19 18, Gendun Qunpei officially became a monk and began to become a monk. /kloc-When he was 0/5 years old, he studied Buddhism diligently at Qudeng Temple in Zhaxi, Qinghai Hualong Branch. /kloc-at the age of 0/9, he wrote Ode to the Origin, which was praised by everyone. Later, he entered Labuleng Temple in Xiahe, Gansu, and studied Quantification and other disciplines. He is smart, savvy and eloquent, and has defeated many masters in Labrang Temple. Because he dared to put forward a different point of view from jamyang, the owner of the temple, he was excluded by conservatives.
1927, Gendun Qunpei left Labrang Temple and went to * * * to join the famous drepung monastery Guoman College, where he studied under the famous Buddhist master Xirao Gyatso. He studied hard, studied deeply, and put forward many original opinions, which often overwhelmed Xi Rao. During his seven years in drepung monastery, he had a clear understanding of Buddhist scriptures and became an outstanding scholar at that time.
1934, Gendun Qunpei was elected to take the Lamborghini degree examination held at the summoner's ceremony in the Tibetan New Year. In * * *, it was a great honor for a monk to get a degree in Gesi, but he was indifferent to fame and fortune and gave up the opportunity to take the exam. With Indian scholar Rahul? Sanklovina went to India together. In India, he visited museums and places, constantly learning and absorbing new knowledge, and studying English hard. Later, he cooperated with Russian scholar Lerokh to translate the Tibetan Interpretation of Quantity and Qing History into English.
1937, Gendun went to Sri Lanka to study Pali and achieved excellent results, and translated the Pali classic Faju Jing into Tibetan. At the same time, he visited and described the history, religion and customs of Sri Lanka. 1938, him and Rahul? Sanklovina returned to * * * and visited Sakya Temple and Xialu Temple. In the same year, I went to India and lived there for more than ten years. During this period, I worked in the Royal Asian Society, translating and sorting out Tibetan materials, and served as the research assistant of Panditha Sankrati Adam. Life in India is a very important stage in his life. On the one hand, he reads widely and broadens his horizons. On the other hand, he actively carried out creative and research work. At the same time, I also accepted a lot of new theories and knowledge. I just learned the language 12.
1945, Gendun Qunpei returned to * * * and was preparing to write a book, but was monitored by * * * local * *. 1April 1946 (or1July and August 1947), the local authorities arrested Gendun Qunpei on trumped-up charges. Three years in prison did not shake his faith, but his body was destroyed by imprisonment. The year after he was released from prison, he died in * * * at the age of 49.
Although Gendun Qunpei died young, his superhuman wisdom made him a gifted scholar who integrated Buddhism, history, language, art and geography, leaving a very rich cultural heritage for future generations. History: He wrote "White History" (unfinished), which has high academic value. He used the Tubo documents unearthed in Dunhuang and Xinjiang, and the Tubo documents copied by India, combined with ancient inscriptions and China historical materials, and made textual research on some problems in Tubo history. The history of Songzan Gambu and others is fairly recorded. In translation, there are famous articles, such as Fa Sentence Jing, Sha Gong Da Ruo, Song of Bona, Military Code and so on. Philosophical works include only sects, on wisdom and on the middle view. Dragon tree secret meaning "and so on. In addition, his prose, travel notes and poems are numerous. Such as * * *' s travels to Darjeeling, records of eight holy places in India, Himalayan theory, desire theory, etc. His works or translations, whether novel or creative, or filling gaps or correcting traditional mistakes, are very precious, and have a wide audience in contemporary Tibetan society and are deeply loved by people.
Gendun Qunpei's writing style is simple, fresh, beautiful and smooth, which has a great influence on Tibetan literary circles.