Full text:
There are wild flowers on the grassland that witness the death of the gods, and the wind in the distance is farther than that in the distance.
My piano sobbed without tears. I returned this distant place to the grassland.
One is called horsehead, and the other is called ponytail. My piano is sobbing, and my tears are gone.
There is only a wild flower condensed in death in the distance, and the bright moon reflects the Millennium like a mirror hanging on the grassland.
My piano whimpered and my tears disappeared. I rode across the grassland alone.
Extended data:
Writing background in September;
The poem September was written in 1986. At the time of writing this poem, Haizi had graduated from Peking University and taught at China University of Political Science and Law for nearly three years. It should be said that Haizi's thought at this time was relatively mature, and he established his own understanding framework for the world, survival, death, time and space.
This poem is the result of the poet's thinking and the reflection of knowledge. It endows the above things with poetic speech and candlelight with mysterious images and unique language structure. Haizi is deeply influenced by existentialism philosophy, from which we can naturally solve the important ideological links in Haizi's poems.
Baidu Encyclopedia-September