The language of The Book of Songs not only has the beauty of music, but also has a good effect in ideographic and rhetoric.
The language form of The Book of Songs is vivid and colorful.
However, elegance, ode and national style are different in language style. Elegant and ode often use rigorous four-word sentences, and there are many miscellaneous words in the national style. In "Xiaoya" and "National Style", repeated chapters and sentences are often used, but they are rare in the aspect of appealing to both refined and popular tastes. Many modal particles are used in national style. Such as, Zhi, Zhi, Si, Hu, Er, Yi, Ye, etc.
2. Briefly describe the artistic achievements of the folk songs of Han Yuefu: The folk songs of Han Yuefu inherited the realistic tradition and the method of prosperity in The Book of Songs, while the narrative art was unprecedented, which set a precedent for the narrative poems of later Yuefu and influenced the literati poems of Yuefu in Wei, Jin, Jian 'an, Southern and Northern Dynasties and Tang Dynasty, with groundbreaking significance. It can be said that Han Yuefu folk songs are a bright pearl in the history of China's poetry.
1) The realistic creative spirit of Yuefu folk song "Feeling sad and happy, doing your own thing" in Han Dynasty and the folk song "Hungry people sing their food, laborers sing their things" in The Book of Songs is in the same strain. Its essence is rooted in real life, with simple techniques and simple language, showing real life, expressing real feelings and truly reflecting the society at that time.
2) Han Yuefu folk songs are good at intercepting the cross-section of life, making detailed descriptions, paying attention to the description of details and the description of characters' language. The story is concise and vivid, and the characters are distinct. For example, "Ping Ling East" reveals that the government and officials rob money in broad daylight. The plot is simple, but the location, environment, events, people and their psychological activities are clearly stated.
3) The folk songs of Han Yuefu inherited the expressive technique of Fu Bixing created by the folk songs of The Book of Songs.
4) The appearance of complete and mature five-character poems in Han Yuefu folk songs is a great progress in the history of China's poetry. Five-character poems have one beat more than four-character poems, which is beneficial to the combination of monosyllabic words and disyllabic words, the integration of sound changes and the adaptation to the development of social language. For example, Singing in Shang Mo, Songs of Sorrow, Joining the Army in the Tenth Five-Year Plan, Picking Wu Hong on the Mountain, and Peacock Flying Southeast are all relatively mature five-character poems. Yuefu folk songs in Han Dynasty promoted the maturity and prosperity of five-character poems.
5) Han Yuefu folk songs use a variety of expressions.
3. Briefly describe the artistic features of Li Shangyin's poems. Li Shangyin was not only good at inheriting the artistic techniques of his predecessors, but also worked hard to develop and innovate, forming his own unique style, which had a far-reaching impact on that time and later generations.
1), with profound feelings, fine thoughts and delicate feelings.
Profound and delicate emotional expression is an obvious style of Li Shangyin's poems, which is permeated with the poet's true feelings, whether it is feeling the time, expressing feelings, worrying about the past, praising things or expressing feelings.
2) the combination of reality and reality shows the beauty of obscurity.
Reading Li Shangyin's poems makes me sentimental and depressed. It is hidden or real in the works, but it is everywhere.
3) Make good use of comparison and historical events.
Many of Li Shangyin's poems use the method of contrast. "Two things, phenomena and feelings with obvious differences, contradictions and opposites, or two aspects of the same thing, are concentrated in a complete artistic unity, compared and contrasted to form a complementary contrast and echo relationship, thus fully expressing the contradictions of things, highlighting the essential characteristics of things to be expressed, and strengthening the artistic effect and appeal of works.