How high is the literary status of Qin Yi Lu, the last book in ancient China that integrates traditional poetry and talk?

The literary position of China's last ancient work, Qin Yilu, lies in that it is the last work of China that integrates the virtues of traditional poetry, and it is the first work that widely uses the new knowledge of western history, humanities and social sciences to comment on China's classical literary poetics theory. This book, with 450,000 words, was criticized by many ancient poets, and some representative writers after the Tang Dynasty were listed as the focus. This book quotes or discusses nearly 130 kinds of poetry talks in the Song Dynasty, involving almost all the important poetry talks in the history of China. Each section expounds the reality in detail and has many original opinions. Writing is either comprehensive, coherent, critical or thematic, and its length is loose and eclectic. Taking two westerns and opposing three corners, the author cites more than 500 theories from western countries, including Buddhism, psychoanalysis, deconstruction, cultural anthropology, new criticism, realism, reception aesthetics, structuralism and other relatively new factions.

Qian Zhongshu is a well-deserved master of literature. This can only be seen from their accomplishments in the study of classical literature in China and China. Poetry is divided into Northern and Southern Dynasties. China's ancient poetry is not divided into stages, just as the early prosperity of China's classical poetry is not necessarily separated from the rise and fall of politics and military affairs. Based on the body theory, not the theory of changing the world. China's classical poetry wins with the charm of the east wind, while Song poetry grows with the strength of bones and muscles. Poetry is only divided into the Northern and Southern Dynasties, just like two instruments of Tai Chi. After the song dynasty, there was no poem, and Si was honest and friendly.

As far as China's classical Chinese theory is concerned, Lu is an independent innovation in scientific research on the extensive damage of Buddhism to China's ancient poetry theory. In terms of European and American literary theory, influential Russian literary critic Xu Kraffszky's theory of four winds, Dutch educator Kierkegaard, French writer Valerie and other basic knowledge are all used for China's classical Chinese theory research for the first time. The criticism of Croce's judgment is clearly pointed out at the beginning of the book.

After the publication of Qin Yi Lu, the original author felt that his words were reasonable but not thorough, so he persisted (preface to Qin Yi Lu). When Zhonghua Book Company reissued 1984, except for slightly deleting the original book as an edition, a particularly large part of the original book enterprises were supplemented in recent years. The latter is not only the essence of China's classical Chinese theory, but also the western literary theory, especially the new curriculum standard and new basic knowledge popular in Europe and America, which is further, more diverse and more skilled.