Song Dynasty: Su Shi
Wang Ziqiao, a fairy in Goushan Mountain, has a high temperament, unlike the Cowherd and the Weaver Girl who came to earth. The moonlight in the moon stopped blowing and waved goodbye to the world and became a fairy.
It is said that the Yellow River bamboo raft can go directly to the Milky Way, and there is wind, sea and rain along the way. Meeting drunk is the leading edge, where the wind and rain are shaky.
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Wang Ziqiao, a fairy on Goushan Mountain, has a noble temperament, unlike the Cowherd and the Weaver Girl who want to descend to earth. In the bright moonlight, I stopped playing the phoenix flute and waved goodbye to the world and became immortal.
It is said that the Yellow River bamboo raft can reach the Milky Way directly, and it is still carrying wind and rain along the way. Seeing each other today and getting drunk today is the fate of a previous life. Who knows where they will go after they break up?
To annotate ...
Que Qiaoxian: The epigraph name, also known as Que Qiaoxian Ling, Jin Fengyu Lu Xiangqu, Guang Qiu Han, etc.
Goushan (Gu): In today's Yanshi County, Henan Province. Guishan Fairy refers to Wang Ziqiao who became immortal in Guishan.
Yun (Mia): Lofty and farsighted.
Cowherd and Weaver Girl. This place is not limited to cowherd and weaver girl, but refers to people who are obsessed with the secular world.
Phoenix flute: blowing sheng likes to imitate the sound of phoenix.
People at that time: people who saw Prince Jordan die.
Chá: Bamboo raft.
Galaxy: Tianhe.
Jean: Still.
Leading edge: past life karma.
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The original intention of this poem is to bid farewell to good friend Chen Lingju. The whole word is a departure from the old tune in conception, not writing about men and women leaving hate, but praising friends' affection and having a unique flavor.
The first film of this word is also closely related to the seventh day of the seventh lunar month, but it uses the story of a floating fairy in Wang Ziqiao. According to Liu Xiang's Biography of Immortals, the prince was in contact with blowing sheng and good people, and was connected to Songshan by Taoist priests. More than 30 years later, he met Bai Liang on the mountain and said to him, "Tell my family to wait for me at the top of the ditch on July 7." At that time, you took the white crane to the top of the mountain, but you couldn't get it. Raise your hand to thank others and walk for a few days. In the first part, Su Shi's words use this fairy tale to praise an elegant and open-minded mind that is beyond worldly customs and is not bound by tenderness, so as to relieve friends' thoughts and pains. In the first three sentences, I praised Wang Ziqiao's immortal heart, ethereal sky and love like a cowherd and a weaver girl. One yang, one suppression, being immune, turned into a conviction. Goushan is in Yanshi County, Henan Province. The fairy of Goushan refers to Wang Ziqiao, because he went to Goushan, so the cloud. The two sentences of "Feng Xiao" come from the sentence of "don't learn". When the cow and the girl crossed the river, they fell in love and could not give up. The fairy blew a flute under the moon, raised her hand to say goodbye to her family and drifted away. The former becomes immortal, while the latter becomes immortal, with opposite tendencies, so it is known as "being ignorant and stupid".
In the next movie, I wrote about the aggregation and separation of myself and my friends, as if the frontier had been set and things were inevitable. According to Dongpo's Record of Traveling to Songjiang (Dongpo Volume I), "I moved from Hangzhou to Gaomi in the same boat as Yang, and both Chen Lingju and Chen Lingju crossed to the lake, so I went to Songjiang with Liu Xiao and Shu Tong. Come out in the middle of the night and put wine on the rainbow pavilion. " Su Shi was transferred from Hangzhou to Mizhou in September of the seventh year of Xining, and visited Huzhou with Yang who was also recalled to Bianjing. Chen Lingju and Zhang Ziye walked together and met Liu Xiaoshu in the blue room of Huzhou House, which was called "Six Guests Meeting". Zhang Ziye made a "storm order", that is, "six-guest talk", and went boating together after the meeting. However, the author does not directly describe this experience, but still compares it with the story related to Tianhe Niunv. There is a story in Zhang Hua's Natural History: Tianhe is connected with the sea, and there are regular rafts every year. When a person is pregnant with adventure miracles at the seaside, he will take more dry food and float there on a raft. After more than ten days, I went to a castle, met Weaver Girl and Cowherd, and asked Cowherd where this was. Penny told him to ask Yan Shu Junping when he got back. Later, if someone returns it, they will ask Yan Junping. Junping reported that a guest star made a cowshed one day, and calculated the date, which was the time when the passengers arrived in Tianhe. The poet borrowed this beautiful fairy tale, and several friends broke through the clear silver waves and went boating. "If", that is, bamboo raft; "Chuck" is a pun: it refers to the "floating cha" of Tianhe, and it is a metaphor for the passenger ship they took. "It's still windy and rainy" is in line with the saying that "floating" leads to the sea. A few words fell on the farewell. "Seeing each other and getting drunk late is the leading edge", writing the meeting of six guests; "Where is the wind and rain falling?", "Wind and rain" inherits "wind and rain" and writes about friends going their separate ways. "Getting drunk is the leading edge", which means comfort; "Where have you drifted?" There is infinite emotion.
Extended reading: Su Shi's poetic achievements
Su Shi's views on society and thoughts on life are undisguised in his literary works, among which poetry is the most hearty. In Su Shi's more than 2,700 poems, the theme of interfering with social reality and thinking about life is very prominent. Su Shi's attitude towards various unreasonable phenomena in social reality is "out of date", and he always regards criticizing reality as an important theme of his poems. What is more valuable is that Su Shi's criticism of society is not limited to the New Deal or the present. He criticized the long-standing abuses and bad habits in feudal society, and embodied a deeper critical consciousness.
Su Shi's life was ups and downs, and he traveled everywhere, and his life experience was extremely rich. He is good at summing up experience from life experience and seeing laws from objective things. In his eyes, ordinary life content and natural scenery contain profound truth, such as Xilin Wall Topic and Mianchi Nostalgia. In these poems, natural phenomena rise to philosophy, and the perception of life is also transformed into rational thinking. What is particularly commendable is that the philosophy in poetry is naturally expressed through vivid and distinctive artistic images, rather than through logical deduction or discussion and analysis. This kind of poem is both beautiful and interesting, worthy of the name. "I don't know the true face of Lushan Mountain" and "Snow Mud Red Claw" became a popular idiom as soon as they came out, which shows that Su Shi's reasonable poems are widely loved. There are many similar works in Su Shi's works, such as the Sangha Pagoda in Sizhou, drinking the rain after the Qing Dynasty in the lake, and treating the wind in the Cihu Lake. Su Shi is very insightful, so he can find wonderful ideas everywhere.
Deep thinking about life makes Su Shi take a calm and broad-minded attitude towards ups and downs, which is fully reflected in Su Shi. Su Shi's poems in adversity, of course, contain pain, resentment and depression, but Su Shi shows more contempt for suffering and transcendence of pain.
Su Shi has profound knowledge, mastered the artistic skills of poetry to the point of perfection, and has an amazing spirit of innovation in treating artistic norms. Moreover, Su Shi's expressive ability is amazing, and there are almost no themes in Su Shi's works that cannot be included in poetry.
The late Northern Song Dynasty, represented by Yuan You's poetry circle, was the heyday of Song poetry. The creation of Wang Anshi, Su Shi, Huang Tingjian and Chen Shidao pushed the art of Song poetry to a peak. The prominence and distinctiveness of Wang, Huang and Chen's poems in style and personality may be more striking than Su Shi's poems. But in terms of creative achievements, Su Shi is undoubtedly the first poet in the Northern Song Dynasty. Su Shi is outstanding in the dimensions of wide subject matter, diverse forms and profound emotional connotation. More importantly, Su Shi has a strong artistic compatibility, and he did not push a certain style to the status of a statue in theory and creation. In this way, although Su Shi made great contributions in the process of creating a new look of Song poetry, he basically avoided the two main shortcomings of Song poetry, namely, sharp and blunt and boring. Therefore, Su Shi surpassed his contemporaries in overall achievement and became a poet of the Song Dynasty welcomed by later readers.