There are two.
The night rain is sent to the north
Author: Li Shangyin
You asked about the return date but it has not been scheduled, and the night rain in Bashan swells the autumn pond.
Why should I cut off the candles from the west window and talk about the rainy night in Bashan?
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Li Shangyin
It is difficult to say goodbye when we meet, the east wind is powerless and the flowers are withered.
Spring silkworms will not run out of silk until they die, and wax torches will not dry until they turn to ashes.
When you look into the mirror at dawn, you are worried about the clouds on your temples. When you sing at night, you should feel the cold moonlight.
There is not much way to get to Pengshan, and the blue bird is diligent in visiting.
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In terms of creative style, Li Shangyin strived to overcome the shortcomings of previous generations of poets who were too straight, not concise enough, and lacked artistic charm. He deliberately pursued the hazy and implicit aesthetic appeal of poetry, formed a unique artistic conception, and improved the artistic charm of poetry. In specific poems, the artistic conception is often tortuous and not obvious. For example, the poem "Jin Se" I just learned is one of his poems with very obscure content, especially "The moon in the sea has tears, The poem "The sun warms the jade in Lantian and creates smoke" uses two allusions and expresses the poet's sadness, loneliness and disillusionment of his ideals through implicit and suggestive strokes. Lu Ji, a famous writer in the Western Jin Dynasty, read this When writing a poem, he also commented: The rocks and jade make the mountains glow, and the water holds pearls and the rivers are beautiful.
Another example is Li Shangyin’s eternal famous line, “Spring silkworms will not run out of silk until they die, and wax torches will turn to ashes before their tears dry up.” The words "the silk ends" and "the tears begin to dry" in the sentence both imply a melancholic emotional tone, adding a confusing and far-reaching theme to the whole poem, and pushing this hazy beauty to the extreme.
Li Shangyin’s poetry is a wonderful flower in the field of classical literature, and his bumpy and sad life experiences gave him a strong sentimental mood. He showed it with the deep and graceful artistic conception and the elegant precision of his words. The realm of hazy beauty in poetry. Li Shangyin is the pioneer of the hazy beauty in ancient Chinese poetry. He used his rich imagination and full of deep feelings to create a new style and new realm of poetry.