Fu Tianlin's Social Evaluation

Fu Tianlin is a famous poetess who has matured in the new period. Poetic language has both the beauty of pursuing shallow singing and the beauty of prose with rich ideological capacity and full of pain and monologues. His poetry creation is firstly orchard poetry, represented by Green Notes. From describing the external beauty of orchard scenery to praising the internal beauty of perseverance in orchard poetry, the poet created a unique "orchard world" with musical language, simple poetic style and sincere emotion. Followed by maternal love poems, children's poems and love poems, represented by Between Children and the World, the poet showed us a "world of love" with the unique brushwork of women. As a mother's daughter and a child's mother, the poet created maternal love poems full of "daughter's sexual experience" and "maternal experience". In the process of contact with children, she also created many children's poems; As her husband's wife, she wrote several love poems. The poetic language in this period not only maintained musicality, but also paid more attention to the expression of inner emotional experience. Once again, it is a poem that travels at home and abroad, represented by Music Island and Red Strawberry. With the increasing opportunities for visits at home and abroad, the content and style of Fu Tianlin's poems have undergone important changes, the musicality has gradually decreased, and modern life experiences and means of expression have gradually increased. Finally, the sentimental poems, such as The End and Birth and Six Fallen Leaves, reveal the plight of modern people in more prosaic language and increase the thinking about life, society and life. In addition, Fu Tianlin also expanded the artistic realm of poetry by refining words and flexibly using parts of speech and using various rhetorical devices. Fu Tianlin's language has experienced a period from shallow rhyme poems to blank poems with painful monologues, from pursuing musicality to extending prose culture. In Fu Tianlin's later poems, they were not completely opposite, but merged and succeeded.