Tang Yin is also very accomplished in literature. Gong's poems have been written for many years, and his paintings and sentimental works express his wild and uninhibited mind and indifference to the world. Slang and slang are used in poetry, which is easy to understand and simple in meaning. He wrote the Collection of Six Confucian Laymen, and the Qing Dynasty compiled the Complete Works of Six Confucian Laymen.
Zhu Yunming's works include 30 volumes of Huaixingtang Collection, 6 volumes of Su Cai Xiaobian, 7 volumes of Zhuzi's Guilt, 4 volumes of Floating Things 1, 4 volumes of Wild Records, Prequel 1, 5 volumes of Strange Tales from a Lonely Studio, and Reading Notes/.
Wen Zhiming's paintings handed down from generation to generation include Thousand Rock Show, Thousand Rivers Striving for a Picture, Lady Xiang Jun, Shihu Caotang, Shihu Poetry and Painting, Hengtang Poetry, Tiger Hill Map, Tian Ping Jiyou Map, Lingyan Mountain Map, Dongting Xishan Map, Humble Administrator's Garden Map and so on. Books handed down from ancient times include Zuiwengting Ji, Preface to Tengwangge, Red Cliff Fu and so on. He is the author of "Fu Tian Collection" and the editor-in-chief of "Stop Yuting Fa Tie". (According to Hengyang Dictionary of Hunan Cultural Celebrities, edited by Gan Jianhua, produced by Erya Culture), his handed down works include The Drunken Man's Meaning Is Not in the Wine, The Fisherman's Word, Li Sao, Beishan Wen Yi and so on. His works include Spring Trees after Rain, Shadow Cuixuan, Dongting West Hill, Green Shadows and Clear Words, Green Shaded Cottage, Song River Flying All over, Shihu Poetry, Lost Bamboo, Spring in the South of the Yangtze River, Cold Springs of Ancient Trees, and Sai Village Clock. Author of Putian Collection.
Among the four gifted scholars in Wuzhong, Tang Yin, Zhu Yunming and Wen Zhiming are famous for their calligraphy and painting, but Xu Zhenqing is famous for his poetry. Xu Zhenqing occupies a special position in the field of poetry, and there are many poems, known as "Xiong Wen". His early poetry style was close to that of Bai Juyi and Liu Yuxi, and was later influenced by He Jingming and Di Gong. He advocated that "literature should be suitable for Qin and Han Dynasties, and poetry should flourish in Tang Dynasty", and participated in the literary retro movement, becoming one of the "first seven poets" (the other six were He Jingming, Bian Gong, Kang Hai, Wang He). Qin Yi Lu, written by him, only talks about the Han and Wei Dynasties, but ignores the theory of restoring ancient ways after the Six Dynasties. His poems are elegant in style and gallop between Han and Tang Dynasties. Although deliberately retro, there is still a romantic feeling in Wuzhong. A Qing poet Shen Deqian compiled Poems of the Ming Dynasty. Among the four gifted scholars, only Xu Zhenqing and Wen Zhiming, Wen Zhiming recorded only two poems, while Xu Zhenqing collected as many as 23. He is one of the first seven sons, and his reputation is second only to that of Li (Meng Yang) and He (Jingming). When comparing Xu's poems with those of Li and He in the Collection of Poetry in the Ming Dynasty, there is a saying that Li Qixiong, He and Xu are affectionate, which clearly points out the basic feature of poetry-affectionate. Although he is in tune with Li Mengyang, his habits in the Central Plains are not deep, and the wind is still flowing on the left side of the Yangtze River. The style of Wuzhong School is still reserved, which has its own characteristics compared with other poems of the first seven poets. "History of Ming Dynasty" summed up its poetic style with the word "melting the essence of police". He is good at seven words and close to the body, excellent quatrains, clear pronunciation and mellow voice, elegant style and meaningful feelings. Xu Zhenqing's "Qin Yi Lu" contains many incisive cautionary words, which is one of the few masterpieces in the history of poetry talks in Ming Dynasty and even in the whole history of ancient China. Not to mention the admiration of the former and later seven scholars and their followers, even Qian, who has always taken the ancient as the truth, greatly praised his poetics: "Specializing in poetics, studying style, exploring elegance, contracting, compromising, preparing the quality of this article, taking the grass from the building, deleting a hundred and saving one, and serving the treasure of the sea so far." Mr. Qian Zhongshu, a master of modern literature, even directly used "Tan Yi Road" as the name of his works. Xu Zhenqing, as the "crown of Wuzhong poets" (Ming History, Volume 286), is well deserved.