Freshness, as the definition of poetic beauty, means clear image, simple content and mellow language; It also means that the poem contains the water of life-the real feeling of gurgling. Jin Bo's poems appropriately explain this definition, for example, "I don't know how many roads I have traveled/fallen to the ground and gained new life/we are water spirits/our hearts are as transparent as water/bring happiness to life/purify the world." Listen to the voice from the sky, our hearts will be so gentle, and the noise will be so quietly away. Although this poem is taken from the poet's recent fairy tale Rain Man, no matter how it is sung, Jinbo's world will always be clear and transparent, as fresh as a pine forest after the rain. This fresh aesthetic realm is a clear fusion of the freshness of the object world and the sober inner world of the subject. It comes from the freshness of the physical environment, but also from the eternal freshness of the subject to the external world.
Rain is one of the favorite images of the poet Jin Bo. He heard the most beautiful music in the rain and saw the most beautiful colors of nature. "Spring rain/drop by drop/trickle .../Spring rain, spring rain/what color are you? /Are you green? /Otherwise/that mountain, that tree/how can it be quietly/dyed green overnight! " (Green Rain) When we know the truth about the growth of all things too well, we also abandon the speculation about natural poetry. With an extraordinary "green rain" image, the poet suddenly pushed open the door of our once unconstrained imagination [2].
If the reference and development of China's classical poetry artistic conception make Jin Bo's poems seem distant and profound, then the infiltration of fairy tale spirit makes his poems have dreamy and blurred artistic conception. "I won't cut off the sunset glow in the sky for you/I won't pick the stars/children in the night sky for you. Let's catch fireflies together at dusk/... I'll pull out an onion tube from the garden/put some fireflies/make them glow softly/give you a green light/put fireflies on your pillow/I'll make up a fairy tale for you/say this on a summer night. I can't imagine what a firefly lamp made of onion tubes looks like, and I can't guess what that green dream is. They are just an image, a highly spiritual image. In this way, the poet created a poetic artistic conception that fascinated children and made adults think. Some people say that poetry provides people with things in the spirit and blood. What makes a good poem feel lingering? Perhaps the artistic conception has given us infinite aesthetic space.
Special readers of children's poems require poets to reproduce children's behavior, dynamics, language and psychology by artistic means, thus producing unique poetic significance. Jin Bo follows this creative principle and combines the personality and temperament of the creative subject, thus creating artistic beauty with freshness and agility as the main theme that can enhance children's aesthetic taste [3].
Second, the beauty of music between rhythm and rhythm
(A) the beauty of sound and rhyme
The beauty of phonology is the main factor that constitutes the musical beauty of children's poems in Jinbo, which is mainly manifested in the following aspects.
1, rhyming neatly and melodiously.
Rhyme has existed in China since ancient times. Its norms can probably be traced back to the theory of "four sounds and eight diseases" put forward by Shen Yue and others, and its rules are not very complicated, and few people can really do it. However, the emphasis of poetry on the rhyme of flat tones has been handed down with history and time. This is also reasonable, and it is very important to emphasize the smooth rhyme to express the musical beauty of poetry. Rhyme is the main usage of rhyming poems in ancient China. Until modern times, many people continued this tradition and style in their poems. So much for Mr. Jin Bo's children's poems. Rhyme is an important way to form the beauty of Jin Bo's children's poems, and it is also one of the important reasons why many of his children's poems have been adapted into nursery rhymes. Its manifestation is usually to use the same or similar vowels in the rhyme of a poem to make it catchy when reading or reciting.
2. The high frequency of onomatopoeic words.
Children's acceptance of nature is the most sensitive and primitive. They will be completely loyal to their ears and express their most natural feelings. In poetry, onomatopoeia usually refers to imitating various sounds of nature. The use of onomatopoeia will make the language of poetry more vivid and pleasing to the ear, which is naturally very suitable for children's poetry. One of the reasons why children's poems are loved by young readers is to express the sounds of nature with onomatopoeia and present them in poems. Onomatopoeia not only increases the beauty and interest of reading children's poems, but also presents the most authentic natural state in children's eyes.
There are a lot of onomatopoeia words in Jin Bo's children's poems, which vividly and lovingly describe the voice of nature. Such as Birds in the Woods (excerpt): Listen, what bird is chirping? Tick-tock, tick-tock, tick-tock .../What bird is responding? /Ding-ding, Ding-ding, Ding-ding .../Birds are always singing spring/Ding-ding, Ding-ding, Ding-ding .../Praise our labor/Ding-ding, Ding-ding, Ding-ding ... The voice of nature is so beautiful and lovely in this poem through these onomatopoeia words. At the same time, the author also uses birdsong to express the sound of people's hard work in spring and praise the beauty of labor. After reading this poem, young readers can not only appreciate the beauty of spring, but also the joy of labor, and stimulate their love for spring, nature and workers.
(B) Beautiful rhythm
Jinbo's children's poetry is flowing music, and rhythm is an important factor to form its fluidity, which is mainly manifested as follows:
1, corresponding to the beat, with clear rhythm.
Beat is a special term in music, which refers to the organizational form that expresses the time value of a fixed unit and the law of strength and weakness in music. If the truly great architecture is solidified music, then Jin Bo's children's poems are completely flowing music.
The reason why Mr. Jin Bo's children's poems are so charming and beautiful in phonology is that they roughly correspond to the rhythm of the sentences in his poems, that is, the combination of intonation is relatively close, which makes each sentence in his poems have its own specific aesthetic feeling. For example, "Big Brother Hunting" (excerpt): My brother looks terrible/goes into the Woods to fight tigers/tigers teething/scares my brother to fight wolves/wolves hum/bears bark/bobcats snore in sleep/scares my brother to fight squirrels ... It makes young readers feel a high and vivid emotion when reading poems, and makes poems more rhythmic and rhythmic. The last two sentences are similar to the first four sentences, which reveal the author's love for small animals and nature between the lines, and this love also infects and enjoys the readers' beauty invisibly [4].
Most of Jin Bo's children's poems have the characteristics of corresponding sentence rhythm and distinct rhythm. The distinctive beat form, the pause between words and the intonation between sentences make these children's poems have endless rhyming and rhythmic beauty, which brings readers a lot of pleasure in reading poems and is more easily accepted by young readers.
2, thimble interlock, cycle back and forth
Thimble is one of the commonly used rhetorical devices in poetry writing. Thimble is a writing method that uses the end of the previous sentence as the beginning of the next sentence, so that the ends of adjacent sentences are connected together and run through from top to bottom. It is mainly used to arrange sentence structure, connect mood and highlight the interlocking between things. The thimble technique is frequently used in Jinbo's children's poems, which makes the phonological beauty of children's poems stronger, the sentence structure more closely and neatly, and more easily accepted by children.
3. Repeat words and phrases to strengthen the rhythm.
Overlapping is also a common technique in Jin Bo's children's poetry creation. The so-called "incoherent and repetitive words" not only shows the poet's deep affection, but also increases the rhythmic beauty of the poem. The appearance of repeated overlapping promotes the poet's emotional expression layer by layer, showing the beauty of neatness in the jagged. The repetition of the ending sentence can strengthen the main theme of the work and reflect the ups and downs of the poet's feelings. The use of repetition and repeated chanting has played a role in singing and sighing.
First, the beauty of artistic conception between freshness and agility
Freshness, as the definition of poetic beauty, means clear image, simple content and mellow language; It also means that the poem contains the water of life-the real feeling of gurgling. Jin Bo's poems appropriately explain this definition, for example, "I don't know how many roads I have traveled/fallen to the ground and gained new life/we are water spirits/our hearts are as transparent as water/bring happiness to life/purify the world." Listen to the voice from the sky, our hearts will be so gentle, and the noise will be so quietly away. Although this poem is taken from the poet's recent fairy tale Rain Man, no matter how it is sung, Jinbo's world will always be clear and transparent, as fresh as a pine forest after the rain. This fresh aesthetic realm is a clear fusion of the freshness of the object world and the sober inner world of the subject. It comes from the freshness of the physical environment, but also from the eternal freshness of the subject to the external world.
Rain is one of the favorite images of the poet Jin Bo. He heard the most beautiful music in the rain and saw the most beautiful colors of nature. "Spring rain/drop by drop/trickle .../Spring rain, spring rain/what color are you? /Are you green? /Otherwise/that mountain, that tree/how can it be quietly/dyed green overnight! " (Green Rain) When we know the truth about the growth of all things too well, we also abandon the speculation about natural poetry. With an extraordinary "green rain" image, the poet suddenly pushed open the door of our once unconstrained imagination [2].
If the reference and development of China's classical poetry artistic conception make Jin Bo's poems seem distant and profound, then the infiltration of fairy tale spirit makes his poems have dreamy and blurred artistic conception. "I won't cut off the sunset glow in the sky for you/I won't pick the stars/children in the night sky for you. Let's catch fireflies together at dusk/... I'll pull out an onion tube from the garden/put some fireflies/make them glow softly/give you a green light/put fireflies on your pillow/I'll make up a fairy tale for you/say this on a summer night. I can't imagine what a firefly lamp made of onion tubes looks like, and I can't guess what that green dream is. They are just an image, a highly spiritual image. In this way, the poet created a poetic artistic conception that fascinated children and made adults think. Some people say that poetry provides people with things in the spirit and blood. What makes a good poem feel lingering? Perhaps the artistic conception has given us infinite aesthetic space.
Special readers of children's poems require poets to reproduce children's behavior, dynamics, language and psychology by artistic means, thus producing unique poetic significance. Jin Bo follows this creative principle and combines the personality and temperament of the creative subject, thus creating artistic beauty with freshness and agility as the main theme that can enhance children's aesthetic taste [3].
Second, the beauty of music between rhythm and rhythm
(A) the beauty of sound and rhyme
The beauty of phonology is the main factor that constitutes the musical beauty of children's poems in Jinbo, which is mainly manifested in the following aspects.
1, rhyming neatly and melodiously.
Rhyme has existed in China since ancient times. Its norms can probably be traced back to the theory of "four sounds and eight diseases" put forward by Shen Yue and others, and its rules are not very complicated, and few people can really do it. However, the emphasis of poetry on the rhyme of flat tones has been handed down with history and time. This is also reasonable, and it is very important to emphasize the smooth rhyme to express the musical beauty of poetry. Rhyme is the main usage of rhyming poems in ancient China. Until modern times, many people continued this tradition and style in their poems. So much for Mr. Jin Bo's children's poems. Rhyme is an important way to form the beauty of Jin Bo's children's poems, and it is also one of the important reasons why many of his children's poems have been adapted into nursery rhymes. Its manifestation is usually to use the same or similar vowels in the rhyme of a poem to make it catchy when reading or reciting.
2. The high frequency of onomatopoeic words.
Children's acceptance of nature is the most sensitive and primitive. They will be completely loyal to their ears and express their most natural feelings. In poetry, onomatopoeia usually refers to imitating various sounds of nature. The use of onomatopoeia will make the language of poetry more vivid and pleasing to the ear, which is naturally very suitable for children's poetry. One of the reasons why children's poems are loved by young readers is to express the sounds of nature with onomatopoeia and present them in poems. Onomatopoeia not only increases the beauty and interest of reading children's poems, but also presents the most authentic natural state in children's eyes.
There are a lot of onomatopoeia words in Jin Bo's children's poems, which vividly and lovingly describe the voice of nature. Such as Birds in the Woods (excerpt): Listen, what bird is chirping? Tick-tock, tick-tock, tick-tock .../What bird is responding? /Ding-ding, Ding-ding, Ding-ding .../Birds are always singing spring/Ding-ding, Ding-ding, Ding-ding .../Praise our labor/Ding-ding, Ding-ding, Ding-ding ... The voice of nature is so beautiful and lovely in this poem through these onomatopoeia words. At the same time, the author also uses birdsong to express the sound of people's hard work in spring and praise the beauty of labor. After reading this poem, young readers can not only appreciate the beauty of spring, but also the joy of labor, and stimulate their love for spring, nature and workers.
(B) Beautiful rhythm
Jinbo's children's poetry is flowing music, and rhythm is an important factor to form its fluidity, which is mainly manifested as follows:
1, corresponding to the beat, with clear rhythm.
Beat is a special term in music, which refers to the organizational form that expresses the time value of a fixed unit and the law of strength and weakness in music. If the truly great architecture is solidified music, then Jin Bo's children's poems are completely flowing music.
The reason why Mr. Jin Bo's children's poems are so charming and beautiful in phonology is that they roughly correspond to the rhythm of the sentences in his poems, that is, the combination of intonation is relatively close, which makes each sentence in his poems have its own specific aesthetic feeling. For example, "Big Brother Hunting" (excerpt): My brother looks terrible/goes into the Woods to fight tigers/tigers teething/scares my brother to fight wolves/wolves hum/bears bark/bobcats snore in sleep/scares my brother to fight squirrels ... It makes young readers feel a high and vivid emotion when reading poems, and makes poems more rhythmic and rhythmic. The last two sentences are similar to the first four sentences, which reveal the author's love for small animals and nature between the lines, and this love also infects and enjoys the readers' beauty invisibly [4].
Most of Jin Bo's children's poems have the characteristics of corresponding sentence rhythm and distinct rhythm. The distinctive beat form, the pause between words and the intonation between sentences make these children's poems have endless rhyming and rhythmic beauty, which brings readers a lot of pleasure in reading poems and is more easily accepted by young readers.
2, thimble interlock, cycle back and forth
Thimble is one of the commonly used rhetorical devices in poetry writing. Thimble is a writing method that uses the end of the previous sentence as the beginning of the next sentence, so that the ends of adjacent sentences are connected together and run through from top to bottom. It is mainly used to arrange sentence structure, connect mood and highlight the interlocking between things. The thimble technique is frequently used in Jinbo's children's poems, which makes the phonological beauty of children's poems stronger, the sentence structure more closely and neatly, and more easily accepted by children.
3. Repeat words and phrases to strengthen the rhythm.
Overlapping is also a common technique in Jin Bo's children's poetry creation. The so-called "incoherent and repetitive words" not only shows the poet's deep affection, but also increases the rhythmic beauty of the poem. The appearance of repeated overlapping promotes the poet's emotional expression layer by layer, showing the beauty of neatness in the jagged. The repetition of the ending sentence can strengthen the main theme of the work and reflect the ups and downs of the poet's feelings. The use of repetition and repeated chanting has played a role in singing and sighing.