Modern poets and literary critics. Formerly known as Zhang Guangnian. People from Guanghua County, Hubei Province. 1 913165438+1October1. 1927 participated in the first revolutionary civil war in his hometown, and joined the China Youth League in the same year. After the failure of this revolution, I worked as a shop apprentice, a bookstore clerk and a primary school teacher.
/kloc-joined the China * * * production party in 0/929, but lost the party's organizational relationship due to the destruction of the northern Hubei organization. Since 1930s, he has been engaged in progressive drama and literary activities. 1936, in Wuhan, published the lyrics "A Brief Introduction to the Glory of May"
Modern poets and literary critics. Formerly known as Zhang Guangnian. People from Guanghua County, Hubei Province. 1 913165438+1October1. 1927 participated in the first revolutionary civil war in his hometown, and joined the China Youth League in the same year. After the failure of this revolution, I worked as a shop apprentice, a bookstore clerk and a primary school teacher.
/kloc-joined the China * * * production party in 0/929, but lost the party's organizational relationship due to the destruction of the northern Hubei organization. Since 1930s, he has been engaged in progressive drama and literary activities. 1936, the lyrics "Flowers in May" were published in Wuhan, praising anti-Japanese patriots and opposing treason and surrender. After Yan Shushi composed music, he was widely sung in the anti-Japanese and national salvation activities. 1937 rejoined the China * * * production party. 1938, his Street Drama was published. 1939 65438+ 10, led the third team of anti-Japanese drama from Shanxi anti-Japanese guerrilla zone to Yan 'an. In March of the same year, he created a group of poems, The Yellow River Cantata. Composed by people's musician Xian Xinghai, it was first staged in Yan 'an in April. Since then, it has been widely sung all over the country and warmly welcomed by the anti-Japanese soldiers and civilians. This set of poems is magnificent and profound. It is a heroic poem of the Chinese nation against foreign aggression, and it is also a tragic picture of the reality of the War of Resistance against Japanese Aggression era. It reflects the unprecedented awakening of the people and shows strong national integrity and indomitable spirit of struggle. In art, the whole poem is well conceived and beautifully laid out. Taking the Yellow River as the symbol of the Chinese nation as the image of running has created a surging passion and made the whole poem show great strength. At the same time, due to the poet's reference to China's traditional poetic expression, the poetry group has a lively rhythm and concise language.
Guang William. J engaged in literary and artistic activities in Chongqing from 65438 to 0940, and wrote a long narrative poem Qu Yuan, which, in the form of white terror, twists and turns expressed the people's strong demand for persisting in the war of resistance, opposing surrender, division and retrogression. After the "Southern Anhui Incident", he was forced to leave Myanmar to join overseas Chinese cultural circles and overseas Chinese youth in anti-fascist cultural activities. He returned to Yunnan in 1942, and from March 1943 to September 1944, he wrote a long narrative poem "Song of the Assisi" based on popular folk songs, and at the same time wrote a long lyric poem "Green Irava Bottom".
1944, Guang William. J joined Li Gongpu and Wen Yiduo in the democratic movement and poetry reading activities in Yunnan. 1945 was persecuted by the Kuomintang government and left Kunming. The following year, he entered the Liberated Area of North China from Beiping, and successively presided over the teaching work in the Art College of North University and the College of Literature and Art of North China University.
William. J Guang has been engaged in literary and artistic work in Beijing since the founding of the People's Republic of China.
Activities. He has successively served as the editor-in-chief of Movie Script, Wen Yi Newspaper and People's Literature, and has written a lot of literary criticism under his signature. These articles are rigorous in argumentation and free and easy in style, and dare to express their opinions in the face of major literary and artistic phenomena. They wrote articles on the anti-historicism tendency of historical dramas and divine dramas, realism and socialist realism in the inheritance of traditional operas, and actively explored the creation of new poems, which promoted the prosperity of China's new poetry creation with their own creative practice and theoretical research.
On February 30th, 1984 and 1984 gave a keynote speech entitled "Great strides in socialist literature" at the fourth general meeting of the Chinese Writers Association. He is the author of a collection of essays, Realism in Drama (1957), Literary Debate Collection (1958) and Talk about Wind and Rain (1982).
Since the founding of the People's Republic of China, Mayflower (1960) has been published, and more than 30 representative works of the author before and after liberation have been included, including Qu Yuan, The Yellow River Cantata, Sanmenxia Chorus and other famous works. Other works not included are the political lyric poem Grand Festival of the Revolutionary People, Soul-stirring 1976 and the long narrative poem Hero Drilling Team. Bright poetry is full of passion and majestic momentum, and is good at containing a difficult and sudden torrent of the times with gorgeous images.
Guang William. J used to be the secretary of the Secretariat of the Chinese Writers Association and the party secretary of the Chinese Writers Association. And was elected as the third and fifth NPC deputies. He is currently a member of the Central Committee of the Communist Party of China Advisory Committee and vice chairman of Chinese Writers Association.
Interviewee: Tang Ziwei-Jinshi was born at 22: 4 in 8th grade, composed by Yan Shushi, and widely sung in anti-Japanese national salvation activities. 1937 rejoined the China * * * production party. 1938, his Street Drama was published. 1939 65438+ 10, led the third team of anti-Japanese drama from Shanxi anti-Japanese guerrilla zone to Yan 'an. In March of the same year, he created a group of poems, The Yellow River Cantata. Composed by people's musician Xian Xinghai, it was first staged in Yan 'an in April. Since then, it has been widely sung all over the country and warmly welcomed by the anti-Japanese soldiers and civilians. This set of poems is magnificent and profound. It is a heroic poem of the Chinese nation against foreign aggression, and it is also a tragic picture of the reality of the War of Resistance against Japanese Aggression era. It reflects the unprecedented awakening of the people and shows strong national integrity and indomitable spirit of struggle. In art, the whole poem is well conceived and beautifully laid out. Taking the Yellow River as the symbol of the Chinese nation as the image of running has created a surging passion and made the whole poem show great strength. At the same time, due to the poet's reference to China's traditional poetic expression, the poetry group has a lively rhythm and concise language.
Guang William. J engaged in literary and artistic activities in Chongqing from 65438 to 0940, and wrote a long narrative poem Qu Yuan, which, in the form of white terror, twists and turns expressed the people's strong demand for persisting in the war of resistance, opposing surrender, division and retrogression. After the "Southern Anhui Incident", he was forced to leave Myanmar to join overseas Chinese cultural circles and overseas Chinese youth in anti-fascist cultural activities. He returned to Yunnan in 1942, and from March 1943 to September 1944, he wrote a long narrative poem "Song of the Assisi" based on popular folk songs, and at the same time wrote a long lyric poem "Green Irava Bottom".
1944, Guang William. J joined Li Gongpu and Wen Yiduo in the democratic movement and poetry reading activities in Yunnan. 1945 was persecuted by the Kuomintang government and left Kunming. The following year, he entered the Liberated Area of North China from Beiping, and successively presided over the teaching work in the Art College of North University and the College of Literature and Art of North China University.
William. J Guang has been engaged in literary and artistic work in Beijing since the founding of the People's Republic of China.
Activities. He has successively served as the editor-in-chief of Movie Script, Wen Yi Newspaper and People's Literature, and has written a lot of literary criticism under his signature. These articles are rigorous in argumentation and free and easy in style, and dare to express their opinions in the face of major literary and artistic phenomena. They wrote articles on the anti-historicism tendency of historical dramas and divine dramas, realism and socialist realism in the inheritance of traditional operas, and actively explored the creation of new poems, which promoted the prosperity of China's new poetry creation with their own creative practice and theoretical research.
On February 30th, 1984 and 1984 gave a keynote speech entitled "Great strides in socialist literature" at the fourth general meeting of the Chinese Writers Association. He is the author of a collection of essays, Realism in Drama (1957), Literary Debate Collection (1958) and Talk about Wind and Rain (1982).
Since the founding of the People's Republic of China, Mayflower (1960) has been published, and more than 30 representative works of the author before and after liberation have been included, including Qu Yuan, The Yellow River Cantata, Sanmenxia Chorus and other famous works. Other works not included are the political lyric poem Grand Festival of the Revolutionary People, Soul-stirring 1976 and the long narrative poem Hero Drilling Team. Bright poetry is full of passion and majestic momentum, and is good at containing a difficult and sudden torrent of the times with gorgeous images.
Guang William. J used to be the secretary of the Secretariat of the Chinese Writers Association and the party secretary of the Chinese Writers Association. And was elected as the third and fifth NPC deputies. Now he is a member of The Central Committee of the Communist Party of China (CCCPC) Advisory Committee and vice chairman of Chinese Writers Association! ! ! ~
Brief introduction of guang weiran
Modern poets and literary critics. Formerly known as Zhang Guangnian. People from Guanghua County, Hubei Province. 1 913165438+1October1. 1927 participated in the first revolutionary civil war in his hometown, and joined the China Youth League in the same year. After the failure of this revolution, I worked as a shop apprentice, a bookstore clerk and a primary school teacher.
/kloc-joined the China * * * production party in 0/929, but lost the party's organizational relationship due to the destruction of the northern Hubei organization. Since 1930s, he has been engaged in progressive drama and literary activities. 1936, in Wuhan, published the lyrics "A Brief Introduction to the Glory of May"
Modern poets and literary critics. Formerly known as Zhang Guangnian. People from Guanghua County, Hubei Province. 1 913165438+1October1. 1927 participated in the first revolutionary civil war in his hometown, and joined the China Youth League in the same year. After the failure of this revolution, I worked as a shop apprentice, a bookstore clerk and a primary school teacher.
/kloc-joined the China * * * production party in 0/929, but lost the party's organizational relationship due to the destruction of the northern Hubei organization. Since 1930s, he has been engaged in progressive drama and literary activities. 1936, the lyrics "Flowers in May" were published in Wuhan, praising anti-Japanese patriots and opposing treason and surrender. After Yan Shushi composed music, he was widely sung in the anti-Japanese and national salvation activities. 1937 rejoined the China * * * production party. 1938, his Street Drama was published. 1939 65438+ 10, led the third team of anti-Japanese drama from Shanxi anti-Japanese guerrilla zone to Yan 'an. In March of the same year, he created a group of poems, The Yellow River Cantata. Composed by people's musician Xian Xinghai, it was first staged in Yan 'an in April. Since then, it has been widely sung all over the country and warmly welcomed by the anti-Japanese soldiers and civilians. This set of poems is magnificent and profound. It is a heroic poem of the Chinese nation against foreign aggression, and it is also a tragic picture of the reality of the War of Resistance against Japanese Aggression era. It reflects the unprecedented awakening of the people and shows strong national integrity and indomitable spirit of struggle. In art, the whole poem is well conceived and beautifully laid out. Taking the Yellow River as the symbol of the Chinese nation as the image of running has created a surging passion and made the whole poem show great strength. At the same time, due to the poet's reference to China's traditional poetic expression, the poetry group has a lively rhythm and concise language.
Guang William. J engaged in literary and artistic activities in Chongqing from 65438 to 0940, and wrote a long narrative poem Qu Yuan, which, in the form of white terror, twists and turns expressed the people's strong demand for persisting in the war of resistance, opposing surrender, division and retrogression. After the "Southern Anhui Incident", he was forced to leave Myanmar to join overseas Chinese cultural circles and overseas Chinese youth in anti-fascist cultural activities. He returned to Yunnan in 1942, and from March 1943 to September 1944, he wrote a long narrative poem "Song of the Assisi" based on popular folk songs, and at the same time wrote a long lyric poem "Green Irava Bottom".
1944, Guang William. J joined Li Gongpu and Wen Yiduo in the democratic movement and poetry reading activities in Yunnan. 1945 was persecuted by the Kuomintang government and left Kunming. The following year, he entered the Liberated Area of North China from Beiping, and successively presided over the teaching work in the Art College of North University and the College of Literature and Art of North China University.
William. J Guang has been engaged in literary and artistic work in Beijing since the founding of the People's Republic of China.
Activities. He has successively served as the editor-in-chief of Movie Script, Wen Yi Newspaper and People's Literature, and has written a lot of literary criticism under his signature. These articles are rigorous in argumentation and free and easy in style, and dare to express their opinions in the face of major literary and artistic phenomena. They wrote articles on the anti-historicism tendency of historical dramas and divine dramas, realism and socialist realism in the inheritance of traditional operas, and actively explored the creation of new poems, which promoted the prosperity of China's new poetry creation with their own creative practice and theoretical research.
On February 30th, 1984 and 1984 gave a keynote speech entitled "Great strides in socialist literature" at the fourth general meeting of the Chinese Writers Association. He is the author of a collection of essays, Realism in Drama (1957), Literary Debate Collection (1958) and Talk about Wind and Rain (1982).
Since the founding of the People's Republic of China, Mayflower (1960) has been published, and more than 30 representative works of the author before and after liberation have been included, including Qu Yuan, The Yellow River Cantata, Sanmenxia Chorus and other famous works. Other works not included are the political lyric poem Grand Festival of the Revolutionary People, Soul-stirring 1976 and the long narrative poem Hero Drilling Team. Bright poetry is full of passion and majestic momentum, and is good at containing a difficult and sudden torrent of the times with gorgeous images.
Guang William. J used to be the secretary of the Secretariat of the Chinese Writers Association and the party secretary of the Chinese Writers Association. And was elected as the third and fifth NPC deputies. He is currently a member of the Central Committee of the Communist Party of China Advisory Committee and vice chairman of Chinese Writers Association.
Interviewee: Tang Ziwei-Jinshi was born at 22: 4 in 8th grade, composed by Yan Shushi, and widely sung in anti-Japanese national salvation activities. 1937 rejoined the China * * * production party. 1938, his Street Drama was published. 1939 65438+ 10, led the third team of anti-Japanese drama from Shanxi anti-Japanese guerrilla zone to Yan 'an. In March of the same year, he created a group of poems, The Yellow River Cantata. Composed by people's musician Xian Xinghai, it was first staged in Yan 'an in April. Since then, it has been widely sung all over the country and warmly welcomed by the anti-Japanese soldiers and civilians. This set of poems is magnificent and profound. It is a heroic poem of the Chinese nation against foreign aggression, and it is also a tragic picture of the reality of the War of Resistance against Japanese Aggression era. It reflects the unprecedented awakening of the people and shows strong national integrity and indomitable spirit of struggle. In art, the whole poem is well conceived and beautifully laid out. Taking the Yellow River as the symbol of the Chinese nation as the image of running has created a surging passion and made the whole poem show great strength. At the same time, due to the poet's reference to China's traditional poetic expression, the poetry group has a lively rhythm and concise language.
Guang William. J engaged in literary and artistic activities in Chongqing from 65438 to 0940, and wrote a long narrative poem Qu Yuan, which, in the form of white terror, twists and turns expressed the people's strong demand for persisting in the war of resistance, opposing surrender, division and retrogression. After the "Southern Anhui Incident", he was forced to leave Myanmar to join overseas Chinese cultural circles and overseas Chinese youth in anti-fascist cultural activities. He returned to Yunnan in 1942, and from March 1943 to September 1944, he wrote a long narrative poem "Song of the Assisi" based on popular folk songs, and at the same time wrote a long lyric poem "Green Irava Bottom".
1944, Guang William. J joined Li Gongpu and Wen Yiduo in the democratic movement and poetry reading activities in Yunnan. 1945 was persecuted by the Kuomintang government and left Kunming. The following year, he entered the Liberated Area of North China from Beiping, and successively presided over the teaching work in the Art College of North University and the College of Literature and Art of North China University.
William. J Guang has been engaged in literary and artistic work in Beijing since the founding of the People's Republic of China.
Activities. He has successively served as the editor-in-chief of Movie Script, Wen Yi Newspaper and People's Literature, and has written a lot of literary criticism under his signature. These articles are rigorous in argumentation and free and easy in style, and dare to express their opinions in the face of major literary and artistic phenomena. They wrote articles on the anti-historicism tendency of historical dramas and divine dramas, realism and socialist realism in the inheritance of traditional operas, and actively explored the creation of new poems, which promoted the prosperity of China's new poetry creation with their own creative practice and theoretical research.
On February 30th, 1984 and 1984 gave a keynote speech entitled "Great strides in socialist literature" at the fourth general meeting of the Chinese Writers Association. He is the author of a collection of essays, Realism in Drama (1957), Literary Debate Collection (1958) and Talk about Wind and Rain (1982).
Since the founding of the People's Republic of China, Mayflower (1960) has been published, and more than 30 representative works of the author before and after liberation have been included, including Qu Yuan, The Yellow River Cantata, Sanmenxia Chorus and other famous works. Other works not included are the political lyric poem Grand Festival of the Revolutionary People, Soul-stirring 1976 and the long narrative poem Hero Drilling Team. Bright poetry is full of passion and majestic momentum, and is good at containing a difficult and sudden torrent of the times with gorgeous images.
Guang William. J used to be the secretary of the Secretariat of the Chinese Writers Association and the party secretary of the Chinese Writers Association. And was elected as the third and fifth NPC deputies. Now he is a member of The Central Committee of the Communist Party of China (CCCPC) Advisory Committee and vice chairman of Chinese Writers Association! Information about the Yellow River
The Yellow River is the second longest river in China. Originated in the Yuegu Zonglie Basin at the northern foot of Bayankala in Qinghai Plateau, it winds eastward, crosses the Loess Plateau and the Huanghuaihai Plain, and flows into the Bohai Sea. The total length of the main stream is 5464 kilometers, and the water level drop is 4480 meters. The total basin area is 795,000 square kilometers (including 42,000 square kilometers of internal flow area).
According to the study of geological evolution history, the Yellow River is a relatively young river. In the late Early Pleistocene, 1 15000 years ago, there were only some unconnected lake basins in the basin, each of which formed an independent internal water system. Since then, with the uplift of the western plateau, rivers have been eroded and eroded. After the Middle Pleistocene of 654.38+0.05 million years, lakes and basins have been gradually connected, forming the embryonic form of the Yellow River system. It was not until the Late Pleistocene (654.38+ 10,000 years ago) that the Yellow River gradually evolved into a big river running up and down from the source to the estuary.
Because the flood of the Yellow River carries a lot of sediment, it quickly silts up after entering the downstream plain, and the mainstream wanders in the overflow area, people begin to build dikes for flood control, and the flood channel keeps silting up and rising, becoming an "overground river" higher than the two banks. Under certain conditions, it will overflow the flood and take a new road. The severity of river migration in the lower Yellow River is unique in the world. According to written records, the Yellow River has been diverted many times. The river changes from Zhengzhou in the west, Tianjin in the north and Jianghuai in the south, covering an area of 250,000 square kilometers. During the period from the fifth year of Zhou Ding (602 BC) to the second year of Jian Yan in the Southern Song Dynasty (1 128) 1700, most of the migration of the Yellow River was in the area north of the current river, invading the Haihe River system and flowing into the Bohai Sea. During the 700 years from 1 128 to 1855, the Yellow River oscillated in the south of the existing channel, invaded the Huaihe River system and flowed into the Yellow Sea. 1855, the Yellow River burst at Dongbatou, Lankao, Henan Province, and later diverted to capture the Daqing River in Shandong Province and enter the Bohai Sea. Due to the constant change and diversion of the lower reaches of the Yellow River, as well as the influence of transgression and regression, the length and basin area of the lower reaches of the Yellow River are also constantly changing, which is one of the outstanding characteristics that distinguish the Yellow River from other rivers. The middle and lower reaches of the ancient Yellow River had mild climate and abundant rainfall, which was suitable for primitive human survival. The loess plateau and the alluvial plain of the Yellow River have loose soil and are easy to cultivate, which is suitable for developing primitive agriculture and animal husbandry. The characteristics of loess are beneficial for our ancestors to dig holes and live together. The unique natural geographical environment provided good conditions for the development of ancient civilization in China. As early as 165438+ million years ago, "Lantian people" lived in the Yellow River basin. There are also "Dali people", "Dingcun people" and "Hetao people" living in the basin. Yangshao culture, Majiayao culture, Dawenkou culture, Longshan culture and many other ancient cultural sites are spread all over the country. These ancient cultural relics are not only numerous and complete in types, but also systematically show the development process of ancient civilization in China from far to near.
As early as 6000 years ago, agricultural activities began to appear in the basin. About 4000 years ago, some blood tribes were formed in the basin, among which Yan Di and Huangdi were the most powerful tribes. Later, the Yellow Emperor gained the position of leader and merged with other tribes to form the "Huaxia nationality". Later generations regard the Yellow Emperor as the ancestor of the Chinese nation. There is the Huangdi Palace in xinzheng city, Henan Province, and the Huangdi Mausoleum in huangling county, Shaanxi Province. Chinese people all over the world regard the Yellow River Basin as the cradle of the Chinese nation, calling it "Mother River" and "Four Shames", and regard the yellow land as their "root".
From the Xia Dynasty in the 2nd/kloc-0th century BC, in the historical period of more than 4,000 years, the dynasties established their capital in the Yellow River basin for more than 3,000 years. Among the "seven ancient capitals" in the history of China, Anyang, Xi, Luoyang and Kaifeng are located in the Yellow River Basin and its adjacent areas. A large number of Oracle Bone Inscriptions remains in Yindu (which belonged to the Yellow River valley at that time), creating a precedent for written records in China. Xi 'an (including Xianyang), from the Western Zhou Dynasty, Qin Dynasty and Han Dynasty to Sui Dynasty and Tang Dynasty, has 13 dynasties as its capital, and has a history of thousands of years. It is a famous "Eight Rivers Imperial Capital". After the Eastern Zhou Dynasty moved its capital to Luoyang, the Eastern Han Dynasty, the Wei Dynasty, the Sui Dynasty, the Tang Dynasty, Hou Liang and the Hou Zhou all established their capitals in Luoyang, which lasted for more than 900 years and was known as the "ancient capital of nine dynasties". Kaifeng, located on the south bank of the Yellow River, was called Bianliang in ancient times. During the Spring and Autumn Period, Wei Huiwang moved its capital to Daliang, and the capital was established here in the Northern Song Dynasty, which lasted about 200 years. For a long time, the political, economic and cultural center of China has been in the Yellow River Basin. The middle and lower reaches of the Yellow River are the earliest areas for the development of science, technology, literature and art in China. Around 2000 BC, bronzes appeared in the basin, and the bronze smelting technology of Shang Dynasty reached a fairly high level, and iron smelting began to appear at the same time, marking the development of productive forces to a new stage. The shovel and iron axe unearthed in Luoyang after a series of treatments show that China developed the softening technology of cast iron more than 2000 years earlier than European countries. China's ancient "four great inventions"-papermaking, movable type printing, fingerprint needle and gunpowder-all originated in the Yellow River basin. A large number of literary classics, from the Book of Songs to Tang poetry and Song poetry, and a large number of cultural classics are also produced here. After the Northern Song Dynasty, the national economic center of gravity gradually shifted to the south, but in the process of China's political, economic and cultural development, the Yellow River basin and the plain area in the lower reaches of the Yellow River are still in an important position. The long history of the Yellow River Basin has left a very precious legacy to the Chinese nation, leaving countless places of interest, which is the pride of our nation.