Ancient poetry culture

China's ancient poetry culture originated from blessing and sprouted in folk songs, satirizing Song Yu's ambition. Unfortunately, the earliest extant collection of poems is The Book of Songs. After the Spring and Autumn Period and the Warring States Period, it evolved into a Sao style, simple and profound, which was actually a unique branch of pre-Qin poetry culture. With the death of Qin and Han, Yuefu flourished, and the poetry garden revived. When I entered Wei, I heard five words, especially the brilliant creation of "three sons of Cao" and "seven sons of Jian 'an". At the turn of Wei and Jin dynasties, there were "seven sages of bamboo forest"; There were three Zhang, two Lu, two Pan, one Zuo in the Western Jin Dynasty, and one in the Eastern Jin Dynasty. During this period, the realm and vision of poetry were broadened, and singing became more and more popular. Things have changed, and the years have passed to Song, Qi, Liang and Chen in the Northern and Southern Dynasties. They are four words, five words, six words and seven words, and they are endless. Big and Small Xie, Seven-character Ancestor and Eight Friends in Jingling stand out, and the pastoral poems and landscape poems are elegant and beautiful, and Qi Liang style can be called the exclusive spring scenery in the early Tang Dynasty. The prosperous Tang Dynasty is also a prosperous time for poetry. The work of rhyme, the beauty of rhyme, the precision of sentences and the breadth of artistic conception are really the pinnacle! However, although Du Li was named "poet saint" alone, there are still many stars in this era! There are words in the poem, which have been seen in the northern and southern dynasties, and prevailed in the teaching workshop in the late Tang Dynasty. As for Da Song, it gradually jumped out of the string and became a ups and downs, which can be said to lead the history of poetry! Compared with poetry, ci has more extension and inheritance, and also shows hearty lyricism. In the Song Dynasty, there were thousands of poets, and Yan Xin pulled out the lofty banner; During the Jin and Yuan Dynasties, Yishan Ci was regarded as a leader. When it comes to the meter of epigrams, it is actually that one person has adjusted it, and others enjoy the convenience of phonological format, and filling it in has become the wind of lyrics; In fact, the predecessors were not ancient, and later generations often tied their hands and feet. In the Yuan and Ming Dynasties, the interpretation of poetry increasingly catered to the needs of folk music and entertainment, so "street tune" and "village workshop minor" became very popular, and eventually blossomed into a wonderful generation of Yuefu. There is a saying: there are no poems after the Tang Dynasty and no words after the Song Dynasty. Generally speaking, this is in terms of extensive attainments in the field of poetry, and occasionally in terms of antique cultural relics; Otherwise, this may not be the case. Are Liu Ji and "Four Masters of Wuzhong" not as good as those sung before the early Ming Dynasty? Gao Qi's poems, in particular, have both the glory of Han and Wei Dynasties and the beauty of Tang and Song Dynasties, which is quite a link between the past and the future. Sighing green hills, writing taboos, being slandered by dangerous people, and being beheaded in the prime of life. It is better to say that there is no poetry after the Tang Dynasty than after the Literary Inquisition. Fortunately, after Chen Zilong, the "Yun Jian Ci School" in the late Ming Dynasty, the poetry circle was revived. As for the Qing dynasty, there were many poets, and there were countless volumes and engravings of poems, which showed the revival of poetry. However, because the axe of the literary inquisition hangs over the head and is often smoked by the princes, few people have handed down masterpieces. There are more than 10 thousand poems, but I haven't seen one or two. What can I say? However, it is Gong Zizhen and Banqiao who can admire integrity.