His satirical poems mainly include two aspects: first, they widely reflect the sufferings of the people. Among them, there are works that sympathize with farmers, such as Du Lingcuo; There are also sad songs, such as "White Haired Man" and "Harem Ci", which lament the fate of women. Second, profoundly expose the evils of rulers, such as "selling charcoal" and "red carpet".
Du Fu (7 12-770) is a great realistic poet in the history of China literature, and his language is beautiful. His poems profoundly reflect the social outlook of the Tang Dynasty from prosperity to decline, with rich social content, distinctive color of the times and strong political tendency. His poems are full of passionate feelings of loving the motherland and the people and lofty spirit of self-sacrifice, so they are recognized as "the history of poetry" by later generations, and poets are honored as "poets".
Du Fu wrote more than 1000 poems in his life, among which the famous ones are Three Officials, Three Farewells, Chedian, Autumn Wind Breaking the Cottage, Two Roads, Spring Hope and so on. Du Fu's poems fully expressed his deep sympathy for the people and exposed the sharp opposition between the exploiters and the exploited in feudal society: "The drunken road in Zhumen froze to death!" This immortal poem has been remembered by the people of China for generations. "Dare to love death when saving, and be afraid when you are lonely!" This is the full expression of Du Fu's incomparable love for the motherland, and it is also the reason why his poems are so popular. Du Fu's patriotic hot pillow is also very rich in his masterpieces such as Spring Hope and Imperial Army Recovering the Banks of the Yellow River. In "Three Officials" and "Three Farewells", he praised the patriotic spirit of the broad masses of people who endured all kinds of pains, and even showed readers his childlike innocence of patriotism and love for the people. Out of love for the motherland and the people, it is bound to have a strong hatred for the extravagant and dissolute face of the ruling class and the crimes that bring disaster to the country and the people. This point has been vividly demonstrated in the immortal masterpieces "Car Shop" and "Two Ways". A great patriot's concern for the country and the people is bound to be expressed in other ways. Some of Du Fu's poems about things and scenery, even those about couples, brothers and friends, are permeated with deep feelings for the motherland and the people. In a word, Du Fu's poems are an artistic record of the decline of the Tang Dynasty. Du Fu bravely, faithfully and profoundly reflected the extremely extensive social reality with the positive spirit of joining the WTO. No matter what kind of sinister situation, he didn't lose heart. In the long history of China literature, the cognitive function, reference function, educational function and aesthetic function of Du Fu's poems are unattainable.
The greatest artistic feature of Du Fu's poems is that poets often hide their subjective feelings in objective descriptions and let things impress readers themselves. For example, in Two Ways, the poet did not directly reprimand Yang's brother and sister for their debauchery, but the author's love-hate attitude has been fully revealed from their specific descriptions of clothes and diet.
Du Fu's poems are simple, popular and realistic, but they are very skillful. He also often uses monologues and proverbs to highlight the characters' personalities.
Du Fu's poems are especially good at describing details when depicting characters, such as a passage describing his wife and children in the Northern Expedition.
Du Fu's poetic style is changeable, but on the whole it can be summarized as depression and frustration. The cadence here refers to the deep meaning of the article, while the cadence refers to the ups and downs of feelings, tone and syllables.
All these have established Du Fu's supreme position as a "poet saint" in China's literary history of more than 3,000 years.
Li Bai (70 1-762), whose word is Taibai, is the most outstanding poet in the prosperous Tang Dynasty, and also a great romantic poet in the history of China literature after Qu Yuan, and is known as the "Poet Fairy". He had a rough experience and complicated thoughts. He is not only a brilliant poet, but also a ranger, assassin, hermit, Taoist and counselor. Confucianism, Taoism and Rangers are all reflected in him. "Retire after success" is the dominant thought that dominated his life.
Li Bai left more than 900 poems to later generations. These brilliant poems show his mental journey all his life, and they are artistic portraiture of social reality and spiritual life in the prosperous Tang Dynasty. Li Bai was ambitious all his life, and he expressed his yearning for fame and fortune unabashedly. This is vividly expressed in Fu Liangyin, Reading Biography of Zhuge Wuhou, and Love Cai Sheren Bear. Li Bai liked Ren Xia since he was a teenager, and wrote many ranger poems, among which Knight Rider is the representative work. Three years of political life in Chang 'an had a profound influence on Li Bai's creation. There is a sharp contradiction between his political ideal and the dark reality, and unspeakable pain and resentment accumulate in his chest. Angry wrote good poems, so he wrote a series of nostalgic people, such as "Difficult to Go", "Antique" and "Answering the King for Twelve Nights". A famous sentence that is sad for a person's life and difficult to send away. Li Bai lived a wandering life for most of his life, traveled to many famous mountains and rivers all over the country, and wrote a lot of beautiful poems praising the great rivers and mountains of the motherland to express his feelings of loving freedom and yearning for liberation. In this kind of poetry, the strange mountains and rivers complement his rebellious and unruly character. This kind of poetry occupies a large number in Li Bai's poetry works, and has been passed down through the ages, among which "Climbing Mount Tianmu in a Dream" is the most outstanding masterpiece. With dripping and carefree poems, the poet freely spread the wings of imagination, wrote all kinds of spiritual adventures and pursuits, and truly liberated the repressed soul in his dreams. And "Oh, how can I seriously bow and scrape to high-ranking people and people in high positions? They will never stand being shown an honest face!" His poems show the poet's lofty sentiments and become an important basis for future generations to examine Li Bai's great personality.
As a great poet who loves the motherland, cares about the people and never forgets the reality, Li Bai is also very concerned about the important issue of war. Enthusiastic praise is given to the soldiers guarding the border (such as "Xia Sai Qu"), and the wariness of the rulers is mercilessly lashed (such as "Battle of the South of the City" and "Song of Ding Du"). Li Bai also wrote many Yuefu poems, describing the hard life of laborers and expressing their concern and sympathy (such as Long March and Midnight Wu Ge). ).
Li Bai's poems and songs have the artistic charm of "the pen falls and shakes the wind and rain, and the poem makes the gods cry", which is also the most distinctive artistic feature of his poems. As a romantic poet, Li Bai mobilized all romantic skills and realized the perfect unity of poetry content and form. Li Bai's poems are full of self-expression and subjective lyricism, and the expression of feelings is overwhelming. For example, when he entered Beijing as an official, he said, "Laugh to the sky. Are we Artemisia people? " When I miss Chang 'an, "the wind blows my heart and hangs Xianyang trees in the west." Such poems are very infectious.
Extreme exaggeration, apt metaphor and amazing fantasy make people feel highly real. Reading these poems, such as "But since the water is still flowing, even though it is cut with a sword, it is even more worrying to raise a glass to dispel the sorrow" and "The white hair is three thousands of feet, and the sorrow is as long as long", readers can't help being infected by the poet's long sorrow and endless melancholy. Li Bai's artistic expression is particularly prominent in his poems, such as Climbing Mount Tianmu in a Dream, Difficult Road to Shu, etc.
In Li Bai's poems, imagination, exaggeration, metaphor and personification are often used comprehensively to produce a fantastic, magnificent and moving artistic conception, which is why Li Bai's romantic poems give people a heroic, unrestrained and elegant charm. His language is clear, lively and meaningful, just as two of his poems say, "clear water gives birth to hibiscus, and it is naturally carved."
Li Bai's poems and songs had a far-reaching influence on later generations. Han Yu, Meng Jiao and Li He in the middle Tang Dynasty, Su Shi, Lu You and Xin Qiji in the Song Dynasty, Gao Qi, Yang Shen and Gong Zizhen in the Ming and Qing Dynasties were all greatly influenced by Li Bai's poems.