1, the poet thought of the eternal moon and the life of generations in the ethereal and mysterious scene. In the question "Who first saw the moon by the river and when the river shone on people at the beginning of the year", he showed a deep sense of the universe and showed interest in the mysteries of finiteness, infinity, instantaneity and eternity. At the same time, in the narrative of "life is endless, moonlight is similar year after year", it also shows persistence and praise for life. The poet got a satisfactory answer in the limited, infinite, instantaneous and eternal encounter.
2. The poet's satisfaction with the meaning of life leads to the lovesickness between men and women. "Baiyun" and "Qingfengpu" in the poem symbolize the elusive man and the difference between men and women respectively. Poetry and prose praise the pure and sublimated love between men and women with affectionate strokes, creating a mysterious, wonderful and moving realm of organic integration of emotion, scenery and reason.
This is a beautiful lyric poem, which was praised by Mr Wen Yiduo as "the poem in the poem, the peak on the peak". There are thirty-six sentences in the poem, four of which rhyme. The exquisite structure, rigorous and natural, mellow and beautiful rhythm show the author's superb artistic skills. Although the author only left two poems, this one is "an isolated poem for everyone".
The hazy moonlight is like running water in a clean stream. Such as gauze, cage the quiet spring river, spring flowers, spring night. There are also sentimental women, waiting for your return in the moon building. A vague feeling, a vague image. Scenes blend, feelings flow in the scene, and feelings contain scenes, which are inseparable. All this is like a gentle serenade, floating on the riverside, like elegant lotus fragrance floating between running water. Implicit and euphemistic but not rigid; Light and delicate, like thinking of a woman's heart, I want to think about it quietly. Rich in elegant, meaningful and harmonious artistic conception.
The whole poem was fascinated by the moonlight. Moonlight endows spring night with aura, which connects all images, objects and modality. Become a poem in a poem, a picture in a painting, a peak on the peak, and a swan song that has been passed down to this day.
The moonlight rises with the tide, and the tide is wide and the moonlight is quiet. Moonlight floats by the river, sparkling, like a woman's beating heart. The lonely moon hangs in the sky, and time flies like frost. I have accumulated a little coolness in my heart, thinking too much, worrying too much, sighing too much, and feeling a little disappointed. Life is short, but generations are endless; Jiangyue is eternal, but it repeats every year. Jun! Hu Bugui? Drift like white clouds! Do you know that woman is wandering on the moon? The peach blossom is still there. Where's the lovely face?
Under the lonely moon on the riverside, the sails are floating, and the women in the boudoir by the river are thin. Yuanyang has been tattooed as a pillow, and tears are wet on the sleeves of the spring shirt beside the candle. Moonlight enters the curtain, but it can't be rolled away and brushed away. The deep acacia is hard to get rid of, lingering and inexhaustible. "If you keep cutting, the reason will be chaotic. It's parting, don't have a taste in your heart. " 3lian.com
Spring drifts eastward with the current. Your way home! Thousands of miles away. Looking forward to seeing the clouds, jun? "I don't know how many people will return to the moon", Jun! Come back by the moon! This woman has exhausted her horizons. The waning moon is full of cold light; The river is moving, the branches are moving, and the shadows are separated on the embankment. The Milky Way is vast and the Cowherd and the Weaver Maid are opposite, but I am thousands of miles away from you, so it is difficult to connect with Hong Fei. Look at this situation. Why don't people cry in this situation?
This poem has no explicit acacia, no makeup, and has its own pride. The moonlight is charming and leads to meditation. The aftertaste is still there, the meaning is still unfinished, and the tune is changeable, which can be described as a stroke of genius.
There is longing and sadness under the moon, a kind of longing and sadness that teenagers know the taste of sadness for the first time. "A person is in a tall building, and someone upstairs is worried" is not a strong worry for assigning new words.
Although the whole poem is full of worries, it is still as light as a mountain stream; Although there is a sigh, it will always be as light as the moonlight on the river. The artistic conception is bleak as a flower forest, and the looming outline is full of hazy beauty. Sadness without harm is more effective than silence. Half-covered and half-covered, the light clouds cover the sun, and the taste is endless, giving people room for imagination and a world for readers to gallop. Then I realized that I was adorned with a charming face, and the shadows were broken, and the wine turned into lovesickness and tears.
Jiang is heartless, she doesn't want people, she is willing to go her own way.
Moon Night on the Spring River, praised by Mr. Wen Yiduo as "the poem in the poem, the peak on the peak" (the redemption of palace poems), has fascinated countless readers for more than 1000 years. Zhang Yisheng left only two poems, which were also "a lonely poem, but it was written for everyone".
The title of this poem is very attractive. Spring, river, flowers, moon and night, these five things embody the most touching beauty of life and constitute a fascinating and wonderful artistic realm.