What are the main works of Shu Ting?
His main works are: Double Mast Boat, Selected Lyric Poems of Shu Cheng, Aria, Archaeopteryx, Heart Smoke, Autumn Love, Hard Bone, Poem in the Dew, Elopement Covenant, Berlin, A Glossy Feather, etc. 1, personal data
Shu Ting, female, 1952, from shima town, Fujian Province, is a contemporary poetess in China, and a representative of the misty school. Shu Ting, formerly known as Gong, has lived in Xiamen with her parents since childhood. 1969 went to the countryside to jump the queue, 1972 returned to the city as a worker, 1979 began to publish poetry works, 1980 worked in Fujian Federation of Literary and Art Circles and was engaged in professional writing.
2. The life of the characters
In the mid-1950s, my mother returned to Xiamen from Zhangzhou with her younger brother and sister, and was sent to my grandmother and grandmother's house. Shu Ting grew up with her mother in her grandmother's house.
From the age of four, my grandfather taught her to read Tang poems as children's songs, and my grandmother told her Three Kingdoms, Water Margin and Liaozhai, and put her to sleep. In the third grade of primary school, with a little reading ability, I began to read all kinds of books. Until junior high school, my eyes became worse and worse.
1964, studying in Xiamen No.1 Middle School. 1969, Shu Ting jumped the queue in the torrent of "going to the countryside" to the mountainous area of western Fujian. 1972, Shu Ting was taken care of and returned to the city as a stepdaughter during her menstrual period.
1979 In April, Poetry Magazine selected Shu Ting's To Oak from today, and two months later, it published Her Motherland, My Dear Motherland and This is Everything. 65438-0983 Join Chinese Writers Association.
On April 28th, 20 13, he was re-elected as the chairman of Xiamen Federation of Literary and Art Circles.
Shu ting's introduction
Shu Ting (1952-), formerly known as Gong, was born in shima town, Fujian. 1969 went to the countryside to jump the queue, 1972 went back to the city as a worker. 1979 began to publish poetry. Shu Ting is one of the representative writers of the misty poetry school, which is as famous as Bei Dao and Gu Cheng, but in fact her poems are closer to the traditional poets with strong Taoist consciousness in the previous generation.
His published poetry collections include Two Masts Ship (1982), Selected Lyrics of Shu Cheng (1982), Aria (1986), Archaeopteryx (1992) and Poems of Shu Ting.
Bright colors in the "new poetry tide"
In the new period, with the upsurge of new poetry, a group of female poets have risen quietly, bringing fresh color and vitality to the poetry world with their unique poems, among which Shu Ting is the most prominent.
Shu Ting (1952-), formerly known as Gong, was born in shima town, Fujian. /kloc-started writing in 0/969, and 1979 published his works. The main collections of poems are Twin-masted Ship, Singing Iris, Archaeopteryx, and prose collection Heart Smoke. His works have been translated into more than 20 languages, and poetry collections in five languages have been published overseas.
A mimeographed poet was born.
Shu Ting, whose real name is Gong, 1952, is from Xiamen and her ancestral home is Quanzhou. 1957 During the "anti-rightist" movement, her father was sent to a remote mountainous area for labor reform, and Hemei's family broke up. These experiences made her realize the vicissitudes of the world prematurely. She grew up with her mother at her grandmother's house in Xiamen.
When Shu Ting went to primary school at the age of 6, her official scientific name was Gong Shuting. In the third grade of primary school, with a little reading ability, I began to draw out all kinds of books from adult bookcases to read. Extending to junior high school has always been the object of "petty bourgeoisie" emotional criticism. The second grade of junior high school coincides with the outbreak of the Cultural Revolution. After half a year's enthusiasm, Shu Ting became a veritable bard, quietly hiding at home, and contacted a large number of works by world writers such as Hugo, Balzac, Tolstoy and Mark Twain. From 65438 to 0969, the flood of "going to the countryside" swept through. She packed Pushkin's poems and came to Ba Tai Commune in western Fujian to settle in line. In the countryside, she began to keep a diary and copy the works of various great Chinese and foreign poets, and regarded writing letters as a great enjoyment of life. A few poems she wrote casually are actually circulated among educated youth.
At the age of 20, Shu Ting was taken care of and returned to the city on the grounds that she was an only child. During her unemployment, she worked as a temporary worker in a construction company, doing propaganda, statistics, front desk, commentator and plasterer. 1975, Shu ting was officially transferred to the weaving factory as a worker. This year, several of her poems were introduced to Cai Qijiao, an old poet who was sent to Yong 'an. The old poet attaches great importance to Shu Ting's poetic talent. In the long-term correspondence, she took pains to copy poems and send them to her. Some of them forced her to read the representative poems of Nie Luda, Baudelaire and many contemporary foreign countries, which broadened her artistic horizons.
1977, Shu ting was transferred to the light bulb factory to be a tiring welder. In the same year, she met the young poet Beidao through the introduction of Cai Qijiao, which deeply influenced her later creation. "It's like an earthquake of magnitude 8," she said. 1978, Shu Ting published her poems "To the Oak Tree" and "Ah, Mother" in the first issue of the mimeographed publication Today, edited by Kitajima and Munk. Since then, her poems have appeared many times in Today and the mimeographed publication Fujian Orchid Garden, becoming one of the favorite mimeographed poets of many young artists.
The gap and bridge between "new poetry tide" and traditional poetry tide
1In April and June, 1979, Poetry Magazine published Shu Ting's To Oak, Motherland, My Dear Motherland and This is Everything, which attracted the attention of poetry circles. Fujian Literature began to discuss Shu Ting's poems in the second issue 1980, which lasted 1 1 month. Shu Ting virtually became one of the representatives of the "new poetry tide".
198 1 year, her creation reached its peak in the controversy. Since then, Shanghai Literature and Art Publishing House and Fujian People's Publishing House have successively published two collections of poems, The Double Mast Boat and Selected Poems of Shu Cheng, which have been purchased by many poetry lovers and young readers.
1982, Shu Ting married Chen, a poetry critic, and stopped writing because of discomfort during pregnancy. Her silence lasted for nearly three years, so there were all kinds of speculations in the social and literary circles, among which the rumors about Shu Ting's lack of strength after her creation were the most. During this period, she received five or six thousand letters from readers, which made her uneasy and emotional. 1984, she published a collection of poems, Your Name, to comfort those readers who care about her. After that, she published poems one after another, but the quantity was not as good as before.
1986, she published a new collection of poems, "Singing Iris", which changed the previous sad and sad poetic style.
Face the "latecomers" calmly.
In 1980s, the young "rising star" published a poetic declaration of "Farewell to Shu Ting's North Island", and Shu Ting didn't want to lose to the challenge of young people. She said, "For the young challenger, I want to say that you have told us what you will do. Let me see, what did you do? Because, for a poet, nothing is more eloquent than his works. "
After 1985, Shu Ting found another way and turned her creative energy to the field of prose. Her prose is full of poetic characteristics and charm, romantic and sentimental, wise and thoughtful poet feelings, which have been fully demonstrated in prose writing. From 65438 to 0988, Shu Ting published a collection of essays "Heart Smoke", mostly for recalling the past, showing an exploration trend of writers' prose creation.
During the period of 1985- 1989, Shu Ting was invited to participate in various poetry conferences and cultural activities in the former West Germany, France, the United States, Italy, the Netherlands, Britain, India and other countries, and three poetry translations were published by France, the former West Germany and the former East Germany. Her poems have been translated into foreign languages in Britain, Germany, France, Romania, Yugoslavia, Sweden, the Netherlands, Italy, Australia, Japan, India, North Korea and other countries. Her "Motherland, My Dear Motherland" won 1976- 1979 National Excellent Works Award for Young and Middle-aged Poets; From 65438 to 0982, the poetry anthology "Double Mast Boat" published by Shanghai Literature and Art Publishing House won the first national excellent poetry anthology award. Shu Ting entered the poll of "Top Ten Most Popular Young Poets in China" sponsored by Lhasa Evening News and Star Poetry Publishing House on 1985 and 1996 respectively.
Brief introduction of Shu Tingjian?
Shu Ting, female, formerly known as Gong, was born in Quanzhou, Fujian, and was born in Zhangzhou, Fujian on April 25th. 1952. First-class literary creation of Fujian Writers Association, member of Chinese Writers Association, vice chairman of Fujian Federation of Literary and Art Circles, and vice chairman of Fujian Writers Association.
1957, my father was wrongly classified as a rightist and assigned to a mountainous area. At the age of five, she lived in Xiamen with her mother and was fostered by her grandmother for a long time. In 1964, I studied in Xiamen No.1 Middle School. After only one year of study, I met the "Cultural Revolution". After half a year's enthusiasm, he became a bard and read a lot of Chinese and foreign literary masterpieces. From 65438 to 0969, I went to the Ba Tai Commune in western Fujian and began to practice writing while working, recording a lot of diaries and essays. And corresponded with friends, during which some poems were circulated among educated youth. Burn all the thick diaries before you leave the mountain area. I worked as a worker for eight years after returning to Xiamen. I have worked as a mason, a yarn stopper, a sizing worker and a welder.
1978, the poem "To the Oak Tree" was published in the first issue of the folk publication "Today" and reprinted in the poetry magazine in 1979, making it the first published debut in many years. At the same time, there are some other poems published in newspapers and periodicals, which have caused great controversy in the literary world and society. For this reason, Fujian Literature has been discussing its poems since the second issue,,, and 1 1 month, making it one of the representatives of the misty poetry tide in Chinese mainland.
1980, transferred to Fujian Federation of Literary and Art Circles. 1985 was invited to attend the West German Horizon Art Festival and visit France at the same time; 1986 was invited to the United States to hold a two-month recitation of his personal works, and to attend the Third Meeting of Chinese and American Writers in Los Angeles. 1987 was invited to attend the international literature award ceremony and seminar in Montero, Italy; 1988 was invited to attend the 19th International Poetry Festival in Rotterdam, the Netherlands, and visited Britain. 1990 was invited to India to attend the international poetry festival to commemorate Nehru's birthday 100 anniversary.
He wrote and published a large number of poems and many collections of poems. Motherland, my dear motherland won 1976 —— 1979 National Excellent Works Award for Young and Middle-aged Poets. The published poetry collections mainly include: Two-masted Boat (1982, which won the first National Excellent Poetry Award), Selected Lyric Poems of Shu Cheng (Fujian People's Publishing House, 1982), Singing Iris (Sizhou Literature and Art Publishing House, 1986) and Harmony. As well as four translations of solo poems published abroad and two poems co-edited with others. His poems have been translated into local languages and published in more than a dozen countries and regions such as Sweden, Netherlands, Italy, Australia, Japan, India, South Korea and Myanmar.
In 1985 and 1986 readers' votes of "Top Ten Most Popular Young Poets in China" sponsored by Lhasa Evening News and Xingshi respectively, he was selected twice and was named as one of the top ten most popular young poets.
What school of poetry is Shu Ting?
Shu Ting is one of the representatives of the misty poetry school.
Shu Ting, 1952, a native of shima town, Longhai City, Fujian Province. Her ancestral home is Quanzhou, Fujian, originally named Gong, later renamed Gong, a contemporary female poet and writer in China. He has served as vice chairman of Fujian Federation of Literary and Art Circles and vice chairman of Writers Association. Chairman of Xiamen Federation of Literary and Art Circles; The fourth director of the Chinese Writers Association, member of the fifth National Committee, and member of the sixth, seventh and eighth presidium; Deputies to the 12th National People's Congress; Member of the 11th China People's Political Consultative Conference; Member of the 6th, 7th and 8th sessions of Fujian Provincial Political Consultative Conference, and the 9th Standing Committee.
When Shu Ting was born, her grandfather named her "Gong" according to the word "Pei" in the family tree. Jade means jade, which means wearing jade. When Shu Ting went to kindergarten, her mother found the name incongruous, so she changed it to Gong. Poetry Magazine used "Shu Ting" when publishing her first poem "To Oak Tree", so Shu Ting became her pen name.
Information introduction of the famous poetess Shu Ting
Shu Ting, a famous contemporary poetess, is one of the representatives of the misty poetry school. Shu Ting rose in the China poetry circle in the late 1970s. She and her contemporaries, such as Beidao, Gu Cheng and Liang, set off a wave of "misty poetry" in China's poetry circles with a poetic style different from that of their predecessors. Their poems have changed the traditional characteristics of new poetry, which are like words and almost like prose, with profound but not obvious meanings. They have changed the single image of poetry into the superposition of multi-level images, leaving readers with a broad space for imagination and elaboration, making many poems lose their traditional bright colors and cast a hazy atmosphere. They used vague poems to express a generation's thinking about the fate of the country and their careful thinking and criticism of all aspects of social life.
Achievement honor
The poem "Motherland, My Dear Motherland" won the 1980 National Excellent Poetry Award for Young and Middle-aged People, and was selected into the third volume of the ninth grade of compulsory Chinese for Senior One in Jiangsu Education Publishing House, and "Double Mast Boat" won the first National Excellent Poetry Collection Award, 1993 Zhuang Chongwen Literature Award. True Water Without Fragrance won the "Prose Award of the Year" in the 6th China Literature and Media Festival. In addition, "Under that Star-A Thing in Middle School" is an excerpt from the sixth grade Chinese textbook of Shanghai Education Publishing House, which accurately writes the voices of people in childhood.
Writing characteristics
Shu Ting's poems are unique to women's delicacy and sensitivity. For example, her delicate feelings about love and her understanding of the hardships of life are full of romanticism and ideals, and her love for the motherland, life, love and land is warm, peaceful and passionate. Her poems are good at expressing inner feelings by artistic means such as metaphor, symbol and association, revealing rational thinking in a hazy atmosphere, which is the product of the combination of romanticism and modernism.
Shu Ting's poems have bright images and meticulous and smooth thinking logic. In this respect, her poems are not "hazy". However, most poems use metaphors, partial or whole symbols, and rarely express confessions, and the images expressed are vague to some extent.
representative works
Assembly line, Nvshen Peak, singing iris, a style of play: Selected Poems of Shu Ting (Poetry Collection, Writers Publishing House, 2009), I am ashamed, Father, etc.
Personality assessment
Through the combination of classicality and modernity, simplicity and elegance, and going deep into the undercurrent of times and life, I found a combination of my life experience and group feelings, a combination point that can directly touch the social and psychological tide: realistic sentimentality, emotional pursuit, ideal appeal, clear and profound poetic realm, conveying her soul's singing alone, and poetic life lit up by this song-the perfect fusion of traditional facial makeup and modern temperament, normal writing.
1969, together with my contemporaries, I packed my English textbook (my college dream) and Pushkin's poems into my backpack and went to a foreign land with the tearing whistle. There was a cry on the platform and in the carriage. I stared at the outline of the distant mountain, thinking that revolutionaries would not cry when they went into exile in December. I want to finish Gorky's University there.
Life keeps teaching me innocence. However, this humanities university has given me more knowledge than any college with a plaque.
Squeezed in a dilapidated temple, I have heard the melancholy homesickness of guitar; Sitting in the hazy sand house in the moonlight, my friends and I sang: "My home is on the Songhua River in the northeast"; Lying in the fragrant straw pile, listening to the distant cold dog barking, tears flowing silently, no matter how hard the days are, there is always a place where you can miss it indefinitely. Like my partner, I once walked from one mountain village to another and was assigned by educated youth. The stories I saw and heard, those familiar and distant shadows, are as dense as stars in the sky in my memory. I once vowed to write something like Ai Wu's "Journey to the South" to testify for the sacrificed generation.
So I picked up a pen.
-Shu Ting's life, books and poems
Brief introduction and works of Shu Ting
Shu Ting rose in the China poetry circle in the late 1970s. She and her contemporaries, such as Beidao, Gu Cheng and Liang, set off a wave of "misty poetry" in China's poetry circles with a poetic style different from that of their predecessors. Next, I have compiled Shu Ting's profile and works for you to see. Let's have a look.
Shu ting's personal data
Shu Ting, formerly known as Gong, 1952, was born in Quanzhou, Fujian, and grew up in Xiamen. As one of the representative writers of the misty poetry school, To Oak is one of the representative works of the misty poetry tide, which is as famous as Beidao and Gucheng. But in fact, her poems are closer to the traditional poets of the previous generation, and her resistance is much less. 1969 went to the countryside to jump the queue, 1972 went back to the city as a worker. 1979 began to publish poetry. 65438-0980 worked in Fujian Federation of Literary and Art Circles, engaged in professional writing.
Her poems have been translated into many languages and introduced to West Germany, France, the United States, the Netherlands, Japan, Italy, India and other countries. She was invited to visit West Germany and France in 1985+0986, hold a solo concert of her personal works in the United States, and visit Italy in 1987+0987. 49866.8886888866 1
Shu Ting is good at introspecting the rhythm of self-emotion, especially showing the unique sensitivity of women in grasping complex and meticulous emotional experience. The complexity and richness of emotions are often manifested through special sentence twists and turns such as assumptions and concessions. Shu Ting can also find sharp and profound poetic philosophy (goddess peak and Hui 'an daughter) in some conventional phenomena that are often ignored by people, and write this discovery with both speculative power and touching feelings.
Shu ting's main works
Poet writer
Mast ship
Singing iris
archaeopteryx
attempt
Heart smoke
Autumn mood
hard bone—person of indomitable will
"Poetry in the Dew"
Collected Works of Shu Ting (3 volumes)
The poem "Motherland, My Dear Motherland" 1980 won the National Excellent Poetry Award for Young and Middle-aged People, and "Double Mast Boat" 1993 won the First National Excellent Poetry Collection Award and Zhuang Chongwen Literature Award.
Appreciation of Shu Ting's Poems
1, to the oak tree
If I love you-
Unlike climbing Campbell,
Show off with your tall branches:
If I love you-
Never imitate spoony birds,
Repeat monotonous songs for the shade;
It is not just like a fountain,
Send cool comfort all year round;
It is not only a dangerous mountain peak,
Increase height and set off dignity.
Even during the day.
Even spring rain.
No, these are not enough!
I must be a kapok beside you,
Standing with you as the image of a tree.
Roots, close to the ground,
Leaves, touching in the clouds.
Every time a gust of wind blows,
We all greet each other,
But no one
Understand what we said.
You have your copper branches and iron stems,
Like a knife, like a sword,
Like halberds,
I have my red flowers,
Like a heavy sigh,
Like a heroic torch,
We share cold waves, storms and lightning;
We enjoy the fog, the rainbow,
As if we were separated forever,
But they depend on each other all their lives,
This is great love,
Loyalty is here:
Not only love your strong body,
I also love your stand and the land under your feet.
2. Motherland, my dear motherland
I am your shabby old waterwheel by the river.
Old songs that have been spun for hundreds of years.
I am a miner's lamp with your forehead blackened.
When you grope in the tunnel of history.
I am a withered ear of rice; This is a roadbed that is in disrepair.
This is a barge on the beach.
Draw the rope deep
Pull it into your shoulder
-the motherland!
I am very poor.
I am sad
I am your ancestor.
Painful hope.
It's a flying sleeve.
Flowers that never fall to the ground for thousands of years
-Motherland
I am your brand-new ideal.
Just broke free from the mythical spider web.
I am the germ of your ancient lotus under the snow.
I am your tearful smile.
I am the newly painted white starting line.
This is crimson dawn.
Spraying
-Motherland
I am one billionth of you.
Is the sum of your 9.6 million square meters.
With your scarred breasts,
raise
Lost me, considerate me, boiling me.
And then from my flesh and blood
get
Your richness, your glory, your freedom.
-Motherland
my dear motherland
3. "Maybe"
-Answer the loneliness of a reader
Maybe our worries
There are always no readers.
Maybe the road has started to go wrong.
The result is still wrong.
Maybe we should light lanterns one by one.
And was blown out by the strong wind one by one.
Maybe burn out your life and shine on others.
There is no fire around to keep warm.
Maybe the tears are gone.
The land is more fertile.
Maybe we sing the sun.
Also sung by the sun
Maybe the heavier your shoulders are.
The higher the faith.
Maybe shout for all the suffering.
I have to keep silent about my personal misfortune.
perhaps
Due to an irresistible call
We have no other choice.
4. "This is everything"
-Answer a young friend's "everything"
Not all trees
Be broken by the storm;
Not all seeds
Can't find rooted soil;
Not everything is true.
Are lost in the desert of people's hearts;
Not all dreams
Willing to break his wings.
No, not everything.
Like you said,
Not all flames
They will only burn themselves.
Not illuminating others;
Not all stars
It only means darkness.
Don't report the dawn;
Not all songs
It passed by my ear.
Didn't leave it in my heart.
No, not everything.
Just like you said!
Not all appeals went unanswered;
Not everything lost can't be compensated;
Not all abyss is doomed;
Not all destruction covers the weak;
Not all hearts
You can step on the mud under your feet;
Not all the consequences are tears and blood stains,
But I didn't show a happy expression.
All the present breeds the future,
Everything in the future comes from yesterday.
Hope and fight for it,
Please put these on your shoulders.
5. Stones and lamps
Stand on my shoulder, honey-
You should be brave.
The black wall moved closer and closer,
A bloodthirsty, gloomy threat,
The waves raised their sharp claws,
Tear my wound a thousand times.
Pain soaked my silence,
Silence can be refined into iron.
If my breasts can't
Resist all blows for you,