The key sentences in each paragraph of Menghui Prosperity are as follows:
1. The scope of painting themes has been greatly expanded in reflecting real life. From the Tang Dynasty, it has been used to depict major historical events and The main focus on aristocratic life is extended to depict all aspects of civilian life in urban and rural areas.
2. Along the River During the Qingming Festival was probably painted between the Zhenghe and Xuanhe years. This was the period when the rulers of the Northern Song Dynasty created a false sense of prosperity before their collapse to cover up internal and external troubles. After the proposal, the Northern Song Dynasty immigrants who crossed south As they miss their homeland, this picture must have a special meaning in their eyes. It is a reflection of them looking back on their homeland and dreaming back to its prosperity.
3. The entire long scroll is like a movement, with adagio and adagio gradually entering allegro and tauto, and then entering the end, leaving endless aftertaste.
4. The new branches and buds of the trees adjust the color and density of the picture, showing the atmosphere of early spring in the North. The middle part of the picture shows the bustling scene on both sides of the Bianhe River, which was the transportation channel between the north and the south at that time. , was also the hub of national water transportation in the Northern Song Dynasty.
5. The huge canal boats are connected with each other. The busy boatmen unload the heavy grain bags from the grain beds moored by the river. The trackers drag the boats and sail against the current. It is a busy scene.
6. Along the River During the Qingming Festival adopts the unique hand-scroll form of traditional Chinese painting, using moving subjects to capture objects. The content of the whole picture is large but complex but not chaotic, long but not bloated, with clear paragraphs and rigorous structure.
7. The rich content in the painting has historical value that cannot be replaced by words. While it is an artistic expression, it is also an important image material for the living conditions of Chinese cities in the 12th century.