid farewell to a close friend, and the lush green grass represents my deep affection.
Comments
Fu De: Compose poetry based on ancient poems or idioms. The title of a poem is usually preceded by the word "Fu De". This is a way for ancient people to learn to compose poetry, or for literati to gather to compose poems based on topics, or to compose poems based on propositions during imperial examinations. It is called "Fu Deti".
Lili: The appearance of lush green grass.
One year old and one dry and prosperous: wither, wither. Rong, lush. Weeds bloom and wilt once a year.
Yuanfang invades the ancient saying: Fang refers to the rich aroma of wild grass. Yuanfang: The fragrance of grass spreads far and wide. Invade, occupy, overgrow. Fragrant weeds in the distance grow all the way to the ancient post road.
Qingcui: The grassland is bright and green.
Wangsun: This originally refers to the descendants of nobles, but this refers to distant friends.
luxuriant: describes the lush growth of vegetation.
Appreciation
The first sentence breaks through the three words "ancient grass" in the title. What a lush ("lili") grass on the grass, capturing the vitality characteristics of "spring grass". It can be said that it is detached from "Spring grass grows and luxuriant" without leaving any trace, which opens up a good idea for the following text; as far as "ancient grass" is concerned, why not start with "Autumn Comes Deep Path" (Seng Guhuai) "Originally Autumn Grass"), then the whole story will have a different atmosphere; wild grass is an annual plant, flourishing in spring and drying in autumn, and the cycle is endless year after year. "One year old and one glory" seems to mean nothing more than this; however, writing "Ku──Rong" is quite different from writing "Rong──Ku". If it is the latter, it is autumn grass. Then it is impossible to produce three or four good sentences. Two "one" characters are overlapped to form a chant, which also creates an endless feeling. Then three or four sentences will come naturally.
"Wildfire never burns out, but the spring breeze blows and grows again." This is the development of the word "withered and prosperous". It changes from a concept to an image. The characteristic of ancient grass is that it has tenacious vitality. It cannot be cut off or eliminated, as long as a few roots remain. The next year will be greener and longer, and will soon spread across the wilderness. The author grasps this feature and instead of saying "it can't be cut down with hoeing", he writes "the wildfire can't burn it all out", creating a heroic artistic conception. Wildfires ignited a prairie fire, and the flames were terrifying. In an instant, large tracts of dead grass were burned to the ground. The emphasis on the power of destruction and the pain of destruction is to emphasize the power of regeneration and the joy of regeneration. Fierce fire can "burn out" all the weeds including their stems and leaves, but the author prefers to say that it "cannot be burned out", which is very meaningful. Because no matter how fierce the fire is, it can't help the roots hidden deep in the ground. Once the spring breeze turns into rain, the life of the weeds will revive, and with rapid growth, they will cover the earth again and answer the abuse of fire. Look at the grass on the grassland, isn't it a green flag of victory? "Spring breeze blows and rebirths", the language is simple and powerful, and the word "rebirth" is three-part in language but full of meaning. Wu Zeng's "Neng Gai Zhai Man Lu" of the Song Dynasty said that these two sentences are "not as simple and full of meaning as Liu Changqing's "Spring comes into the burnt mark green"", which is not true.
These two sentences not only describe the character of "Yuan Shang Cao", but also write an ideal example of rebirth from the fire. One sentence describes withering, the other describes glory, "cannot be burned" and " "Blow and live" is so interesting to sing and sigh, and the dialogue is also natural and exquisite, so it will be outstanding through the ages. Although the meaning of the Liu sentence is similar, it lacks charm and is far less popular than the Bai sentence.
If the two sentences inherit "ancient original grass" and focus on writing "grass", then the fifth and sixth sentences continue to write "ancient original grass" and focus on "ancient original grass" to introduce "ancient original grass". The meaning of the title is "Farewell", so it is a turn. The beauty of the pairing of flowing water in the previous couplet lies in its naturalness; while the beauty of the pairing in this couplet lies in its fine craftsmanship, and the changes are quite consistent. "Yuanfang" and "Jingcui" both describe grass, but the imagery of "Yuanshangcao" is more concrete and vivid. Fang means "far away", and the fragrance of the ancient plains is diffused and smellable; Cui means "clear", and the green grass is bathed in the sun, and the beauty is as beautiful as you can see. The words "invasion" and "connection" follow "rebirth", and write a trend of spreading and expansion, once again highlighting the image of the strong weed in the competition for survival. "Ancient Road" and "Desolate City" are very relevant to the title "Ancient Plains". Although the ancient city was deserted, the growth of green grass restored the ancient plain's youth. Compared with the Qiuyuan in Seng Guhuai's "Autumn Grass on the Plain", which is "creeping in the ancient moat and the remaining sun shining on the deserted terrace", it appears to be full of vitality.
The author did not write about "Gu Yuan" for the sake of writing about "Gu Yuan", but also arranged a typical farewell environment. The spring returns to the earth, and the scene of the ancient plains with lush grass is so charming. It is so melancholy and poetic at the same time that the farewell takes place against such a background.
The word "Wang Sun" is borrowed from Chu Ci to form a sentence and generally refers to a traveler. "The kings and grandsons have traveled and never returned, and the spring grass has grown luxuriantly." It refers to people who see the luxuriant grass and miss people who have not returned from their travels. But here the meaning is changed and used. It writes about seeing the luxuriant grass and adding to the sorrow of farewell. It seems that every blade of grass is full of farewell. It is really: "Departure and hatred are just like spring grass. The longer you travel, the farther you will live." (Li Yu's "Qing Ping Le"). What a meaningful ending! At this point in the poem, "farewell" is pointed out, the meaning of the title is clarified, and the whole article is connected. "Guyuan", "grass" and "farewell" are integrated into one, and the artistic conception is extremely unified.
The language in the whole poem is natural, smooth and neat. Although the poem is a proposition, it can be integrated with deep feelings of life. Therefore, every word contains true feelings and the language has an aftertaste. It is not only appropriate, but also unique, so it can It is called the swan song in "Fu Dede".