Hello, let me explain the format of writing poems for you. I believe many friends still don't know how to write poetry. Now let's have a look!
1, poetry writing knowledge, ancient (ancient) writing style, the model of this poetic style is the most familiar Li Bai's Thoughts on a Quiet Night. There is moonlight in front of the window. Could it have frosted? .
2. Looking up, I found it was moonlight, sinking again, and I suddenly remembered home.
3、? Another example is Wang Wei's besieged city song:? The rain in the early morning moistened the dust of the land, the inn of the inn, the branches and leaves of the inn, and a new leaf
4. I advise you to drink a glass of wine and go out of Yangguan for no reason.
5、? Ancient times can be divided into five words or seven words.
6. This kind of poems with more than four sentences are archaic and can be divided into five words, seven words and long and short sentences.
7、? Flat patterns can be arbitrary (similar to ancient style, the number of ancient style sentences is not limited, you can rhyme, generally press to the end, or change the rhyme in the middle, five words are called "five ancient" and seven words are called "seven ancient"; It can also be used as the "ancient style" of long and short sentences. It can be divided into five words and seven words, but don't be careless or casual.
8. For example, "Going to the Forbidden City on vacation" and "When is the source of Kunlun Mountain", the six words in the former sentence are faint, and the seven words in the latter sentence are flat and elegant, beautiful and full of artistic conception, but they are not very good to read (with the shadow of Allegro); For example, the first sentence is changed to "call friends to see the prosperity on holidays", and the second sentence is "the majestic Kunlun Mountain is famous all over the world". It seems that the artistic conception is somewhat discounted, but the latter sentence is catchy to read. It should be noted that poetry is very particular about "reading" (different from modern poetry).
9、? 2. Generally speaking, it is an ancient quatrain (she is different from the "five quatrains" and "seven quatrains", and the quatrains with uncoordinated rhythm cannot be easily marked with "X quatrains").
10, the first sentence uses common rhyme (or not), 2 and 4 must rhyme, and rhyme to the end (usually multi-rhyme).
1 1, such as: "A millet is planted in spring, and 10,000 seeds are harvested in autumn", "People come and go on the river, but they love the beauty of habitat" and so on.
12、? Antique: more than 4 sentences (each sentence can be 5 words, 7 words, or long and short sentences, except "word"), which are uneven, can cadence, or can change rhyme in the middle (but the rhyme cannot be confused), are generally classified as "antique".
13、? For example, the Yellow Crane Tower, a legalist archaism in Cui Hao, says that all the immortals in the past were flown away by the yellow crane, leaving only an empty Yellow Crane Tower.
14, the yellow crane will never come again, and Baiyun will never fly without him.
15、? Every tree in Hanyang has become clear due to sunlight, and Nautilus Island is covered with sweet grass.
16 but I looked home, and the twilight was getting thicker? The river is shrouded in mist, which brings people deep melancholy.
17、? Note: It is not rigorous to classify this poem as a "seven-character poem" in 300 Tang Poems.
18. Although this poem is a masterpiece, the first four sentences are irregular in rhyme and meter.
19, even though some words are flat and flexible, they still do not conform to the sentence pattern of qualified rhymes.
20. The first couplet is relative, but wrong.
2 1, the couplet sentence consists of six flat lines and three flat lines at the end of the sentence, which belongs to the "three-level level" that should be avoided.
22. If you don't conform to the law, you will lose your rights.
23. The last four sentences conform to the rule of flat paste, and the fifth word at the end is allowed to be modified, which is basically legal.
24, so the first half of this poem is classical poetry, and the second half is metrical poetry.
Although this poem is famous, it is not suitable for imitation when writing.
Strictly speaking, it should be counted as the category of "legalization of ancient customs".
27、? Li Bai: I can't see you. How did the water of the Yellow River flow out of heaven and into the ocean, and never return?
Have you ever noticed that in the high room, the lovely hair in the bright mirror, though silky black in the morning, has turned into snow at night?
Oh, let a brave man take risks where he wants to go, and never point his golden cup at the moon! ! Since God has given talents, let them be used! As for the money, although it is scattered, it will get together again.
30, cook a sheep, kill a cow, sharpen your appetite, let me, 300 bowls, a long drink! ! Master Cen, Dan Qiusheng, bring the wine in! Let your cup never stop! ! Let me sing you a song! , let your ears participate! ! What are bells and drums, delicacies and treasures? Let me get drunk forever and never be rational! ! Ancient sober people and sages have been forgotten, and only great drinkers can be immortalized! Chen bought a barrel of wine with 10 thousand gold coins at a banquet in the temple, and everyone laughed and said one-liners
3 1, why do you say, my master, your money is gone? ? Go buy wine, and we'll drink together! .
32, five flowers and money, give it to the boy for good wine, and we will drown the disaster of ten thousand generations! ! Ancient styles are different in length, miscellaneous words, illegality and law. , its composition is still applicable to the "transition"
33、? Short stories have existed since ancient times, and the composition is found in the composition of quatrains.
34. For the longer one, please refer to the composition of regular poems.
35、? Medium-long ancient style is most suitable for narration, and it also involves scenery writing, discussion and lyricism. Its text structure method is similar to composition in some places.
36. The transition is divided into one or several paragraphs, especially the turning part is full of twists and turns, and the words are often long.
37. Pay attention to hierarchy, teton, separation, response and transition when writing. Stick to the theme and express a central meaning.
38、? Narrative-oriented archaism can organize materials in chronological order, and can flashback, supplement and insert when necessary.
39. For example, Du Fu's "A Gift for Chu Shi, Wei Ba" begins with the feeling that life is impermanent, and it is mixed with sorrow and joy. Then I asked about the old love, and then introduced Wei Ba's family and their hospitality in detail. Host and guest drink and talk about old things and feel each other. Finally, they got together for a while and ended up lamenting the reaction of the world.
40. Use "tonight" first, then write "evening", and then say "tomorrow". Time clues run through, orderly and orderly.
4 1, the first four sentences are the beginning, the six sentences of "Youth Strong-Scholar's Academy" are the inheritance, the twelve sentences of "Farewell-Deliberately Long" are the turning point, and the last two sentences are the conclusion.
42、? Han Yu's "The Rock" is a record of his visiting a mountain temple, narrating and writing scenes to express his feelings.
43. The whole poetic level is what you see and hear at dusk, staying in the temple late at night and leaving the temple at dawn.
44. The first four sentences come from Shan Ye, temples, dusk and new rain; The six sentences of "Monk's Words-Light Entering the Door" have tolerance and were written overnight; The six sentences of "Dawn-Wind-borne Clothes" are all turned and written away from the temple; The last four sentences are knot and sigh.
45. Echo before and after: "Entering and leaving the competition" should be the first sentence of "Shan Shizhun", and "no way" should be "small action"; Because of the "new rain", jathyapple is clear and the mountains are misty. The mountains (flowers) are red and green at dawn and sunrise, and then they can be "barefoot" and "excited by the underwater sound".
46. The scenery written in the poem has a sense of light, humidity and hue, and the shades alternate with each other, becoming a unified and harmonious picture.
47、? Li Bai's "Difficult Road to Shu" suddenly started writing, always mentioning that "this trip is more difficult than climbing the sky", singing it out with strong feelings and pointing out the theme.
48, "Can Cong-Goulian" six sentences, said that Qin Shu has been blocked by mountains since ancient times, from Qin to Shu, Taibai Mountain bears the brunt, and bears the responsibility of explaining why the Shu Road is difficult to reach the sky.
49. Sixteen sentences, "being-wilting", are extremely dangerous to write about the mountain roads in the middle of Sichuan.
50, the top is a mountain peak inserted into the sky, blocking the operation of the sun god, and the bottom is a winding river, taking care of it.
5 1, it is said that yellow cranes are not allowed to fly, apes are difficult to climb, and people are naturally more sad. This is a further way of writing.
52. The above is a fictional writing.
53. Then write about the hardships of the people marching in Shu Road.
54. The Blue Mud Ridge is not only circuitous, but also high enough to touch the stars, making people hold their breath and sigh, unable to move forward.
This is writing.
56. It is difficult for pedestrians to see on foot. Listening to "Sad Birds and Ancient Trees" and "Singing jathyapple in Zigui" is bleak and sad.
57, this is the side lining, rendering the environmental atmosphere to compare the difficulty of Shu Dao.
58, "Lotus Peak-Come to Zai" six sentences, a new wave, the most dangerous part of Shu Road, the lotus peak meets the sky, the cliff is dead and loose, the waterfall passes, and the stone is thundering, which is even more thrilling. Why do people from afar come, saying that tourists can't go.
59. This paragraph is not only a promise, but also a transition to connect the context.
60, "Jiange-Returning Home Early" eleven sentences, written from Qin to Shu, see Jiange's high terrain, which makes people worry. If the garrison is unreliable, it may cause disaster, which implies that those in power should be alert to war and make good use of others, thus revealing the theme.
6 1, and then at the end of the sentence, chanting "such a trip is harder than climbing the blue sky" is not only the beginning of care, but also the condensation and sublimation of the rich content of the whole article, which is extremely touching.
62. Shen Deqian, a litterateur of the Qing Dynasty, commented on composition: "Gexing (an ancient luxury style) begins with singing, and there is a tendency of' Yellow River falling into the sky and going to the East China Sea'.
63, the following twists and turns, step by step deformation, in the vast expanse, its own gray snake traces, clues, dazzling its hall, still obey its vigilance.
64. When it is closed, those who come from Xu Xulai must fight a battle to stop it in order to prevent it from spreading. In order to prevent those who are short of breath and steep bends, you might as well make melodious and swaying words to send them.
65, it can't be a theory.
66. This theory comes down in one continuous line with Li Bai's poems.
67. The ending turns from steep to steep, and finally, Dou Jian.
68. The syntax of Shu Dao Nan is changeable, with uneven levels, ranging from three words short to eleven words long. There are often several even words used together, or even words used together, and some are pure prose sentences, such as "There are six dragons in the world", which are not eclectic, and the form and content have reached a highly perfect combination.
69、? The change of rhyme in ancient style is closely related to the style of poetry.
Generally speaking, rhyme changes at the beginning of a new meaning.
7 1, if the meaning of a layer has a small level, it can also be rhymed.
72. A rhyme can use several small levels, and sometimes it can span a big level.
73. Common rhyming forms change rhyme when they are transferred to the end.
74. What are the taboos of regular poetry? When learning to write metrical poems, we should pay attention to the problems that should be avoided, such as rhyme, dislocation and stickiness.
75. Rhyme under temptation? Rhyme (quatrains) must be put in the designated position when rhyme is used to the end.
76. In addition to obeying this rule, there is also temptation: give up rhyming? Rhyme, also called falling rhyme, is a taboo of metrical poems (quatrains).
77. In ancient times, every rhyme department had its own rhyme department. A rhyming department specifies the number of words. Rhyme words can only be found in the same rhyme department, and words with other rhymes cannot be used. If it is used, it is called rhyme.
78. Under normal circumstances, this will not happen. However, there are also some complications in ancient rhyme. For example, it is difficult to distinguish the words with one rhyme and two rhymes. "Dong, Deaf, Zhong, Zhong, Zhong, Gong, Gong ..." belong to the same rhyme, but the same pronunciation is "Dong, Nong, Zong, Zhong, Cong and Gong. ...
79. Yuan Zhen's poem "Palace": "In the faded old palace, the peony is red, but no one comes to see it.
80. The ladies-in-waiting are all white-haired and gossip Xuanzong.
8 1 The poem Gong and Hong is rhyme, and Zong is rhyme, which is called "rhyme".
82. Ancient poems can be used universally, while metrical poems (including metrical quatrains) should be avoided.
83. There are some words that have no difference in spoken language, but have different rhymes. If you don't pay attention, it will rhyme.
84、? But this commandment can be flexible, because this sound is different from the ancient sound, so we should use this rhyme in learning poetry today. Anything that rhymes with this rhyme can be universal and can't be regarded as "rhyme"; Don't use words with different rhymes.
85、? 2. rhyme? In a poem, the same word cannot rhyme more than twice. If you use ancient rhyme, you should avoid it.
86, this point can not be flexible, the word is heavy, just change it; If you don't change it, you will fail.
87、? 3. Do you quit rhyming? In classical poetry, the word order is often reversed because of the rhyme, such as Liu Changqing's poem: "The setting sun shines far away, the weather is cold and the house is poor.
88, Chai Men smell dogs barking, hakodate.
89. The last sentence means that people come back on a snowy night. In order to rhyme, the word order of "human return" was changed to "human return"
90. The word order can be reversed for rhyme, which often appears in ancient poetry.
9 1. But it should be noted that not all words can be reversed. For example, "willow" cannot be reversed as "willow" and "oriole" cannot be reversed as "oriole". Avoid word order inversion, vague meaning and neither fish nor fowl.
92、? 4. Police rhyme? Taking uncommon words as rhyme is called dangerous rhyme.
93. Except for idioms and allusions, there is no need to rhyme with uncommon words.
94. In ancient times, there were also people who won by dangerous rhyme. In fact, the dangerous rhyme is difficult to detain, and the words are uncommon. Few people appreciate it, and it is often thankless.
95、? Dislocation and stickiness? Every antithesis in a metrical poem is antithesis, that is to say, the arrangement of every word in the next sentence and the previous sentence must be correct, the previous sentence should be flush, and the next sentence should be flush; The last sentence is plain, and the next sentence should be plain.
96. If the first sentence rhymes and the last word falls on the horizontal tone, then the first couplet is not completely relative, the second couplet is flush, and the other couplets are relative; This is called "right".
97. The "right" that does not conform to the rules is called "wrong", which is a problem that should be avoided.
98、? Besides saying "yes", we also say "sticky".
99. Sticking is adhesion. The first two words of the previous sentence and the next sentence must be the same.
100, because the first word is flat and flexible, in fact, only the second word is required to be flat and equal.
10 1, which does not conform to the law of "stickiness", is called "stickiness" and should be avoided.
102, here refers to the five laws. When talking about "sticky", the first two words of each sentence required by the five laws are two or four words in the seven laws, and mainly the fourth word.
103、? "Orthodoxy" and "Stickiness" are the requirements stipulated in the flat format of orthographic poems. If they are incorrect and sticky, they are not in a flat format.
104、? Please read the Yellow Crane Tower in Cui Hao: A long time ago, a yellow crane carried a saint to heaven. Is this fair? Now only the Yellow Crane Tower is left.
105, is it flat? Is it fair that the yellow crane has never revisited the world? Baiyun will always fly without him.
106, Pingping, Pingping? Every tree in Hanyang becomes clear, flat and even in the water? Parrot Island is a nest of sweet grass.
107, Pingping, Pingping? But I looked home, and it was getting dark. Hey, hey, hey, hey? The river is shrouded in mist, which brings people deep melancholy.
108 and Pingping Pianping Pianping are masterpieces handed down from generation to generation, but as far as metrical poems are concerned, the first four sentences are illegal in many places.
109, even though some words are flat and vivid, they still do not conform to the sentence pattern of qualified rhymes.
1 10, the first conjunction of the same word is relative, but it is wrong.
1 1 1, the couplet sentence consists of six italics and three flat words at the end of the sentence, which belongs to the "three-level equality" that should be avoided.
1 12, illegal sentence, inevitably lose power.
1 13, the last four sentences conform to the rule of flat pasting, and the fifth word of the suffix is allowed to be modified, which is basically legal.
1 14, so the first half of this poem is an ancient poem and the second half is a metrical poem.
1 15. Although this poem is very famous, it is not suitable for imitation when writing.
1 16、? Please read Liu Zongyuan's Jiang Xue again: There are no birds in the mountains, and it is flat. Flat and even? A thousand roads without footprints.
1 17, Pingping? A boat, a bamboo cloak, plain? An old man was fishing in the cold river snow.
1 18, Pingping? This poem rhymes, and each sentence seems to conform to the regular sentence pattern, but the first couplet does not conform to the next, so it is not a regular quatrain, but only an archaic quatrain.
1 19、? Wang weiqu:? Weicheng is rainy and dusty, flat and flat? The guest rooms are green and willow.
120, Pingping ping? I suggest you have another glass of wine. Are we even? There is no reason to go out of Yangguan in the west.
Pingping, Pingping 12 1? It's also the first couplet and the second couplet, which can't be regarded as a quatrain.
122、? Rhyme (including half-cut quatrains) must be right and sticky, not wrong and sticky.
123, three bogeys? The ancients wrote metrical poems, and the parts of speech were divided very carefully. Only nouns are divided into astronomy, geography, seasons, rooms, utensils, clothes, food, stationery, literature, plants, animals, people, personnel, interpersonal relationships and so on. Only nouns are also divided into names, place names, etc. Numerals, locative words, disyllabic words and continuous words are also classified respectively.
124, work pair, that is, small classes are required to be opposite.
125, which is why it is difficult for great poets to write every song and couplet, so it is much more free and easy to allow wide pairs, that is, words with the same part of speech can be correct.
126 even so, there are still several taboos to avoid in the confrontation of orthographic poetry: first, avoid the same word? In each couplet, the upper sentence and the lower sentence cannot have the same word in the same word order.
127, the same word must be simultaneous and wrong.
128、? Second, avoid similarities? Similarity means that the antithesis of parallel couplets and necklaces is the same, which will lead to the repetition and rigidity of melody.
129, here refers to the syllable structure of the sentence. If the couplet is a monosyllable after three disyllables, then the neckline is changed to another structure, that is, it is changed to two disyllables and one monosyllable, and the end of the sentence is a disyllable.
130, which makes the melody flexible.
13 1、? Third, avoid crossing your hands? Crossing your hands means that the sentence has the same meaning, and synonyms should be avoided.
132 Four-character Poems (Volume I) gives an example: "Silkworm racks are cold, and family members are idle in the daytime.
133, "This is a rural scene, but the last sentence is clumsy, and the words" DPRK "and" Japan "are stacked together.
134, if it is "rainy and rainy, the spring silkworm frame is closed", it is also a means of Wang Meng.
135、? Regarding the rules of antithesis of regular poems, let's talk about flexibility first.
136、? The antithesis of the two couplets in the middle is the requirement of metrical poetry, but it is certainly possible to have a triple or quadruple antithesis.
137, such as Du Fu's "The Yellow River was recaptured by the Imperial Army", a triple confrontation; Yu Miao, another poem by Du Fu, has four antitheses.
138, this is difficult to do, and few people do it.
139、? The antithesis and necktie in the metrical poems are a positive example.
140, it is best that both couplets are neat. If this is not possible, the couplets can be relaxed a little.
14 1, such as Li Bai's famous "Listen to the King and Enter Shu". The sea embraces the land-melodious songs come from the distant Emei Mountain.
142、? When I hear the sound of Matsutani, I wave my hand at will.
143、? I heard him in the clear stream, I heard him in the cold bell.
144、? I can't feel the change, although the mountains are getting dark and the sky is overcast in autumn? ? The couplets here seem to be right or wrong, but "a touch of the strings has taken me, and a thousand valleys are relaxing" is a famous sentence for thousands of years.
145, parallel couplets can be relaxed, but neck couplets cannot be relaxed.
146, some poems only have couplets, but no couplets are used.
147 However, this is a change. Learning to write poetry is unnecessary.
148、? Poetry is mainly about meaning. When antithesis and poetry cannot be balanced, great poets like Li Bai and Du Fu will not pay strict attention to antithesis in order to preserve poetry.
149 However, this is a last resort and only happens occasionally. Most of their chapters strive for harmonious phonology, neat antithesis and even consistent style.
150, rhyming and leveling? What is rhyme and how to rhyme? There is nothing in ancient Chinese poetry that does not rhyme.
15 1, but it was laborious and time-consuming for the ancients to learn "rhyme", which was far less easy than it is now.
152. In ancient times, it was not easy to explain what "rhyme" was.
153. Now that there are common Chinese phonetic letters, even primary school students can learn them thoroughly, and this problem is easy to explain and how to rhyme is easy to master.
154、? Chinese pinyin has initials and finals.
155. when Chinese characters are spelled with pinyin letters, there are generally initials and finals, with the initials in front and the finals behind.
156、? For example, in Li Bai's poem "Send Baidicheng Early": What is the word "Bai Di Cai Yunjian" (suddenly, the initials J, the finals ian)? A day in Jiangling, thousands of miles away (and, the initial h plus the vowel uan)? Apes on both sides of the strait can't stop crying (live, initial zh plus vowel U)? The canoe has passed the Chung Shan Man (initial sh and vowel an)? The vowels of the last words of these four poems are arranged as ian, uan, u and an. The vowels of the last word in the first sentence, the second sentence and the fourth sentence are the same, but the third sentence is different.
157, the so-called "rhyme" in poetry is roughly equal to the pronunciation of vowels in pinyin letters. Words with the same vowels are words with the same rhyme, and putting words with the same rhyme in a certain position is "rhyme".
158. Generally, the rhyme word is at the end of a sentence, which is called "rhyme foot", and the rhyme word is used in the rhyme foot of some sentences, which is called "rhyme".
159. The rhyme feet of the first, second and fourth sentences of Li Bai's poem are all Ann's vowels, so they rhyme with a rhyme.
160 rhymes differently from the third sentence, so the third sentence doesn't rhyme.
16 1. The quatrains stipulate that the third sentence cannot rhyme, so the rhyme of this poem is completely qualified.
162、? The rhyme rule of ancient poems or modern poems is generally that every other sentence rhymes, that is, every other sentence must have the same vowel, that is, every other sentence rhymes.
163, no matter how many sentences, every double must rhyme.
164. As for the first sentence, it is a simple sentence, which may or may not rhyme.
165. At the same time, metrical poems and quatrains must rhyme to the end, and no rhyme can be changed in the middle; Long ancient style, allowing the middle to change rhyme.
166 For example, if the ancient style has dozens of rhymes or a hundred rhymes, it will be difficult to write this poem without changing the rhyme in the middle.
167, rhymes and quatrains can't be changed with only four or two rhymes.
168、? Rhyme, with wide rhyme and not narrow rhyme.
169, the so-called "wide rhyme", means that there are many words in the same vowel, and you can have a wider range of choices; The so-called "narrow rhyme" means that there are few words with the same vowels and metrical poems are rarely used.
170, which are wide rhymes and which are narrow rhymes, you can see it at a glance by looking at Chinese Pinyin.
17 1、? Rhyme is sometimes flexible.
172. In metrical poems, especially in the arrangement, it is really difficult to find a suitable homonym and allow the pledge of "adjacent rhyme" in order to express the meaning accurately.
173, the so-called "adjacent rhyme" means using words adjacent to rhyme.
174, this is a variation.
175、? What's with the rhyme? This requires understanding the ancient rhyme department of ancient rhyme books.
176、? Ancient rhymes and rhymes? The ancients wrote poems with rhyme.
177, the rhyme book was promulgated by the court and called "official rhyme".
178、? The development of Chinese phonetics can be roughly divided into four periods: ancient, medieval, modern and modern.
179, the phonology of each period is different.
180、? The ancient phonology, that is, the phonology of the pre-Qin and Han dynasties, is represented by the phonology of the Book of Songs.
18 1. It has been out of use for a long time, so there is no rhyme book passed down from generation to generation.
182, scholars who study Chinese phonology have to study it.
183、? Medieval phonology is the standard of rhyme used by people in Tang and Song Dynasties.
184, Sui Dynasty compiled a rhyme book named Qieyun, and based on the Luoyang sound at that time, all the characters were arranged according to rhyme, divided into 193 rhymes for writing poems.
185, this rhyme book has long been lost.
186、? In the Tang Dynasty, Qieyun was used as the base book, and the words were added and the rhyme was updated. After publication, it was renamed Tang Yun.
187, this book is also lost.
188、? In the Northern Song Dynasty, an official rhyme was published, the full name of which was "Rebuilding Guang Yun in the Great Song Dynasty", or Guang Yun for short. This is a rhyme book that expands Qieyun, with more than 26,000 words and 206 rhymes.
189, which is the earliest preserved rhyme book so far.
190, because its rhyme division is complicated and inconvenient to use, it is stipulated that some adjacent rhymes can be common.
19 1. Since some adjacent rhymes are allowed to be common, it can be seen that it is not practical to make the rhyme so complicated.
192, there is no need to include many uncommon words and old sayings in the rhyme selection of poems and songs.
193 therefore, the emperor ordered civil servants to compile "Li Bu Yun", which received less than 10 thousand commonly used words and revised them repeatedly to meet the needs of the imperial examination; At the same time, he also compiled another rhyme book with more than 53,000 words, about twice as much as Guang Yun.
194. Actually, Qieyun, Tangyun, Guang Yun, Yunlue and Jiyun come down in one continuous line.
195 and Guang Yun are extended on the basis of cutting rhyme and Tang rhyme. Yunlue is a simplified version of Guang Yun, and Jiyun is an expanded version of Guang Yun. Like Guang Yun, it is divided into 206 rhymes.
196、? Liu Yuan, a Pingshui person in the Southern Song Dynasty, wrote the book "Renzi New Publication Ritual Rhyme", which merged the common rhymes allowed by "Guang Yun" from 206 to 107.
197, the Jin Dynasty wrote "The Rhyme of Pingshui New Publication", which combined two unfinished "Jiong" and "Sheng" in Liu Yuan into 106 rhyme.
198, this rhyme 106 has been circulating for a long time and is called "Pingshui Rhyme".
199、? Rhyme books in Tang and Song Dynasties basically reflected the reality of Chinese phonetics in the Middle Ages, and poets in the Middle Ages used rhymes accordingly, which was in line with the prevailing spoken phonetics at that time.
200. However, with the passage of time, in modern times, due to the development and change of pronunciation, there was a difference between Pingshui rhyme and actual pronunciation.
20 1, the revision of quatrains? Five-character quatrains and parallelism are generally called quatrains, that is, quatrains in French style.
202. Both it and metrical poems are new-style poems established in the Tang Dynasty, which have strict metrical rules. At that time, they were called modern-style poems, and later they were called modern-style poems.
203. Compared with ancient quatrains, dharma quatrains are referred to as near quatrains and quatrains for short.
204、? Modern poetry pays attention to the alternate coordination of flat tones, forming a sense of rhythm and rhythmic beauty.
205. There are four sentence patterns of five-character quatrains: (1) even, and the first word can be even.
206. (2) Flat and flat.
207, (3) even and even, the first word can be even.
208, (4) is flat, and the first word can be flat.
209. This legalized sentence pattern is called statutory sentence.
2 10, modern poetry is usually limited to flat rhyme.
2 1 1、? The upper and lower sentences of modern poetry are called antithesis, the upper sentence is called antithesis, and the lower sentence is called antithesis.
2 12, the meter requires that two sentences in a couplet are flat or basically flat, and the second word of the last couplet is the same as the previous couplet, that is, it is glued together (the first word is always flat and informal, and the second word shall prevail).
2 13. Violation of these two clauses is called "dislocation" and "stickiness".
2 14、? According to the above rules, five-character quatrains have the following four flat formats:? A. the first sentence doesn't rhyme: (Xu) flat and even, flat and even (flat and even).
2 15、? (Ping) Ping "Ping", (Ping) Ping (Ping Yun).
2 16、? Such as the heron staying in Wang Zhihuan: the mountains cover the day, and the sea drains the golden river.
2 17, but if you walk up a flight of stairs, you can broaden your horizons by 300 miles.
2 18、? B. Stand up. The first sentence doesn't rhyme:? (Ping) Ping "Ping", (Ping) Ping (Ping Yun).
2 19、? (Xu) Flat and even, flat and even (flat and even rhyme).
220、? Such as Li Duan: Listen to the zither, the jade hand in the snow window and the golden harp shining.
22 1, in order to attract Qiu Yu's keen eyes, she touched a wrong note from time to time.
222、? * Fu: Tone words? C. rising, the first sentence rhymes:? Flat (flat rhyme), flat (flat rhyme).
223、? (Ping) Ping "Ping", (Ping) Ping (Ping Yun).
224、? For example, "Julien Cesar II": The forest is dark and the wind blows, but the general tries to shoot at night.
225, the next morning, he found his white feather arrow pointing deeply at the hard rock.
226、? * White Stone: Like a saint? Another example: I'm Shu Ge: this constellation with seven high stars, Shu Ge raises his sword at night.
227, no more barbarians, nor their horses, nor cows, dared to wade across the border.
228、? * seven: if you are born? D. stand up. the first sentence rhymes: (Pingyi) Pingyi "Yi" (Pingyi rhyme), (Yi) (Pingyi rhyme).
229、? (Xu) Flat and even, flat and even (flat and even rhyme).
230、? For example, Wang Ya's boudoir is given away (1)? Spring blossoms and willows blow in the ditch.
23 1, time waits for no one to report to Liaoyang.
232. note: Attention:? The words in brackets () should be flat: (); ? 2. The words in brackets () should be flat: (flat); ? 3. The bracket ""should be even when it is biased: "flat"; ? 4. The bracket ""can be flat when offset: "".
233、? Beginners don't have to learn sentence patterns with partial patterns, but should respect the level of words in books.
234、? Five-character quatrains are often pursed up, and the first sentence doesn't rhyme.
235、? Modern poetry rhymes in strict accordance with the rhyme, without rhyme? There are two taboos about the antithesis of orthodox poetry: avoid "crossing your hands"
236, that is, linking the upper and lower sentences, is relative to synonyms, making the two sentences completely or basically the same meaning.
237. For example, "A group of wise men are close to each other, and all of them are told to the world."
238、? The same is true of two taboos and two couplets.
Two sentences should be changed to avoid repetition.
240. If the front couplet is "22 1", the back couplet should be changed to "2 12"; If the rhythm form cannot be changed, the grammatical structure must also be changed. For example, the prepositional verb is in the second word, and the suffix should be changed elsewhere. The third word of the preposition is a notional word, and the third word of the suffix may be a function word.
24 1、? Besides, don't just ask for work.
242, otherwise bound thoughts, easy to cause hands crossed, or a mere formality.
243. The working pair can be combined with the wide pair.
244. For example, Li said, "When I heard your last name first, I thought you were a stranger. Later, when I heard your first name, I remembered your young face." The first four words are Gongdui, but the last word "see" (verb) is the antonym of "capacity" (noun).
245、? Duality is always natural, neat and smooth.
246、? Poets often use color pairs, number pairs and orientation pairs, which are easy to form pairs of works and can give readers a distinct impression or increase momentum.