Brief introduction of Akhmatova

Anna Andreevna Akhmatova (анаандревнахматов) is a Russian poetess. 1889 was born in an intellectual family in Odessa on June 23rd, and his father was a mechanical engineer of the Russian naval fleet. My mother was born in a noble family and received a traditional education from the upper class. At the age of 1 1, he moved with his family to Huangcun, a suburb of Petersburg, where he went to middle school and began to write poems.

Every summer, Akhmatova goes to the villa in Crimea in the south with his parents. 1905 after her parents divorced, she moved to Yevpatoria with her mother, and was tutored by her mother to study high school courses at home. There are many lyric poems written here. A year later, she stayed with relatives in Kiev and continued her studies. 1907 graduated from Vdukleyev middle school in Kiev and was admitted to the law department of Petersburg women's higher school. He still loves literature, especially shows great interest in poetry creation. However, her father hated literature very much, and his daughter was forbidden to publish any literary works under the surname of "Golenko", so she took the surname of her great-grandmother of Tatar descent as her pen name.

19 10 After graduating from college, Akhmatova married the famous poet Gu Milev and traveled abroad, successively to France, Switzerland and Italy. Foreign culture, art, places of interest and historic interest have broadened her horizons and broadened her artistic thinking, which has had a great influence on her later literary creation. 19 1 1 year, she first published a series of poems in the magazine Apollo of Akme in Petersburg, and gradually became one of the representatives of the school. 19 12 Her first book of poetry, Dusk, came out; 19 14 published the second book of poetry, rosary. The publication of these two poems advocating aestheticism made them famous. 19 17 On the eve of the October Revolution, the political situation in Russia was extremely unstable, and all intellectuals were at the moment when they chose the road and decided their fate. Her other book of poetry, Baiyun, was published here, which naturally did not cause a sensation.

At the beginning of the October Revolution, Akhmatova was very depressed because of his political incomprehension and exclusion, and his relationship with her husband broke down. During this period, many of her poems revealed their complicated internal contradictions, such as the poems in Plantation and The Age of Jesus. In the mid-1920s, she began to study Pushkin's creative skills.

During the Great Patriotic War, Akhmatova was forced to retreat to Moscow and Tashkent. Out of hatred for fascism, she wrote some poems to defend Russia and promote heroism and bravery, such as Brave, Swear and Victory, which were loved by Red Army soldiers. After the war, she continued to write lyric poems, mainly published in Star and Leningrad magazine. During the period of 1946, due to "thoughtlessness" of his poems and some depressive factors, he was criticized by the NLD Central Committee and influenced two magazines.

At the end of 1950s, Akhmatova regained her reputation, and the Soviet Union published several of her poems, including her combination poem Narrative Poem Without Heroes (1940- 1962), which reflected and judged the past times from the perspective of modern people. Her works are deeply loved and appreciated by readers in western Europe and enjoy a high reputation in international poetry circles. Many young poets imitate his poetic style. 1964 won the "Etna Tomino" International Poetry Award in Italy. 1965 was awarded an honorary doctorate by Oxford University.

1on March 5th, 966, Akhmatova died in Moscow due to illness. In the more than 20 years after her death, many posthumous works have been published, including the long poem Requiem, which was first published in 1987. This poem has attracted wide attention at home and abroad for its profound ideological, philosophical and artistic novelty. Some famous poets and critics in the Soviet Union spoke highly of her poetry creation, and recognized her as "a master of poetic language" and "one of the few poets in Russian poetry in the 20th century". In addition to poetry creation, she also translated many foreign classical literary works.