1. Which sentences in "Blue and White Porcelain" are more beautiful
From "A lamp of separation and sorrow stands alone at the window" in "The East Wind Breaks" to "You" in "Hair Like Snow" "Farewell is as sad and beautiful as snow," and then to the sad and sad "I send you away, thousands of miles away, you are silent and black and white" in "Thousands of Miles Away", separation and hatred is the eternal theme of the singer.
The surprise that "Blue and White Porcelain" brings to us is that this parting sentiment is described more gracefully and delicately, hidden more implicitly and has a unique charm, like green olives in the mouth, which can be slowly savored. In terms of artistic conception, "Blue and White Porcelain" is like an ink landscape of the south of the Yangtze River in mist and mist. Between the budding water and clouds, you can vaguely see the beauty's white clothes and skirts flying; in terms of lyrics, "Blue and White Porcelain" is a picture of pure heart written by the window with a delicate pen. Notes, the writing is tortuous just because the heart is like a double mesh with thousands of knots; in terms of tune, "Blue and White Porcelain" is like a mountain spring and stream flowing quietly on the stone in the breeze, clear and translucent, yet winding and looping with endless meanings; These three are superimposed into one place, and the song "Blue and White Porcelain" is just like its name, just like the best celadon that "takes care of its own beauty", washed away all the lead, simple and elegant, fresh and smooth.
The Chinese style of "Blue and White Porcelain" is particularly moving as the guzheng is strummed, the teeth are crisp, and the pipa is tinkling. Fang Wenshan used a series of words such as "plain embryo", "lady" and "Han Li" to describe the style of blue and white porcelain handed down from ancient times. Jay Chou's singing voice is tender and simple, with a hint of Jiangnan opera, and his exquisite lyrics and retro music constitute a masterpiece of R&B. .
In "Blue and White Porcelain" I heard the faint sadness of revisiting the old place in "The East Wind Breaks", and heard the gentle sigh of the endless reincarnation of the past and the next in "Hair Like Snow". I also heard the unforgettable life-long waiting of life and death on opposite sides of the world in "Thousands of Miles Away", and even heard the vows of love that have been weathered for thousands of years but the soul will not die in "Love in BC"... My heart is full of mixed feelings, and the sky is full of thoughts rolling like a tide, and my ears But there was still just a faint chanting, the clouds were light and the wind was clear. The most touching word in "Blue and White Porcelain", I thought was the word "wait".
The word "wait" conveys so much helplessness and lamentation. This wait is a hopeless wait, a wait for the next life, a wait that you know you can't wait for, but the song is sung in a light tone, it's ordinary, as if it's as simple as just waiting for the sunrise every day; while waiting, , you can read and write, you can recite poems and paint, you can enjoy flowers and play the piano, but you never forget the people who are waiting.
Is it painful? No, "Blue and White Porcelain" is sung so leisurely that the sorrow and hatred of separation can be slowly washed away. So what if we can’t ask for it, or if we love it apart? All living beings suffer, and waiting is also a beautiful mood. It is better to regard the encounter in this life as just a foreshadowing of the reunion in the next life. Thinking about it this way, I can't help but feel relieved.
Even if we can’t meet each other again, we should still be grateful for the chance encounter we had. Who can privately own Mount Fuji out of love? Blue and white porcelain is the same.
At least, we can look at the smoke from Jiangnan across thousands of miles of mountains and rivers, and silently miss the faint back in our memories across the vast sea of ??people, just like quietly admiring the unchanging beauty of blue and white porcelain handed down from generation to generation across the layers of history. . The rain outside the banana curtain is rushing, and time is passing by in a hurry; the face in the blue and white porcelain is old, but I am the only one who is getting old, and your beauty will always be fixed in the blue and white porcelain that will never fade. You can appreciate it, ponder it, and watch it. . 2. Sentences describing orchids, blue and white porcelain
A piece of plain paper with a few traces of ink. The door knocker is patinated, and the sound of rain can be heard. The door is locked and the beauty is in ecstasy.
——————Inscription
Every time I go to Jingdezhen, I always like to bring back some blue and white porcelain.
I like the green glaze on blue and white porcelain for no reason, just like I like to listen to Wu Nong's soft words, soft and lazy, not knowing where I am. , full of joy.
I have always liked some old things, such as black and white photos, which faintly exude the fragrance of the old days; I like to collect some old books, which have a strong fragrance of ink; I like to stroll through the old streets and feel the dusty atmosphere. That joy.
In late autumn in the south of the Yangtze River, the clouds and water are slightly cool, and the beautiful lady is standing alone. Outside the window, the rain is hitting the banana trees, the parasol trees are raining in the middle of the night, and the beautiful lady is grinding the pen and rice paper. The sky is blue and waiting for the misty rain, and whose clothes are the clothes getting thinner and thinner?
The purple road has been growing for years, and the flowers are blooming on the road. The old man who fired the kiln wrote official script on the bottom of the bottle with tears in his eyes. The blue and white porcelain slowly has the warmth of time, and the years fade slightly from the depth of the ink.
The evening breeze blows on the window lattice, and my heart is indulged in the blue and white porcelain, giving me a feeling of seeing time again. Plain but not turbid, light and subtle, gentle and delicate, like the karma of the previous life, passing by calmly.
There is a lotus vase in my grandfather’s study room, which my grandmother brought as a dowry. Later, when my grandmother died, my grandfather broke the vase, polished it into a piece of porcelain, and wrapped it around his wrist.
Jade is spiritual and can produce smoke, and the same is true for porcelain. After being with her for a long time, the vessel hides its own warmth, as well as some past events that are as swaying as spring.
When he fell in love with her, it was when he was most frustrated. I couldn't afford to give her gold and silver jewelry, so I hid in the porcelain kiln and spent several nights polishing the blanks and firing a porcelain bracelet with all my love for her.
To this day, she still wears that bracelet and swaggers around. She said this was the best gift she had ever received in her life.
The darkness of the night enveloped me tightly, like the warmth of blue and white porcelain. 3. Praise for "Blue and White Porcelain"
The glaze marks of Jingdezhen's blue and white porcelain are natural in the hands of the old masons;
Jingdezhen's porcelain has been "famous" all over the world since the ancient times. In the Song Dynasty, "fake jade" appeared as a tribute to the imperial court, and in the Song Dynasty, "Jingdezhen porcelain was known throughout the world". However, the porcelain aesthetic concept of "green is beneficial to tea" advocated by Lu Yu in the Tang Dynasty made the Yue kiln celadon known as the "green color of a thousand peaks" eclipse the shine of many porcelains of the same era. Although the "tea fighting" trend was also popular in the Song Dynasty, the good situation of "the pottery industry was protected by the royal family" allowed many porcelains to come to the world. Given equal opportunities, Jingdezhen dominated the government and the public with its "thin but moist" blue and white porcelain. In particular, the name change of "Jingdezhen" further established the status of Jingdezhen porcelain in the upper class. Westerners even praise the Song Dynasty in Jingdezhen as "the era of successful porcelain".
After the Song Dynasty, Jingdezhen's porcelain became increasingly familiar to people and was appreciated and praised by literati, which greatly enriched the connotation of Chinese literature and the life of Chinese literati. But what is incredible is that in the Tang Dynasty, almost all the beautiful adjectives were reserved for celadon and white porcelain. People describe Yue kiln celadon as "like jade and ice", and Xing kiln white porcelain as "like silver and snow"; the "green" of Yue kiln means "ancient mirror breaks moss", "tender lotus contains dew", and white porcelain is "like a buckle" Sad jade", "better than frost and snow". As a combination of both, blue and white porcelain really made literati think hard. In fact, Lan Pu of the Qing Dynasty also mentioned in "Jingdezhen Ceramics Record" that the porcelain produced by the Huo kiln in Jingdezhen in the Tang Dynasty had "pigment, fine soil, thin texture, and the best ones are as clear as jade..."; Gong Zai "Jingdezhen Pottery Song" also says: "In Wude's year, it was called fake jade and porcelain, which means that real jade is not surprising now." Using jade as a metaphor for porcelain is an important feature of the aesthetics of porcelain in the Tang Dynasty. To praise Jingdezhen blue and white porcelain, the sentences in "Drunk Flower Shade" by Li Qingzhao, a poet from the Song Dynasty, are more representative. "The mist is thick and cloudy, and the day is long. The auspicious brain sells the golden beast. The festival is the Double Ninth Festival. The jade pillow is in the gauze cupboard. The coolness comes through in the middle of the night..." The "jade pillow" in the article refers to Jingdezhen blue and white porcelain, which has a jade-like color. For literati, jade is a tool of elegance, which is closely related to the literati's character and virtue. In ancient times, there was a saying that "a gentleman is more virtuous than jade." The beauty of porcelain is similar to that of jade. Li Qingzhao's gentle style of writing, melancholic emotions, and pure soul are all contained in the "jade pillow" (shadow celadon pillow), which is like a light cloud containing moisture. In addition, "shadow green" means "hidden feelings", which are hidden but not revealed. It also gives many mysterious meanings to blue and white porcelain.
Blue and white porcelain is the representative porcelain variety of Jingdezhen. It was the most classic in the Yuan Dynasty and flourished in the Ming and Qing Dynasties. It is characterized by white orchids and is known as the "Pearl of the Porcelain Country". Blue and white porcelain is also one of the Jingdezhen porcelain varieties that has the greatest influence overseas. The "Java Article" in "Yingya Scenic Views" states: "Chinese blue and white porcelain is the most popular among Chinese people." French Rococo art in the 18th century was influenced by Jingdezhen blue and white porcelain and other porcelains. Just as the Japanese Taichiro Kobayashi said in the article "The Formation of Rococo": "At that time, the only model that could provide such substantial curves was Chinese arts and crafts. Especially the curves of soft porcelain..., this The Rococo curve preserves the elegance and dignity of Chinese porcelain, and it contains strong vitality. "The Japanese even called the blue and white porcelain of the Ming Dynasty "plain muscle and jade bone."
Blue and white porcelain is clear, simple and elegant, similar to Chinese ink paintings, so it is mostly appreciated, praised and collected by literati. Blue and white porcelain can be seen in the inkstones and brush washers of literati, the cups, plates, and bowls of the Ming and Qing courts, and even the decorations of foreign royal families. From the "Jingdezhen Pottery Song", we can see the evaluation of it by people at that time, "White glaze blue and white flowers are formed by fire, and the flowers are clearly visible from the glaze. It can be seen that creation is innately wonderful, and Wuji comes from Tai Chi." It is described as ingenious and beautiful. Blue and white porcelain is not an exaggeration. It is worth mentioning that among the varieties of porcelain in Jingdezhen, only blue and white porcelain can reflect the poetic, painterly and situational mood of the literati. Literati directly participated in the creation of blue and white porcelain, which was the main reason why blue and white porcelain as an arts and crafts moved into the literati art context. This is mainly reflected in the following aspects: 1. The poetic tendency of artifact modeling. Like a jade pot and a spring vase. It comes from the poetic meaning of the Tang Dynasty poem "The jade pot heralds spring". Mei Ping means "thin bones of plum". 2. The literati tendency of decorative themes. Blue and white porcelain is often decorated with paintings and poetry themes favored by literati. For example: "Three Friends of Suihan" - pine, bamboo and plum; "Four Gentlemen" - plum, orchid, bamboo and chrysanthemum. There is the famous "Four Love Pictures": Wang Xizhi loves orchids, Zhou Maoshu loves lotus, Meng Haoran loves plum blossoms, and Lin Hejing loves cranes. And the landscape that literati love. There are also themes that directly reflect the literati's own life: such as study, tea drinking, Zen meditation, outings, elegant gatherings, etc.; or historical and mythological stories, such as "Xiao He chasing Han Xin under the moon", "The Empty City Strategy", "The Immortals Congratulations on Birthday", "Eight Immortals Crossing the Sea", etc.; third, absorb the literati's brushwork in terms of expression methods. For example, in flower and bird paintings, there are the brushstrokes of Xu Wei, Bada Shanren, etc., and in landscape paintings, there are the brushstrokes of the "Four Kings". 4. The layout of porcelain decoration has absorbed many characteristics of Chinese paintings, such as the integration of poetry, calligraphy, painting and seal. This seems to be more obvious in the era of Tang Ying (1682~1756), the governor of Tao in the Qing Dynasty. If you unfold a piece of blue and white porcelain along the cross section, it is actually a typical Chinese painting. 5. There are also some typical titles related to porcelain, all of which are full of literary talent.
For example, the names of restaurants: Dayazhai, Ningyuanzhai, Congjuzhai, Wenxinzhai, etc.; such as the names of halls: Shugutang, Zhiqintang, Tingyutang, Mingyuantang, etc.; in addition, such as "Qingwan", "Xiangxi Xianwan", etc. Also found on porcelain. 4. Praise for "Blue and White Porcelain"
Jingdezhen's blue and white porcelain, the glaze marks are natural in the hands of the old masons;
Jingdezhen's porcelain has been "famous" all over the world since the beginning of the Tang Dynasty. In the Song Dynasty, "fake jade" appeared as a tribute to the imperial court, and in the Song Dynasty, "Jingdezhen porcelain was known throughout the world". However, the porcelain aesthetic concept of "green is beneficial to tea" advocated by Lu Yu in the Tang Dynasty made the Yue kiln celadon known as the "green color of a thousand peaks" eclipse the shine of many porcelains of the same era. Although the "tea fighting" trend was also popular in the Song Dynasty, the good situation of "the pottery industry was protected by the royal family" allowed many porcelains to come to the world. Given equal opportunities, Jingdezhen dominated the government and the public with its "thin but moist" blue and white porcelain. In particular, the name change of "Jingdezhen" further established the status of Jingdezhen porcelain in the upper class. Westerners even praise the Song Dynasty in Jingdezhen as "the era of successful porcelain".
After the Song Dynasty, Jingdezhen's porcelain became increasingly familiar to people and was appreciated and praised by literati, which greatly enriched the connotation of Chinese literature and the life of Chinese literati. But what is incredible is that in the Tang Dynasty, almost all the beautiful adjectives were reserved for celadon and white porcelain. People describe Yue kiln celadon as "like jade and ice", and Xing kiln white porcelain as "like silver and snow"; the "green" of Yue kiln means "ancient mirror breaks moss", "tender lotus contains dew", and white porcelain is "like a buckle" Sad jade", "better than frost and snow". As a combination of both, blue and white porcelain really made literati think hard. In fact, Lan Pu of the Qing Dynasty also mentioned in "Jingdezhen Ceramics Record" that the porcelain produced by the Huo kiln in Jingdezhen in the Tang Dynasty had "pigment, fine soil, thin texture, and the best ones are as clear as jade..."; Gong Zai "Jingdezhen Pottery Song" also says: "In Wude's year, it was called fake jade and porcelain, which means that real jade is not surprising now." Using jade as a metaphor for porcelain is an important feature of the aesthetics of porcelain in the Tang Dynasty. To praise Jingdezhen blue and white porcelain, the sentences in "Drunken Flower Shadow" by Li Qingzhao, a poet from the Song Dynasty, are more representative. "The mist is thick and cloudy, and the day is long, the auspicious brain sells the golden beast, the festival is the Double Ninth Festival, the jade pillow is in the gauze cupboard, and the coolness comes through in the middle of the night..." The "jade pillow" in the article refers to Jingdezhen blue and white porcelain that is as beautiful as jade. For literati, jade is a tool of elegance, which is closely related to the literati's character and virtue. In ancient times, there was a saying that "a gentleman is more virtuous than jade." The beauty of porcelain is similar to that of jade. Li Qingzhao's gentle style of writing, melancholic emotions, and pure soul are all contained in the "jade pillow" (shadow celadon pillow), which is like a light cloud containing moisture. In addition, "shadow green" means "hidden feelings", which are hidden but not revealed. It also gives blue and white porcelain many mysterious meanings.
Blue and white porcelain is the representative porcelain variety of Jingdezhen. It was the most classic in the Yuan Dynasty and flourished in the Ming and Qing Dynasties. It is characterized by white orchids and is known as the "Pearl of the Porcelain Country". Blue and white porcelain is also one of the Jingdezhen porcelain varieties that has the greatest influence overseas. The "Java Article" in "Yingya Scenic Views" states: "Chinese blue and white porcelain is the most popular among Chinese people." French Rococo art in the 18th century was influenced by Jingdezhen blue and white porcelain and other porcelains. Just as the Japanese Taichiro Kobayashi said in the article "The Formation of Rococo": "At that time, the only model that could provide such substantial curves was Chinese arts and crafts. Especially the curves of soft porcelain..., this The Rococo curve preserves the elegance and dignity of Chinese porcelain, and it contains strong vitality. The Japanese even called the blue and white porcelain of the Ming Dynasty "plain muscle jade bone".
Blue and white porcelain is clear and elegant, similar to Chinese ink paintings, so it is mostly appreciated, praised and collected by literati. Blue and white porcelain can be seen in the inkstones and brush washers of literati, the cups, plates, and bowls of the Ming and Qing courts, and even the decorations of foreign royal families. From "Jingdezhen Pottery Song" we can see the evaluation of people at that time, "White glaze blue and white flowers are formed by fire, and the flowers are clearly visible from the glaze. It can be seen that creation is innately wonderful, and Wuji comes from Tai Chi." It is described as ingenuity and the beauty of creation. Blue and white porcelain is not an exaggeration. It is worth mentioning that among the varieties of porcelain in Jingdezhen, only blue and white porcelain can reflect the poetic, painterly and emotional state of the literati. Literati directly participated in the creation of blue and white porcelain, which was the main reason why blue and white porcelain as an arts and crafts moved into the literati art context. This is mainly reflected in the following aspects: 1. The poetic tendency of artifact modeling. Like a jade pot and a spring vase. It comes from the poetic meaning of the Tang Dynasty poem "The jade pot heralds spring". Mei Ping means "thin bones of plum". 2. The literati tendency of decorative themes. In blue and white porcelain, it is often decorated with paintings and poetry themes favored by literati. For example: "Three Friends of Suihan" - pine, bamboo and plum; "Four Gentlemen" - plum, orchid, bamboo and chrysanthemum. There is the famous "Four Love Pictures": Wang Xizhi loves orchids, Zhou Maoshu loves lotus, Meng Haoran loves plum blossoms, and Lin Hejing loves cranes. And the landscape that literati love. There are also themes that directly reflect the literati's own life: such as study, tea drinking, Zen meditation, outings, elegant gatherings, etc.; or historical and mythological stories, such as "Xiao He chasing Han Xin under the moon", "The Empty City Strategy", "The Immortals Congratulations on Birthday", "Eight Immortals Crossing the Sea", etc.; third, absorb the literati's brushwork in terms of expression methods. For example, in flower and bird paintings, there are the brushstrokes of Xu Wei, Bada Shanren, etc., and in landscape paintings, there are the brushstrokes of the "Four Kings". 4. The layout of porcelain decoration has absorbed many characteristics of Chinese paintings, such as the integration of poetry, calligraphy, painting and seal. This seems to be more obvious in the era of Tang Ying (1682~1756), the Taoist governor of the Qing Dynasty. If you unfold a piece of blue and white porcelain along the cross section, it is actually a typical Chinese painting. 5. There are also some typical titles related to porcelain, all of which are full of literary talent.
For example, the names of restaurants: Dayazhai, Ningyuanzhai, Congjuzhai, Wenxinzhai, etc.; such as the names of halls: Shugutang, Zhiqintang, Tingyutang, Mingyuantang, etc.; in addition, such as "Qingwan", "Xiangxi Xianwan", etc. Also found on porcelain. 5. Sentences describing porcelain
1. I am a blue and white porcelain handed down from generation to generation! I am the condensation of earth and water, the sublimation of glaze and fire, the blend of beauty and strength. The brush strokes the rice paper with different shades, the glaze on the bottle is dyed with rich peonies, the distant and tranquil splash-ink landscape is gently painted on my body, and the white smoke of sandalwood rising from the carved incense burner lingers around me. . That's how I was born, full of spiritual energy. It seemed like the poet was using his wonderful words to create a dream, a soft and elegant dream. It was those aesthetics and romance that gave me a destiny destined to be different.
2. Holding a cup of tea and sipping it carefully, facing the plain white jade blue and white porcelain, my thoughts began to drift away. The plain white jade embryo is as plain as you, naturally carved and decorated, and the clear water emerges as hibiscus. The dark blue peonies outlined on the side are like the full smile when you look back, and they are as subtle and beautiful as the budding buds.
3. First a bottle, a bowl... each elegant porcelain jumped out from Fang Wenshan's lyrics and appeared in front of my eyes. On the originally snow-white porcelain embryo, clusters of blue flowers slowly appeared. They bloomed on the porcelain embryo. They grew very fast, one after another, and quickly occupied the entire porcelain embryo. It was full, leaving only a little gap. The green peonies and green gourd leaves were fluttering in the wind and opened their arms to meet my surprised gaze. The petals of the peony open lazily, and the flower vines embrace the peony. The small peony leaves ripple gently with the water waves, flying, dancing and rippling on the still blue and white porcelain vase.