Original poem:
Heiweipai
Tang Dynasty: Liu Yuxi
There are some weeds blooming by the Suzaku Bridge, and there is only sunset at the corner of Wuyi Lane.
Swallows under the eaves of Wang Dao and Xie An have now flown into the homes of ordinary people.
Explanation:
Rosefinch Bridge is covered with clumps of weeds and small wild flowers, and the sunset is in broken walls at the entrance of Wuyi Lane.
Swallows that once built their nests in front of Xie Wang Hall now fly into the homes of ordinary people.
Ordinary: ordinary. , Wang Dao, Xie An, Jin Xiang, aristocratic families, talented people, all live in the alley, wearing tassels, is a giant room of the Six Dynasties (Wu, the Eastern Jin Dynasty, Song Qi, Liang Chen have successively built their capitals to build health, which is now Nanjing). In the Tang dynasty, they all declined, and they didn't know their position. Old times: Jin Dynasty.
Extended data
In the second year of Tang Jingzong Baoli (826), Liu Yuxi returned to Luoyang from Hezhou (now Anhui County) and passed through Jinling (now Nanjing). He wrote down this group of poems about historical sites, with the total name of Jinling Five Topics, and the second one was Wuyi Lane.
This poem praises the prosperity of Zhuque Bridge on Qinhuai River in Nanjing and Wuyi Lane on the south bank in the Eastern Jin Dynasty, but now it is overgrown with weeds and desolate, with a sense of vicissitudes. It is a common phenomenon that the author chooses the host family where Swallow lives, which is no longer the master of the old days. It makes people realize that wealth and splendor are hard to maintain, and those high-ranking officials and nobles who once enjoyed the scenery are a thing of the past.
"The sunset at the entrance of Wuyi Lane is oblique", which shows that Wuyi Lane is not only based on the dilapidated and desolate ancient bridge, but also presented in the afterglow of the sunset. The word "oblique" in the sentence corresponds to the word "flower" in the previous sentence. As a verb, it is the dynamic of writing the scene. "Sunset", the sunset in the west, and then click the word "oblique" to highlight the bleak scene of the sunset.
Liu Yuxi's poems have changed the narrow-minded and desolate style of Dali and Zhenyuan poets, but they often write an open scene that goes beyond the real distance of space and is half empty and half real.
Influenced by Taoism, Liu Yuxi often shows a cheerful spirit in his poems. For example, one of the two poems "Autumn Poetry" and "Climbing the Tower with Lotte" has a high-spirited power. Liu Yuxi's poetry is clear because of its implicit and deep connotation, open and generous realm and lofty and upward emotion.
Most of Liu Yuxi's ci and fu were written in the period of relegation, so the sadness of chasing officials and the lack of talents became the important themes of his ci and fu creation, and the resentment was his main emotional sustenance, and the Confucian thought of saving the world also ran through it.