Ai Qing cursed the darkness and eulogized the light with deep, intense and unrestrained brushwork; After the founding of the People's Republic of China, he continued to praise the people, praise the light and think about life. His "Return" songs are more extensive in content, deeper in thought, deeper in emotion, more diverse in techniques and more sophisticated in art.
From the ideological content, chanting national destiny shows that melancholy and sentimentality gradually turn to tragic and high poetic style. Realism and symbolism permeate each other, imagination and feeling are unique, and they are eager for bright and true emotional clues, which are greatly extended, more profound, dignified and wise, paying attention to grasping the meaning beyond the object image in concrete images and moving towards symbols.
Simple, concise, rich imagination, unique images and emphasis on philosophy are the consistent characteristics of Ai Qing's poems.
Ai Qing's Poems Collection contains Ai Qing's works from 1930s to the end of 1970s, 4 1 piece.
Ai Qing's early poems focus on describing concrete and sensible things, arousing feelings, exerting associations, capturing and selecting images and condensing them into images, which is one of the most remarkable characteristics of his early poetry art. With revolutionary realism, he sang deeply and gloomily about the sufferings and misfortunes of the motherland and the people, reflecting the tragic fate of the Chinese nation. At the same time, his poems inspired people in Qian Qian who didn't want to be slaves to fight bravely for the sacred land.
Wonderful sentence plot
1, "I love this land"
If I were a bird,
I should also sing with a hoarse throat:
This land hit by the storm,
This river of sadness and anger will surge forever,
This endless wind,
And the gentle dawn from the forest ...
And then I died,
Even feathers rot in the ground.
Why do I often cry?
Because I love this land deeply. ...
Step 2 hope
Dream friend
Fantasy sisters
That's my own shadow.
But always walk in front of you
As invisible as light.
As unstable as the wind.
Between her and you
There is always a distance.
Like a bird outside the window.
Like clouds in the sky
Like a butterfly by the river
Cunning and beautiful.
You go up, she flies.
If you ignore her, she will kick you out.
She will always be with you.
Until you stop breathing
Why do I always have tears in my eyes? Because I love this land deeply. -Ai Qing I love this land in turbulent times. Friendship is like a reed on a cloudy day, trembling in the wind and making an inaudible lament. —— Ai Qing
When you say that your hometown is not your hometown, the chef sticks it on your calf. The mountains and rivers of the motherland are lovely everywhere, and they are home wherever they go-the song of Ai Qing's expedition members.
I have been to many places and this city is the youngest. It's so beautiful that it makes people fall in love at first sight. It's not a mirage, nor is it Penglai fairyland. Everything in it is condensed by blood and sweat. "... Ai Qing
Ask the civilized land, ask the thawed river, ask the swallow from the south, ask the gentle willow ... Ai Qing's quarrel outside the window.
A sailor said that his favorite and favorite anchor aroused the open satin pile and other bidding bowls to slide into white waves ... Ai Qing was looking forward to it.
Whose tears came back to my heart? Whose sweat fell into the river! Who is swimming around in the middle of the water guarding the hotbed of dreams? The torrent of life rises and falls. In endless days, I stick to my dream. Keep the sunshine bright, just like keeping your foot in the direction during a long journey! ........... Ai Qing stuck to her dream.
Character image
Ai Qing, male, formerly known as Jiang Haicheng, 19 10 was born in Jinhua, Zhejiang Province on March 27th. 1928 graduated from high school and was admitted to Hangzhou National West Lake Painting Academy. 1929 With the encouragement of President Lin Fengmian, I went to Paris to work and study, and got in touch with European modernist poetry while learning painting. The greatest influence on him was the Belgian poet Valhallen. 1932, he wrote his first poem "Hui" and published it under the pseudonym "Ega" in the third and fourth issues of the second volume of Beidou published in July of the same year.
/kloc-0 returned to Shanghai in may, 1932, joined the left-wing artists' union in China, and organized the Spring Painting Society. In July, he was arrested and imprisoned. In prison, he translated Valhallan's poems and wrote the famous Wild Goose River-My Nanny. Then he created Reed Flute, Paris and so on. 1935 10 month, released on bail pending trial. 1937 after the outbreak of War of Resistance against Japanese Aggression, he went to Wuhan and wrote Snow on the Land of China. /kloc-went to the northwest at the beginning of 0/938 and wrote famous articles such as "North". In the same year, he went to Guilin, served as the editor-in-chief of the supplement of Guangxi Daily, and co-edited the poetry publication Vertex with Dai Wangshu. The more important work here is Poetics.
From 65438 to 0940, he went to Chongqing as the Minister of Literature Department of Yucai School, and soon went to Yan 'an to work in the Shaanxi-Gansu-Ningxia Border Region Cultural Association. At this time, the representative works are To the Sun. 1944 won the model worker award and joined the producer party of China * * *. 1945 10 went to Zhangjiakou with the North China Literature and Art Working Group, and later served as the leader of the College of Literature and Art of North China United University, writing poems such as The Cuckoo Bird.
1957 was wrongly classified as Rightist, 1958 went to work in Heilongjiang Agricultural Reclamation Farm, and 1959 was transferred to Shihezi Reclamation Area in Xinjiang. 1979 After being completely rehabilitated, he wrote many poems, such as Song of Return and Ode to Light.
His poetic style. Before liberation, he cursed the darkness and eulogized the light with deep, intense and unrestrained brushwork; After the founding of the People's Republic of China, he continued to praise the people, praise the light and think about life. The song "Return" is more extensive in content, deeper in thought, deeper in emotion, more diverse in techniques and more sophisticated in art. After the founding of the People's Republic of China, a collection of poems was published, including Cheers, Gem Red Star, Cape, Spring, Song of Return, Colored Poems, Exotic Poems, Snow Lotus and Selected Poems of Ai Qing. Ai Qing became an outstanding person with his singing style full of artistic individuality, and practiced his poetic aesthetic proposition of "simplicity, simplicity, concentration and liveliness".
Wonderful clip appreciation
mineral
Ai Qing
Wave after wave
Come to me endlessly
Every wave is at its feet.
Beaten to pieces and scattered. ...
Its face and body.
Like a knife.
But it's still standing there
Looking at the sea with a smile ...
From an artistic point of view, in the poem "Reef", the poet integrates his unique thinking about life into the symbolic image of "Reef" to personalize the reef, so he should be detached from things and think more deeply when reading. Indeed, the use of symbolism makes this poem memorable!
Live with a smile, no matter how many difficulties and setbacks you encounter, whether it is a person or a nation. This is the deepest revelation from the reef!
hope
Dream friend
Fantasy sisters
That's my own shadow.
But always walk in front of you
As invisible as light.
As unstable as the wind.
Between her and you
There is always a distance.
Like a bird outside the window.
Like clouds in the sky
Like a butterfly by the river
Cunning and beautiful.
You go up, she flies.
If you ignore her, she will kick you out.
She will always be with you.
Until you stop breathing
Ai Qing's works generally describe symbolic things such as the sun, torches and dawn, showing Ai Qing's hatred of darkness and terror in the old society and his yearning and pursuit of dawn, light and hope. Ai Qing, starting from his love for rural working people and approaching their demands, has been presenting his most authentic poems to them for more than ten years. [9]
Ai Qing's poetry inherits the fine tradition of the May 4th New Literature with its close combination with reality and full of fighting spirit, and has become an important achievement in the development of new poetry with its exquisite and innovative artistic style. This not only reflects the author's artistic talent, but also bears in mind his serious and arduous artistic practice. In his poems, the full enterprising spirit and rich life experience bring something different. Ai Qing's poetry has a vivid and profound image, and with the end of the poem, this image is completed. Image refers not only to people, but also to the visualization of things and ideas.
Ai Qing's poem "Tree"
To answer you first, this poem has nothing to do with love, but with the power of national unity.
With his sensitive spiritual feelings and keen political vision, the poet deeply observed the trend of the times and the pulse of society, realized that the consciousness of our great nation had arrived, and was inspired by the image of trees standing in isolation from each other in Garden Metallurgical Industry, resulting in the association of "in the invisible depths/their roots intertwined". Ai Qing endowed the trees growing on the earth with vivid characters, and saw the potential fact that "they are covered with soil/their roots are spreading" with a unique eye, and regarded them as a symbol that a great nation is uniting and condensing into a powerful force.
There is also:
The tree was written in the spring of 1940. At that time, the great War of Resistance against Japanese Aggression had been going on for more than two years and was turning into a difficult stalemate. This great national war is giving all our people a baptism, making their souls undergo severe tempering in the war and gradually moving towards spiritual awakening. The poet Ai Qing clearly felt this, inspired and associated himself, and wrote this poem.
I love this land.
If I were a bird,
I should also sing with a hoarse throat:
This land hit by the storm,
This river of sadness and anger will surge forever,
This endless wind,
And the gentle dawn from the forest ...
-Then I died.
Even feathers rot in the ground.
Why do I often cry?
Because I love this land deeply. ...
Introduction to I Love This Land
Cao Jinyuan
Sun and land are two concepts that can best summarize the characteristics of Ai Qing's poems. Poets' eager pursuit of light, ideals and a better life is often expressed through the image of the sun. Ai Qing seems to be a Kuafu, pursuing sunshine, light and ideals until his death. On the other hand, the land connected with the poet's blood is also his lifelong attachment. He once said: "This infinitely vast country and infinitely rich rural life-old or new-need its important space in new poetry." Ai Qing's concern for the land is his love for the peasants, the nation and the motherland. I love this land, written in 1938 after the outbreak of the Anti-Japanese War, which is the representative work of Ai Qing's unique land complex. At the critical moment of the country's decline and national peril, Ai Qing extended a childlike heart to the motherland, expressing his patriotic feelings, ups and downs, and pushed forward layer by layer.
Firstly, point out the land complex. Reward the first two sentences: "If I were a bird,/I should also sing with a hoarse throat." The poet's love for the land has reached the point where he doesn't know how to pour it out. So he can only abandon people's thinking language and pour out his love in the simple and simple language of birds. In the poet's view, this simplicity and simplicity are often the most sincere and warm. The adjective "hoarse" can no longer sing beautiful and clear love songs, but this "hoarse" song can express the sincerity and persistence of the land without hesitation. So the exciting song of land complex sounded.
Second, pour out the land complex. It can be divided into four layers. The first layer: metaphor of human suffering. This land hit by the storm, this river of our grief and indignation will surge forever. The images in "The Storm" and "The River of Sorrow and Anger" tell us that the land that Ai Qing dreamily loves is a land full of pain, and there is too much sadness in his body. At that time, the Japanese invaders successively captured vast areas such as North China, East China and South China, and they were crazy everywhere, regardless of their lives. Ai Qing has a similar description in Snow on the Land of China: "Snow falls on the land of China,/the cold is blocking the wind in China,/like an old woman who is too sad,/following/sticking out cold fingers/pulling the skirts of pedestrians,/using words as old as the land/whispering constantly ..." The poet used it. These two poems were written at the same time, both of which show the poet's deep concern for people's sufferings. The second layer is a metaphor for human resistance. The phrase "this annoying wind blows endlessly" symbolizes the indomitable spirit of the Chinese nation in the war of resistance. China has nurtured the Chinese nation and its indomitable national spirit. "Endless life" means the inheritance of the spirit of resistance, "scraping" and "provoking" indicate strength, and the poet's land complex deepens from lamenting the suffering of the land to praising the land. The phrase "incomparably gentle dawn from the forest" on the third floor can be regarded as a symbol of the prospect of struggle, or it can be more "real", as a symbol of the vibrant liberated areas and as a symbol of the great national liberation war. In short, the poet's emotion changed from sadness and praise to longing, showing a firm belief in winning, and his conception also entered a new level: the fourth level, "-then I died, and even my feathers rotted in the ground." The poet did not indulge in the appreciation of the "gentle" and quiet "dawn", and made the solemn choice to leave this land forever for his love. This dedication can be interpreted as: I come from the land and finally return to the land, so that love can be sublimated and eternal. What an extraordinary, tragic and noble land complex it is!
Appreciation of Ai Qing's I Love This Land
This poem was written in the early days of the Anti-Japanese War, which concentrated Ai Qing's sincere love for the land. Between the smallness and brevity of individual life and the vastness and eternity of life on the earth, the poet imagines himself as a "bird" in order to express his sincere and deep love for the land, flying tirelessly around the motherland forever, singing endlessly for the motherland, not only singing the suffering and indignation of the earth, but also singing the joy and hope of the earth; Even if you die, you should melt your whole body into the land of your motherland to show your love for the land. The whole poem has a strong and restrained feeling and a deep and melancholy tone.