The central idea of river bed prosperity

Changyao river bed, with its brilliant artistic conception and infinite spatial sequence, outlines an image of the river bed at the source of the Yellow River lying like a giant and standing like a giant. This poem adopts the form of "self-report" from beginning to end, and the poet speaks instead of the river bed, which avoids the feeling of "isolation" when we read the poem and prevents us from feeling fresh superficial praise for "mother" and "cradle". When we read the first line of this poem, "I walked down from Bayan Kara, a bald head", we had been integrated with the riverbed from the aesthetic psychology, and the aesthetic distance progressed with the perceptual progress of the poem until it disappeared. This is the success of the poet's ingenious lyric technique. In addition, the image composition of this poem is also very unique, both real and virtual, neither congested nor empty. The bald snow leopard is lying quietly in the eagle's castle, looking at me, such as towards the distant, the carriage of Tanggu people, and the hunter lurking in Zita Law, which gives people concrete visual stimulation. I am solid, generous and magnificent. I am a well-developed male beauty, I am a father, I show many faces all the time, I am a dizzy hurricane, I am a time and a monument. It is a fossil of palatine bone in the universe. It is the first emperor ","it is an immeasurable abyss ","it is a structural force, and it is a chi Dao. Is an invincible goal, etc. , giving people an empty and illusory aesthetic feeling. Reading such poems, what we feel is not a painting, but the riverbed itself with texture and volume. Poets are full of thoughts, but they stick to the riverbed of the core image they sing like spokes, avoiding the aesthetic fatigue caused by complexity, and at the same time gaining the aesthetic enjoyment of "full of true strength and everything around". Among many poems about the Yellow River, Chang Yao's Riverbed is really a unique rhyme and another great poem.