In the late 1970s and early 1980s, the representative of obscure poetry in China was

In the late 1970s and early 1980s, the representative figures of obscure poetry in China poetry circles were Munk, Liang, Bei Dao, Gu Cheng.

The biggest feature of misty poetry, which is different from the previous school of poetry art, is that it analyzes and exposes the inner spiritual world structure of the poet in a large number, and takes it as the main object of expression of poetry.

This kind of poetry is called misty poetry, and these poets who are constantly trying to create this kind of poetry are called hazy poets because poets frequently use artistic techniques such as symbols, metaphors, synaesthesia, images and metaphors in their poetry creation, pay attention to creating poetic images, abstract and refine their emotions and sorrows, and then pour them into various images, and finally create a looming theme, flickering atmosphere and vaguely complex images for readers.

The artistic features of misty poetry;

The characteristics of misty poetry can be summarized as: imagery, symbolism and three-dimensional.

1. Pay attention to the omission of the concept of poetry and the theme suggestion of poetry, which makes the theme of misty poetry vague and ambiguous. The hazy poet adopts this kind of looming expression, and the artistic means such as symbol, image, synaesthesia, suggestion, metaphor and deformation are used, which makes the theme of his works reflect the ambiguity of "inseparable and elusive" and the ambiguity of "poetry is meaningless"

2. Pay attention to the artistic creation method centered on symbolism, rather than the traditional poetry creation method centered on metaphor. In meditation, the poet dismantled the observed object, delivered his life to the inanimate creature, endowed him with a still life and soul, and entered the realm of the same thing from two things.

Applying this "empathy theory" to literary and artistic creation has produced symbolic techniques. Symbolizing attachment, pinning the wandering imagination of hazy poets, has irreplaceable meaning, and is often used to express multi-level themes, complex feelings and abstract consciousness and feelings.

3. Pay attention to the three-dimensional combination of image and image, and often adopt artistic synaesthesia (empathy) and artistic deformation.

4. Pay attention to the emotional rhythm of jumping and the internal structure and rhythm of liberalization, with the purpose of expressing emotions and venting the mind, thus ignoring the external structure. It is not limited to the external sound cycle as the rhythmic beauty of poetry, but attaches importance to the internal sound beauty and other internal rhythmic beauty in poetry lines. Pay special attention to the combination of external rhythm and internal rhythm, so as to make the rhythmic beauty of poetry reach an unprecedented level.