1. "Wushan Goddess Temple"
Author: Liu Yuxi?
Twelve trees in Wushan are covered with lush greenery, and there are stone pavilions and pavilions called girls.
The mist at dawn suddenly opens, and the mountain flowers are about to wither like residual makeup.
The stars and rivers smell clear on a good night, and the clouds and rain return with a strange fragrance.
Why are the gods in the nine heavens and the human beings coming to see King Chu Xiang?
Appreciation: Looking up at Wushan Mountain, the twelve peaks are all tall, beautiful and lush, but there is only one stone among them that is called a goddess, which shows that it has its own unusual and supernatural features. Let’s start imagining this “piece of stone”. The mist dissipates in the morning, as if the goddess has opened a transparent tent in her boudoir, and the mountain flowers that are about to wither at the end of spring seem to be the remaining makeup that the goddess has taken off. When the night is quiet, the stars are brilliant and the moon is bright. You can clearly hear the sound of the goddess's ring when she goes out. After the wind and rain, you can clearly smell the fragrant fragrance emanating from the goddess's body when she returns. The poet was immersed in this imagination, and was undoubtedly fascinated by the goddess, so he sighed at the end, why did the goddess come down from the nine heavens to the human world to date King Chu Xiang? According to Song Yu's "Gaotang Fu", when King Chu Xiang traveled to Gaotang, he dreamed of the Wushan goddess, and they met happily. The goddess said to herself, "During the morning, the clouds will move, and the evening will rain, morning and evening, under the Wushan Mountain." ". It ends with such a questioning emotion, which is both playful and leaves an endless aftertaste.
This poem about the Goddess Peak uses imagination to win, and the imagination itself is gradually upgrading, which is quite unique. The beginning is very sober. The word "girl" means "piece of stone", indicating that it is a stone and not a girl. In the third and fourth sentences, the mist and flowers are imagined as "rolling curtains" and "remnants of makeup", but there are still "suspicious" and "like" Two words, five or six sentences go a step further, the sound of jade and the strange fragrance have been clearly heard, and the last two sentences further interrogate them, and the goddess peak has been completely humanized. It is in this gradual upgrading of imagination that the poet gradually merges into the realm of gods, and the poems also overflow with magical charm.
2. "Two Untitled Poems" No. 2
Author: Li Shangyin
The heavy curtains are deep in the Mochou Hall, and the night after lying down is slender.
My life as a goddess was just a dream, and my sister-in-law had no husband.
The wind and waves don’t believe that the water chestnut branches are weak. Who can teach the moon dew that the osmanthus leaves are fragrant.
It’s useless to be longing for lovesickness, but it’s just pure madness to feel melancholy.
Interpretation: The curtains are heavy and deep, and I live alone in Mochou Hall; lying alone and sleepless, I feel that the quiet night is long and long. The King of Chu's chance encounter with the goddess of Wushan was originally a dream; the place where his sister-in-law Qingxi lived was originally a place where she was alone and without a husband. I am a weak water chestnut branch, but I am destroyed by the wind and waves; I am a bell-like osmanthus leaf, but without the fragrance of moon dew. Although I knew that indulging in lovesickness was not good for my health, I was infatuated to the end and became a lifelong madman.
3. "Goddess Peak"
Author: Shu Ting
Among the various flower handkerchiefs waving to you
Whose hand is it? Suddenly retracted
Tightly covering his eyes
When people dispersed, who
was still standing at the stern of the boat
Clothes The skirt is flying like endless clouds
Jiang Tao
Scream high
Speak low
Beautiful dreams leave behind beautiful memories Sorrow
On earth and in heaven, passed down from generation to generation
But can the heart really turn into stone
For Yao He looking into the distant sky
Missing the moonlight on the spring river countless times
Along the river bank
The torrent of coneflowers and ligustrum
is inciting new betrayals
Rather than displaying on the cliff for thousands of years
It is better to cry on the shoulder of your lover all night
Appreciation:
The poem is written from the soul panic triggered by Wushan Goddess Peak. Goddess Peak condenses many love stories with different connotations, and this poem is mainly based on Song Yu's "Gaotang Fu" and "Goddess Peak". The two poems describe that King Huai of Chu befriended the Wushan goddess in his dream, and the goddess established her loyalty to him forever. After the death of King Huai, his son King Xiang and Song Yu traveled to Wushan. Although the goddess once fell in love with Song Yu and was pursued hard by King Xiang, she finally defeated her lust with reason and resolutely expressed that she would always be loyal to King Huai and would never marry anyone else. in love. Following this logic, folklore added that the goddess stared at King Huai day and night, turned into a stone pillar over time, and became an idol that people admired forever. As a result, Goddess Peak has become a cultural specimen of not marrying two men and that chastity is more important than life. The intention shown at the beginning of the poem is: when the boat arrives at the Goddess Peak, tourists wave various handkerchiefs to the stone statue. Their fanatical reverence for this idol shows that in the strong magnetic field of traditional morality, people's thinking habits and emotional trends However, there are still those who are enlightened. She retracted her waving arms, covered her eyes and wiped away her tears - she was clearly aware of the pathetic nature of the goddess idol. After the people left, she continued to think hard: so many women always pursue the realization of a moral value by adhering to chastity, and they are keen to arrange their beautiful dreams at the end of a terrible road. Their tragedies are filled with social life and mythological stories, so that tragedies are "passed down from generation to generation", cast into moral models, and laid out as cultural traditions. How sad. "But can the heart really turn into stone?" This is confusion, and even more questioning: How can the goddess and many women, who originally have fresh lives and normal needs, be willing to turn into stone? For a worthless expectation, they miss many happy opportunities that are everywhere and should be theirs. How ridiculous.
The "Rudbeckia" and "Ligustrum lucidum" below are common plants in Wu Gorge, and they gather together to form a "torrent" that welcomes the boat. They are vibrant, free and lively, embodying the philosophy that life belongs to oneself and should be controlled by oneself, inspiring people to abandon the old ethical shackles of living for "norms". The last two sentences point out that it is not worth it for the "goddess" to struggle in loneliness and pain for a kind of moral vanity, and to be a meaningless exhibition. It is better to enter secular life, pour out your heart to your loved ones, and vent your grievances. , this is happiness. The poet's chanting to this point has completely overturned and shattered the heavy cross of chastity that has suppressed women for thousands of years, and has had the effect of eradicating nightmares and pleasing people's hearts. The artistic features of "Goddess Peak" are firstly reflected in the novelty of observation angles and the precise tailoring of life. For an old problem that has troubled people for thousands of years, the poet allowed a natural wonder and cultural monument to bear it, which can be said to be a unique insight and a new approach. The problem is revealed through a moment of life on the cruise ship. As soon as the poet clicked the shutter of inspiration, he captured a huge amount of time and space, making the momentary scene echo a series of thousand-year sighs, reflecting the dimness of the old morality and the flash of the new morality. Secondly, he is good at combining images with sharp contrasts, such as the enthusiastic cheering of everyone and the sad thinking of one person, the vision of distant dreams and the miss of the happiness in front of him, the ridiculous thousand-year exhibition on the cliff and crying on the shoulder of his lover. Hearty. This combination makes the image more vivid and highlights the sadness and heaviness of the problem. In addition, the poet's contrasting and symbolic techniques are also excellent. The dress flutters in the wind, not only using movement to contrast stillness, highlighting the thinker's sculpture-like standing, but also using movement to complement movement, suggesting the intense trembling of her soul. "The waves are louder and lower", which symbolizes the "passing on from generation to generation" of the tragic story. The "flood of coneflowers and ligustrum" not only reflects the obsolescence of chastity, but also symbolizes the awakening of new morality. The use of these techniques enhances the artistic appeal of poetry. After reading this poem, I feel that the poet has thought so deeply about a millennium-old disease in Chinese culture and his criticism is so pertinent. It is like a sad and melodious tune that can cleanse people's souls, inspire people's epiphany, and provide a shocking creativity for moral reshaping.
4. "In the spring of the third year of the Dali calendar, Baidi City released a boat and left the Qutang Gorge for a long time in Kui Mansion. I will be wandering in Jiangling and have a poem of forty rhymes"
Author: Du Fu
< p>Lao Xiangba was born in Xiangba, and now he is leaving Chu Saiyu. It's not fun to get into the boat and it turns over, but it's long to get out of the mooring.Narrow and deep, the turtle crows, and the emptiness follows the chaos. There are several sticks of stone moss, and the sky is green against the skin.
The sword is stacked on the wall to remove frost, and the water splashes in the spring. The vines are growing up and down, and the trees are flourishing and dry.
The goddess peak is wonderful, whether Zhaojun’s house is there or not. The song leaves the Ming Dynasty with regrets (one piece of farewell), and the dreams are all joyless.
The vortex boils when the plate is closed, and the waves are lost when tilted. Wind and thunder entangle the earth's veins, and ice and snow shine across the sky.
The deer's antlers are really dangerous, and the wolf's head is like a beard. The color of Ertan Ning changes, and the body is lying high and with a negative body.
The whole book and history are folded, half packed and wet. Life comes to an end, and death takes off the beard.
Without Pingchuan Jue (one quick move), how can one know the trend of the crowd? The haze of heaven and earth rises into the sea, and the rain and dew wash away the spring dew.
The European bird pulls the silk, and the Li dragon touches the brocade. The setting sun sinks the green beauty, and the waning moon destroys the golden pivot.
The mud bamboo shoots are beginning to bloom, and the sand mushrooms are growing into small cattails. Geese compete for water and horses, and swallows chase crows.
The island is covered with smoke, and the surrounding island is covered with mist. I heard about Tao Mu before I heard it, and turned to look at Yidu.
The county of Guo Nanji is good, and Jinting looks to the north. Take a rest after working hard, and chant Zhaosu aloud.
The intention is to bring joy and laughter, but the decline is to confuse the virtuous and the foolish. Piaoxiao will have plain hair, but he will not listen to the furnace.
I have forgotten to return to Qiuhe, and my article dares to slander myself. In this life, no one will be able to cry without success.
I was a guest when I was lying sick, but I was a Confucian who was favored early. The court strives for reward and good luck, and is honest and begging for the world.
Dangers and dangers are pressing against each other, and the waves are deep and can be overcome. I have already found a false reputation, but my lazy plan is just a trivial one.
I like to be close to Tianhuji Temple, and I will draw ancient pictures first. I should pass by Emperor Zizhu and weep with Shun Cangwu.
The courtiers also wear military uniforms, and the king wears Zhanlu. At the beginning of the day, there was a disturbance, and the quail was painted with beautiful mud.
Although the body of a soldier is expensive, the way of a scholar is unique. There are wild cranes everywhere in the world, and there are bandits and horses everywhere.
It is difficult for Yilu to surrender, and it is difficult for Han Peng to call him out. The five clouds are high and the sky is high, and the June sky is holding them.
Looking back at Li Yuanbing, he fought for power and killed the general. The mountains and forests are tired and not necessarily rugged.
5. Volume 6 of "Entering Shu"
Author: Lu You
On the 23rd, I passed Wushan Ningzhen Temple and paid a visit to Miaoyong Zhenzhen Temple. The real person is the so-called Wushan goddess in the world. The temple is facing Wushan Mountain, with its peaks rising into the sky and the foot of the mountain plunging into the river. The discussants said that Tai, Hua, Heng, and Lu were all not so strange. However, the twelve peaks cannot be seen at all. ?
Among the eight or nine peaks we have seen, the Goddess Peak is the most slender and steep, which is suitable for being entrusted by immortals. Zhu Shiyun said: "Every August 15th night when the moon is bright, there is the sound of silk and bamboo, going to and from the peak, and the mountain apes are all singing, and they gradually stop at dawn." Behind the temple, there is a stone altar halfway up the mountain, which is flat and open. It is said that "Xia Yu saw the goddess and gave the talisman to write here." From the altar, the twelve peaks looked like a barrier. On that day, the sky was clear and there was no shadow in all directions. However, there were a few white clouds on the Goddess Peak, like luan and crane dancing and lingering, lingering for a long time, which may be different. There were hundreds of people in the temple, who saw off guests and welcomed boats.
Interpretation: On the 23rd, I passed the Ningzhen Temple in Wushan and paid a visit to the ancestral hall of Miao Yongzhenren. The real person is what everyone calls the Wushan Goddess.
The ancestral hall faces Wushan Mountain. The peaks are so high that they reach into the sky, while the foot of the mountain plunges directly into the river. People who discussed it all said that Mount Tai, Mount Huashan, Mount Heng, and Mount Lu were not as unique as Wushan. However, not all of the twelve peaks can be seen. Among the eight or nine peaks that can be seen, only the Goddess Peak is slim, slender, steep and ever-changing, and is indeed suitable as the incarnation of the Goddess. The person who presided over the sacrifice in the temple said: "Every year on the night of August 15th, when the moon is bright, you can hear beautiful orchestral music. Walking back and forth on the top of the mountain, you can hear the cries of the apes on the mountain, which gradually stop at dawn. "Behind the temple, there is a stone altar halfway up the mountain, which is relatively flat. Legend has it that "Xia Yu met the goddess, and it was here that the goddess gave the talisman to Yu." Looking at the twelve peaks from the stone altar, they look like barriers. On this day, the sky was clear, and there was no cloud or smoke around. There were only a few white clouds on the Goddess Peak, like phoenixes and white cranes dancing and walking there, and they did not disperse for a long time. It was also a very strange phenomenon. It turned out that there were hundreds of crows in the ancestral hall, seeing off guests and welcoming new boats.
Reference materials
Baidu Encyclopedia: /item/神女峰/83615