Tangliqiao
It can blow off the golden leaves in autumn and bloom beautiful flowers in spring.
Scraping the river surface can set off several huge waves in thousands of feet, and blowing bamboo can make tens of thousands of poles tilt.
Vernacular translation:
It can blow off the golden leaves in autumn and promote the beautiful flowers in spring.
Blowing across the river can set off huge waves in thousands of feet, and blowing into the bamboo forest can tilt 10,000 bamboo poles.
Appreciate:
Wind is a poem written by Li Qiao, a poet in the Tang Dynasty. This poem indirectly expresses the various forms, charm and strength of the wind by grasping the variability of four natural images of leaves, flowers, waves and bamboo under the action of the wind. It can make leaves fall in late autumn, push flowers in early spring and February, set off huge waves in thousands of feet when crossing the river, and blow ten thousand bamboos when blowing into the bamboo forest. The whole poem consists of four sentences in pairs, and the numbers of "three", "two", "thousand" and "ten thousand" are arranged in pairs to show the power of the wind and express the poet's awe of nature.
This poem describes the power of the wind. As far as the seasonal function of "wind" is concerned, autumn wind can make all trees wither, but spring wind can teach all flowers to bloom; The last two sentences describe where the "wind" goes in different scenes: when the wind crosses the river, the water surface is rough; When I entered the bamboo forest, I saw the bamboo poles close together. Wind, as an image of nature, is invisible and intangible, and can only be felt in the individual's heart or known through the changes of external objects. Therefore, there is no word "wind" in the whole poem, nor does it directly describe the external form and explicit characteristics of the wind, but it shows the gentleness and tenacity of the wind through the changes of the original or original state of foreign objects under the action of the wind. It can be seen that the poet is familiar with and clear about material common sense. Supported by this common sense of life, the poet skillfully expresses the characteristics of the wind through the deformation of foreign objects, indirectly describes various modes of the wind, and makes people really feel the gentleness and charm of the wind.
"Fu, Bi and Xing" are the basic expressions of classical poetry. The so-called "xing" means "xing fa" and "feeling xing", which is caused by the role of external things. "Three autumn leaves can bloom in February", "fallen leaves" and "flowers bloom" are natural qualitative changes when things develop to an extreme state, and the role of external forces can only be to speed up or slow down their changes. Here, the poet attributed the fallen leaves and flowers to the role of the wind, which showed the subtlety of the author's observation and inner delicacy, closely linked the changes of all things in nature with the role of wind-external force, and implicitly showed the vitality of the wind and its warm concern for foreign objects.
The words "solve" and "solve" are well used. As the saying goes, "the autumn wind sweeps away the fallen leaves", and the arrogance of the autumn wind can be seen. You don't have to "sweep" or "blow" or "scrape" or "peel", just use a solution. "Solution" is careful, attentive, resolving, not anxious, not crazy, so that Ye Er left his mother and found a good home. The gentleness of the wind is touching. "Being able to open" and "opening" are awakening, childbirth and calling. Flowers sleeping in the cold winter, under the gentle touch of the wind, open their sleepy eyes and stretch, and will usher in a beautiful, beautiful and wonderful spring. The warmth of the wind makes people comfortable. Release and Opening show the tenderness of the wind to the fullest, and also deeply touch the readers' indifferent mood, and once again awaken people's feelings for a better life.
"Fu" means "directly fu" and "",which means that the object is the heart, facing Chen directly and expressing directly.
"Crossing the thousands of feet Wave, the bamboo pole is inclined", and the wind, "Crossing the River" rolled up the "thousands of feet Wave", and the wind and waves were high, soaring into the sky. How strong the wind is; The wind, "into the bamboo" attracts "ten thousand poles", and the wind is crazy about bamboo, so helpless, how natural and unrestrained the external force of the wind is. Here, the strength of the wind, the strength of the wind, the strength of the wind, and the warmth, gentleness and infatuation of the previous wind have formed a sharp contrast. Any kind of life has its "emotions", and "wind" is no exception. The unpredictable wind is a good example.
Pay attention to antithesis or antithesis, and so is the poetic style. For example, "falling off" is orderly to "blooming", and "three autumn leaves" are orderly to "February flowers". If the first two lines of the poem are better in prosperity, the last two lines are more distinctive in antithesis, such as crossing the thousands of feet waves, dipping into bamboo poles, crossing, entering, rising, falling and staying.
Looking at this poem, the poet indirectly expresses various forms of the wind by grasping the variability of the four natural images of leaves, flowers, waves and bamboo under the action of the wind, which makes people truly feel the charm and strength of the wind. Apart from the title, there is no wind word in the whole poem; And every sentence expresses the function of the wind. If the four poems are connected together, they reflect the joys and sorrows of the world, and express the "world style" and "human sentiment style". The wind is fickle, weak and tenacious, passionate, with thousands of gestures, dancing with thousands of bamboos. Four short poems interpret the character of Feng with dynamic descriptions.