Urgent! ! Who will help me write a reading essay? It's about "reading red classics". If I write well, I will give him all my scores. Thank you.

My favorite classic "Seven Laws". Long March "

"The Red Army is not afraid of expedition, and Wanshui Qian Shan only thinks about it. Wuling makes waves, and Wumeng takes mud pills. Jinsha River is warm in the clouds and cliffs, and Dadu Bridge is cold with the cross rail. I prefer the snow in the mountains. After the three armies, I want a full face. " This semester, we learned the "Seven Laws" of the great leader Mao Zedong. Long March, and was deeply attracted by this immortal masterpiece in the history of poetry creation.

The Long March is an unprecedented great feat in human history. These 56 words, loaded with hardships and dangers on the Long March, are full of pride of China's * * * production party. It is a magnificent epic of China's revolution and a bright pearl in China's poetry treasure house. This is a milestone in the history of revolution and poetry. It is a brilliant portrayal and enthusiastic ode of the Red Army's strategic shift of 25,000 Li and its March into the anti-Japanese battlefield. It vividly describes the arduous and magnificent scene of the Long March, profoundly depicts the psychological state of the Red Army that is not afraid of difficulties, and shows the heroic spirit of the Red Army. As an immortal epic of China's revolution, the Long March is an outstanding example of the combination of revolutionary romanticism and revolutionary realism and an immortal work of revolutionary optimism.

"The Red Army is not afraid of the expedition, and Wanshui Qian Shan is only idle." First of all, he praised the Red Army's brave and tenacious revolutionary spirit. This is the central idea of the whole article and the artistic tone of the whole poem. It is the beginning of the whole poem spirit and the end of the whole poem artistic conception.

"Wuling makes waves, and Wumeng takes mud pills." Describe the Red Army's conquest of high mountains. Wuling and Wumeng exist objectively, but when they enter the poet's field of vision, they become aesthetic objects. So it is no longer a simple mountain, but an emotional object. It highlights the Red Army's contempt for difficulties. Through the opposition between the two groups, the indomitable heroism of the Red Army was fully demonstrated.

"Jinsha water beats the clouds and cliffs, and Dadu Bridge is cold." Describe the Red Army's conquest of water. The Red Army's forcible crossing of Jinsha River and Dadu River is of great significance in the history of the Long March. The Jinsha River is wide and swift, and Chiang Kai-shek dreamed of using this natural danger to panic in the Sichuan-Yunnan-Guizhou border region of the Red Army. 1935 In May, the Red Army skillfully crossed the Jinsha River. If crossing the Jinsha River skillfully is the cleverest and most successful battle of the Red Army in strategy and tactics, then crossing the Dadu River forcefully is the bravest and most tenacious battle of the Red Army. Dadu River is as dangerous as Jinsha River, and the enemy is heavily guarded. The cunning enemy also tore down the boards of the Luding Bridge on the river, leaving only thirteen iron cables. However, the heroic Red Army braved the enemy's bullets and broke through the Dadu River, crushing Chiang Kai-shek's plot to make the Red Army a second Shi Dakai. Therefore, the battle written in these two sentences has typical significance. "

"I like the snow in the mountains, and I will open my eyes after the three armies." It's about the feelings above. It is naturally gratifying that the Red Army broke through the enemy's encirclement by crossing Wuling Mountain, Wumeng Mountain, Jinsha River and grabbing Dadu. Now, the Red Army has crossed Minshan and entered northern Shaanxi. It is not far away to win the victory of the conference, and the purpose of strategic shift has basically been realized. Compared with the previous joy, nature is a worry. Write the laughter of the three armies with "all smiles", which is the laughter of the coming final victory, and further highlight the optimism of the whole poem.

The first couplet always leads the whole poem with straightforward vocabulary and heroic language, and highly summarizes the heroic spirit of the Red Army in the Long March, regardless of difficulties and obstacles. Revolutionary optimism and revolutionary romanticism become the program of the whole article. The word "not afraid" is a resounding answer, which shows in a firm tone that the Red Army is fearless and indomitable in the face of military, political, natural and other difficulties during the Long March, as well as those caused by Wang Ming's left-leaning opportunistic line and separatist regime. The word "leisure" gives a glimpse of difficulties, deepens the expression of "not afraid" and shows the lofty sentiments of the Red Army's contempt for difficulties and leisurely. "Wan Shui Qian Shan" is characterized by static writing and dynamic action, with difficulties and obstacles as the main body, showing an overview of the grand course of the Red Army's Long March.

Zhuan Xu undertook the "Qian Shan", overlooking two typical mountains, Wuling Mountain and Wumeng Mountain, along the route of the Red Army's Long March, and depicted a group of difficult aerial bird's-eye views: in front of the heroic Red Army, the steep Wuling Mountain, which stretches for several provinces, is like a thin wave slightly jumping over the water; The vast Wumeng Mountain is like rolling small mud balls. Firstly, the author uses the exaggeration of "winding" and "majestic" to express the steepness of the mountain, uses the technique of "lifting", then uses the metaphor of "fine waves" and "mud pills" to express its smallness, and uses the technique of "restraining" to show the greatness of the Red Army. The anthropomorphic dynamic description of "Teng" and "Zou" makes the static mountain become a dynamic phase, and both the mountain and the Red Army are smart. This couplet can be described as imaginative, novel in language, broad in realm and colorful in weather.

The Neck Couplet undertakes "Wanshui Qian Shan", closely examines the iron cable bridges on both sides of Jinsha River and Dadu River, and depicts a set of enlarged close-up pictures: the Red Army crosses the river in hot weather, and the waves of Jinsha River beat the steep banks, giving people a warm and fiery feeling; In cold weather, the Red Army captured the bridge, and the iron cable of Luding Bridge hung on the rapids, giving people a cold feeling. A "warm" and a "cold" not only write about the weather, but also write about psychological feelings. The author compares the two feelings, which not only expresses the joy of the Red Army after crossing the Jinsha River, but also shows the thrilling capture of Luding Bridge, showing the incomparable bravery of the Red Army. "Beat" and "horizontal" are also dynamic and static. This couplet is natural and neat, and the infinite feelings in the natural environment are magnificent.

Tail couplet describes the last course of the Long March. It is actually more difficult to climb Minshan Mountain, which is covered with thousands of miles of snow, than the winding Wuling Mountain and the majestic Wumeng Mountain. But at this moment, because victory is in sight, the mood is Shu Lang, "happiness" comes from the heart, and the snowy road in the eyes becomes beautiful. Finally, the article ends with "opening a face", describing the happy state of the Red Army after crossing the snow-capped mountains, and predicting the complete victory of the Long March.

Throughout the poem, it is magnificent, magnificent, with high style and vigorous brushwork. Not only is it not vigorous, it has a strong sense of rhythm, but it is also delicate and cadence. The antithesis in the poem is extremely neat and the words are extremely accurate.

Don't say a word to the vicious enemy, turn a blind eye. -This kind of spirit of mountains and rivers is not possessed by the commander-in-chief of the three armies, a generation of great men who are invincible and command the overall situation. Without this kind of mind, the poem "Long March" could not be said. This is Mao Zedong's artistic style, and this is the charm of Mao Zedong's poetic art!