Vehicles roared, soldiers sang, and soldiers and arrows were tied to their waists.
My parents and wife will say goodbye to each other until the dust buries the bridge outside Chang 'an.
On the way, holding soldiers' clothes, eating and crying, the sky rushed into the sky.
When a passer-by asks a passer-by, you can only tell him that you are leaving.
Some people go to the north of the Yellow River at the age of fifteen, even if they go to the western border to open up wasteland at the age of forty.
Long in the middle, the hair is tied up with a headscarf, and when I come back, I am bald and guarding the border.
Countless border guards shed blood and sacrificed to form seawater, and the concept of border defense in Huang Wu has not stopped.
Haven't you heard that there are hundreds of villages covered with vegetation in 200 states east of Huashan Mountain?
Even if a strong woman plows the field with a hoe, nothing will grow on the crops in the field.
Moreover, the soldiers of the Qin Dynasty can fight hard, and there is no difference between chickens and dogs when they are rushed to fight.
Although the elders have doubts, how dare those who serve complain?
Just like this winter, we didn't stop the soldiers west of Hangukou from enlisting.
The county magistrate urgently urges people to pay taxes. Where does the tax come from?
If you really know that boys are a bad thing, you might as well have a girl.
Girls can also marry their nearest neighbors, and boys will die in battle.
Don't you see, on the edge of Qinghai, the bones of soldiers killed since ancient times have not been buried.
New ghosts hate old ghosts crying, and ghosts cry when they are wet.
Distinguish and appreciate
Chedian is a famous sentence of Du Fu, which has been highly praised by all dynasties. It reveals that the long-term military struggle of Xuanzong in Tang Dynasty brought great disasters to the people, which has profound ideological content. It is also outstanding in art, first of all, it contains feelings in the narrative. This narrative poem, whether described in the previous paragraph or passed down from generation to generation in the latter paragraph, naturally runs through the whole poem with the poet's strong and profound thoughts and feelings, and the image of the poet's anxiety seems to be displayed in front of the readers. Secondly, in the narrative order, the ups and downs echo before and after, comfortable and affordable, changeable and orderly. In the first paragraph, people are crying in Ma Si, and the noisy atmosphere is rolling with dust, paving the way for the second paragraph to talk about their difficulties; The long narrative in the second paragraph further deepens the ideological content of the scene description in the first paragraph, which reflects each other and complements each other. At the same time, the development of the plot is closely combined with the transformation of sentence patterns and rhymes. With the narrative, sentence patterns and rhymes are constantly changing, and the use of three, five and seven words strengthens the expressive force of poetry. For example, the first two or three sentences are urgent and exciting. Later, in a large section of seven words, eight five words were suddenly interspersed, showing the irresistible passion of "pedestrians", which was particularly vivid. In terms of rhyme, the whole poem has eight rhymes, four levels and four levels, alternating with each other, cadence and emotion. Thirdly, turning sentences and idioms are used in the narrative, such as "and every time a bystander asks you a question, you can only tell him that you are leaving" interspersed in the long narrative. No matter what demands are made on them, do they dare to complain? ? And "I don't see you" and "I don't smell you" not only avoid lengthy monuments, but also remind readers constantly, resulting in thrilling artistic effects. The poet also used the conjunction method of folk songs to connect them together, such as "They run after you, crying, dragging your sleeve, and their plaintive voice goes up in the clouds", "And whenever a bystander asks you a question, you can only tell him that you are leaving" and so on. So that they are re-selected as many as pearls. Read it out loud, sonorous, harmonious and beautiful. Finally, the use of common spoken language, such as "Ye Niang's wife", "They run with you, cry, and they pull your sleeve" and "But their officials drive them to make trouble", is fresh and natural, which is a very prominent one in Du Fu's poems. In response to this comment, predecessors once said: "Miscellaneous ballads are the most susceptible, and the shallower they are, the more incisive they are." The use of these folk songs adds vivid and cordial appeal to poetry.
The profundity of this poem lies in that the author did not confine his pen and ink to the description of a certain moment, but at the deepest level, revealed the despicable intention of Tang Xuanzong who ignored people's life and death and frequently mentioned the war of opening Xinjiang. The author's foothold is obviously on the people's side, which indicates that Du Fu has taken a solid first step on the road of realistic poetry creation. This poem can be regarded as a milestone for him.