Year: Korea Author: Han Anonymous
Grass by the green river and willow in the dark garden.
Yingying is a woman upstairs with eyes as bright as windows.
E-E's pink makeup makes her hands delicate.
I used to be a prostitute, but now I'm a slut.
It's hard to stay in an empty bed without going home.
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From the second of Nineteen Ancient Poems.
The overlapping words look good.
She, the person in charge of the independent building, has a plump figure, such as the breeze; She, leaning against the window as a porch, makes people radiant, as bright as the bright moon in the light cloud; Why, she is wearing red and colorful clothes, so careful; Why, her ivory-carved slender hands, grasping the window lattice, stared at her neck for a long time: what did she see? I saw the Yuan-Jiu River, covered with green grass, continuous, extending to the distance. The grass along the green river is full of thoughts. What do you want in the distance, what did you dream of in the past?
("Ancient Poetry"), it turns out that her eyes follow the footsteps of passers-by with the color of grass; She saw the lush weeping willows in the garden. She once broke branches from this tree and gave them to each other. I hope willow can? Stay? on one's pins
The heart of a traveler. It turned out that the annual spring scenery once again ignited her hope of reunion and aroused her youthful feelings. Hope, in hope, once again boils down to disappointment and emotion, and in waiting, it turns into sadness and resentment. She didn't.
It is forbidden to think about Bonon's life. She, a woman who advocates family, finally broke free from the shackles of tears and songs, found a happy husband and hoped to live a normal life. However, why nature is so confusing, she can't help thinking.
Shout: Why don't you come back, wandering son? How can I be alone in this cold empty bed? ?
This poem is such an ordinary fragment of life that has been repeated countless times, using only impromptu and lyrical ordinary composition. A scholar talks a lot? General language (Xie Zhen); However, the charm is extraordinary.
It is this poem that can see the extraordinary realm in the ordinary, and it is also the exquisiteness that later generations of Nineteen Ancient Poems deliberately carved.
The structure of the poem seems to be straight, but in fact it is tall and graceful, and the perfect contrast between reality and reality is very natural. Of course, the center of poetry and painting is the beauty of the building, with grass and willow smoke, which is what she sees in her eyes, but the poet-perhaps an outsider who accidentally saw this beauty, or a prodigal son who came from afar-imagined on her behalf, naturally from far and near, from the grass outside the garden, gathered willow smoke into the garden and gathered at the top of the tall buildings in the garden. Youth in nature is the foil of young women's youth; The green grass and willows are beautiful against the bright red makeup. It is only because it is so beautiful that the sudden sadness at the end of the article is particularly touching. After reading the poem, I further realized that opening the vibrant grass tree has already been smeared with the dream-like sadness of a young woman. This is the taste of nineteen poems that predecessors often say. For example, the analysis of the poetic methods of later poets has formed a structure of comparison before and after, and the endings are corresponding. However, people can't help feeling that poets don't necessarily make such ingenious structures. He just imagined for her and wrote one by one with her emotional development as a clue. The natural twists and turns of feelings formed the natural twists and turns of poetry structure.
The language of the poem is not unusual, but it uses overlapping words commonly used in folk songs, and the six words are used together, but they are appropriate and vivid. Both green and melancholy describe the vitality of plants, but green focuses on color and melancholy.
Italy, and both are mutually beneficial. Only when willows pile up smoke will you feel depressed. The grass by the river is endless, so it is hard to be depressed. If you only use green willows, you will not try your best. Yingying and Jiao Jiao are both styles that describe beauty.
Posture, Yingying focuses on posture, and Jiao Jiao focuses on elegance. From Yingying to Jiao Jiao, you will feel like a bright moon stepping out of the clouds, from hidden to stale. If you try to exchange one by one, you will feel unfair. E E is the same as fairy.
Write its color, moth is a general compliment, slim is a detailed description. If it is equivalent, what will it be? The grid is not smooth. The six overlapping words are all the same, from the periphery to the center, from the whole to the part, from obscurity to clarity, which depicts the upstairs by contrast.
Of course, the perfect image of women also has some refining options, but they are all reflected one by one according to the poet's vision or suspense process. Perhaps it is the natural development of imagination that helps to become a fashion genus.
The vocabulary of the five-character poet created by Cao Cao is so appropriate that there is no trace of carving. If it is constructed out of thin air, the effect may not be so good. This is the so-called? A scholar talks a lot? .
The tone of the six-fold words is also full of natural beauty and changing beauty. Qingqing is flat, melancholy is purring, Yingying is flat and voiced, and Jiao Jiao is purring and unvoiced; E-e, the fiber is flat, and the turbidity is clear.
The muddy background is complicated, forming a palace businessman, harmonious and beautiful. At that time, the melody had not yet been discovered, and the poet just made a sound of nature by intuition. No wonder Zhong Rong wants to say "poetry"? Have a bee waist and crane knees? Yes This is out of
The natural tone makes the syllables of the whole poem still have an quaint charm in the smooth ups and downs. If we distinguish them carefully, we can see the difference between them and later rhythms.
The combination of sound, form and two aspects of six overlapping words endows rich and varied scattered changes in the monotony of overlapping words. This monotonous change concentrates on conveying the lonely and dazzling image of the heroine, which is lonely and disturbing.
Heart.
Needless to say, this poet can't understand the aesthetic principles such as individuality and typicality, but it is because of his deep vision or suspense that he wrote the heroine's personality and typical significance. This is an idea, dragon.
Years of singing and laughing career and sensitivity to music make her particularly vulnerable to the influence of color and sound in the beautiful scenery of Yangchun. She is not the innocent aristocratic girl in Wang Changling's poem Forever in My Heart. She put on makeup and went upstairs. From the beginning, she was afraid of losing her belated happiness, and she looked forward to pedestrians. She is in no hurry to compete with the beautiful scenery of spring, just for the sake of Iraqis, thinking that when he comes back, she will see her most beautiful appearance. So as soon as she appeared, she was shrouded in a sad atmosphere of weeping willows. She suffered too much, hoped too much and was disappointed too much. The pressure inside her made her lose her mind? An empty bed is hard to keep alone? This silent but naked passionate cry. This is not? Regret teaching your husband to find a seal? The delicate and tactful style, and just right, can only be a housewife's confession. It is only because of its almost silent lonely cry that it forms a very strong contrast with its bright beauty and has shocking power. In the description of natural truth, the poet showed the personality of advocating family and being good, and through her, she let readers see the tragic fate of the middle and lower class women in the late Han Dynasty when their official journey was hopeless-although this kind of personalized typicality would never have been thought of by the poet when holding a pen.