Who said that?
The horse is dead.
Whether it's chasing or red rabbit.
Many centuries ago,
As a horse
When rolling in the dust
Some generals in shining armor
When lifting the hilt lightly
Who dares to threaten?
It was an era when horses were not needed.
A night of swords and swords.
There are flames everywhere.
The overlord sword is covered with blood.
Finally, cut it generously.
His generous head
More calm than Zhu Zhui.
How can you say that the overlord is a human being?
Can't you say he is a horse?
Yuji, that woman
Is the best horse trainer.
They gave up one after another.
After the song of Chu.
Needle bone fragments
And I can only stand at the end of the heroic spirit of history.
heart-stirring
It's just that I'm much more awake at night than usual
A thousand years ago
No one designs death for a horse.
I'm lying in the candlelight tonight.
I want to be a herder.
Li He's "History of Horse" shows that the desert is like snow, and the Yanshan moon is like a king. Why not step on the clear autumn?
Fang Bing caohuma
Du Fu
Huma is well-known, thin and thin.
Bamboo shoots have stiff ears, but the wind blows gently into the hooves.
A person's direction without emptiness is truly worthy of life and death.
Xiao Teng is so reckless.
This is a poem that praises things and expresses wishes. Commentators generally believe that it was written in the 28th year (740) or 29th year of Kaiyuan, which coincided with the period when poets roamed Qi and Zhao, flying eagles and lackeys, and horses and chariots were wild. The style of the poem is super vigorous and powerful, which embodies the enterprising spirit of young Du Fu.
This poem is divided into two parts. The first four sentences are written on the front, but they are actually written. Poets, like painters, painted a beautiful "person" for us with vivid pens. From Dawan (the name of the Western Regions in the Han Dynasty, known as "Blood Horse" in history), it is naturally extraordinary. Then, it depicts the horse in an image. The ancient paintings of chiefs in Nanqi were put forward as the first condition for vivid expression. The so-called "bone method" is the expression and style of the object. Du Fu wrote a picture of a horse's bones: the bones are towering and shaped like a sword, and then he wrote that the horse's ears are as sharp and stiff as a knife and axe, which is also the characteristic of a good horse. At this point, Ma Chaofan's hiding has jumped to the page. The latter doesn't write that four hooves give birth to wind, but that wind flows into four hooves, which has a unique charm. According to the rider's feeling, when the horse is speeding, it seems that the horse is still, the scenery on both sides flashes quickly and the wind is whistling between the hooves. The poet's description is meticulous and vivid. Couplets emphasize the last word of each sentence with the rhythm of "221": "Jun" uses a lot of sketches, and unnecessary details are completely omitted, only the bone appearance, ears and Mercedes-Benz posture are written, because these three can best reflect the characteristics of horses. As Zhang Yanyuan said when commenting on the painting, "the pen is just one or two, and the image is just what it should be, and sometimes it is missing." Although the pen is not comprehensive, it is also meaningful. " (A Record of Famous Paintings in Past Dynasties) This is the so-called "freehand brushwork and vivid expression"
The first four sentences of the poem describe the dynamic appearance of the horse, while the last four sentences turn to describe the character of the horse. Using imaginative writing techniques, from chanting things to expressing feelings. The necklaces are written by running horses, and the activities are infinite. Its ability to overcome all obstacles is enough to make people trust. It seems that horses are written here and people are written here. Isn't this the image of loyal friends, brave men and chivalrous men? At the beginning, the couplet summed up the horse with "Xiao Teng has such a way", and finally said: "Ten thousand run wild", which contains endless expectations and ambitions and develops the artistic conception very far-reaching. This couplet is very popular and open. It not only describes Wan Li's galloping, but also hopes that Cao will contribute to the country, which is also a portrayal of the poet's own ambition. In the prosperous Tang Dynasty, the national strength was strong and the territory was developed. Wan Li, Hou Feng. It is indeed the most appropriate to show this vigorous spirit with a good horse. This is really different from Du Fu's showing concern for the country by showing compassion for the sick horse in his later period.
Zong Bing, a Song Dynasty poet in the Southern Dynasties, thinks that it is possible to express the spirit with words. If an artistic image cannot express the author's feelings, then it is lifeless. Du Fu's poems naturally combine images with lyricism. Writing about horses is also writing about people. On the one hand, it gives horses a fresh soul and further strengthens the spirit of employing people. On the other hand, writing people's character with horses is also a vivid expression of people's emotions. The predecessors said that "it is the most difficult to chant poems about things, but if it is too relevant, it will stick to the bone, and if it is not relevant, it will be in the distance" (Qian Yong's Poems in the Garden), and Du Fu did it.