This poem about an autumn outing was probably written in the early years before the poet went south. Autumn often brings people a feeling of desolation and desolation. Since Song Yu's "Sad Autumn", the autumn landscapes written by literati have always shown a sad and desolate color. However, the autumn scene in Li Qingzhao's song "Resent the King and the Sun" shows a fresh and broad picture. The poet not only gives nature a static beauty, but also gives it life and emotions. This shows the poet's unusual taste and taste. mind.
"The wind on the lake is vast, autumn is already late, and there are few red and fragrant flowers." At the beginning of the poem, the poet narrates that he was boating on the lake. It was late autumn. As far as he could see, the autumn wind was blowing and the lake was covered with smoke. It is so vast that the lotus flowers on the lake have faded away. The description of the first two sentences seemed to lay a bleak atmosphere and a sad autumn mood, but then the pen changed and he wrote: "The scenery of the water, the mountains, and the closeness of people are indescribable and infinitely good." The poet has a broad mind, Bright and refreshing, not only do I not feel sad, but I feel happy and close. The poet here does not say that he feels close to the scenery of lakes and mountains, but instead says that "the scenery of lakes and mountains" is close to people. This method of expressing empathy with objects more truly expresses my intoxication with the landscape. Li Bai's poem "I never get tired of seeing each other, only Jingting Mountain" ("Sitting Alone on Jingting Mountain"), and Xin Qiji's poem "I see how charming the green mountains are, and when I see the green mountains, I should be like this" ("Congratulations to the Bridegroom"), which expresses The technique is similar, except that Li Qingzhao's writing is more natural, clear and direct.
In the next part of the poem, the poet concentrates his brushstrokes to describe the scenery of the lake. "The lotus seeds have become old lotus leaves, washed with clear dew, and the apple blossoms are covered with grass." There is no longer the grand scene of "ten miles of lotus" (Liu Yong's "Looking at the Sea Tide") on the lake in summer, and "the water surface is round and clear, and the wind is blowing." However, when the poet saw this situation, he did not feel melancholy or desolate at all. Instead, he felt that the withered lotus leaves and the plump lotus chambers also brought joy to people. Pleasure. What's more, there is also the apple blossom grass near the shore, which seems to have been washed by the dew, refreshing and green. The word "wash" is used here, which not only outlines the solemn and quiet characteristics of autumn, but also expresses the poet's unusual broad-mindedness. Two sentences after the break: "The gulls and herons sleep in the sand and do not look back. They seem to hate it, and people return early." The expression method here is similar to the last two sentences of the previous film, "The scenery of the water and the mountains are close to each other." The poet obviously misses the scenery of the lakes and mountains here, and is deeply intoxicated in it, unwilling to leave. But he didn't say it clearly, and instead said tactfully that the sand gulls and herons were reluctant to let tourists leave, so they refused to pay attention to the returning tourists. This kind of expression expresses the poet's feelings more deeply and implicitly.