I believe many people who like Long Meizi have a feeling that it is difficult to find the law of change in their different music styles, sadness and inspiration coexist, and pop and rock coexist. However, the work can still give people a high degree of recognition. As soon as you listen, you will know that the familiar Long Meizi is coming again.
On the morning of July 18, I closed my eyes for the first time and listened carefully to this song-"Go Forward" in the film "There is a Letter on a Stranger". In the beautiful voice and sonorous rhythm, it seems that you can see Long Meizi's inner musical monologue since he debuted several years ago. Long Meizi's songs have a unique tonality, always based on reality, blending in a series of elements, and constantly unfolding a grand picture.
This picture comes from all self-made pioneers like Long Meizi. The seemingly nuanced details, through the arrangement and clever use of words and expressions, form the individual's challenge to fate and life, and the individual's cry for the overall heuristic, which makes the music work more solid and broad.
This remoteness can be seen in Wang Qing's lyrics. With "you" as the initial concept, through the introverted personality elaboration, create a depressed atmosphere and pave the way for the subsequent boldness. With the beginning of "no matter how high the mountain is, no matter how steep the road is, I will work hard to move forward", this kind of repression, forbearance and humility will be released.
Light ink writes reality, while thick ink draws blueprints. Along the theme of the lyrics, the continuous extension and sublimation form a strong contrast in Liu Xuanrui's composition, which stimulates the indomitable fighting spirit and arouses the * * * voice of the strugglers. The picture sense of songs is also from single to distant, from low to high, from thin to full.
This song was written by Niu Zijian, who has worked with Long Meizi for a long time. For this kind of songs, Niu Zijian is uncharacteristic and does not incorporate too many elements. Strings and percussion work together to make the song full and full of emotion. The electric sound with obvious rhythm is freely vented in the rhythm of the bass drum, and lonely and loud under the rendering of the cymbals. With the help of drums and small drums, the electronic sound pierced the sky, leaving a full blank space, highlighting the skill and sincerity in Long Meizi's voice.
In this song, Long Meizi showed great control. While only interpreting the lyrics and songs, he added extra expressions to his voice, creating a full-fledged tension with full emotion and full texture. To surpass ourselves, the heroic and wild will be released in the bright and heavy rhythm. The random conversion of high and low voices wraps her pure breath and charming magnetism between the lines.
As a singer, Long Meizi is not good at this profound expression. In his rock trilogy "Against the Wind", "Rhapsody on the Road" and "Flying", this kind of penetration and penetration has already been presented to the audience without reservation. Now, in this song, Long Meizi's advantages, as always, make the explosive power and appeal of the voice easily shuttle between reality and ideal.
As Andhadhun's Zhou Xiaoming, based on his close cooperation with many famous musicians for many years, in this song, he accurately grasped the advantages of light and shade in Long Meizi's voice. Under the harmony of Fan Zhuqing, "Go Forward" had a different energy flu, and Long Meizi's voice showed a strong metallic feeling in this song.
The echo formed after the release of the song and the hidden energy in the song will also become another excellent work of producer Chen Xiaolong. The music marching in the majestic atmosphere came to an abrupt end before it was finished, leaving a long and distant space for reverie, just like sailing in a rough sea and looking for a quiet harbor in the course of life. Take a break, ride the wind and waves again and sing on the other side.