? First, the origin of the thin gold body: learn from others.
Fine gold lettering was invented by Song Huizong. Originally, it was a "thin body" to reflect the characteristics of thin and high fonts. Later, "gold" was replaced by "tendon" to show respect for imperial books.
So how is the thin golden body made? It depends on how Song Huizong and Evonne study books.
Zhao Ji first studied Huang Tingjian's calligraphy, then turned to Chu Suiliang, and then studied Xue Yao and Xue Qi. Although there are many learning objects, Evonne can learn from each other's strong points and bring forth new ones.
In fact, in the Tang Dynasty, Xue inherited Chu Suiliang and wrote a thin and hard font, which is the predecessor of the thin gold body. On this basis, Zhao Ji abandoned, added his own personality, boldly innovated, and created a thin gold body different from Xue Yao's calligraphy.
Evonne's thin gold body shows his personality incisively and vividly, and also pushes the thin gold body to the peak. From then on, until today, when we talk about Thin Gold Body, we immediately think of Song Huizong and Evonne, but we don't know that the predecessor of Thin Gold Body is Xue Yao.
Second, the characteristics of the thin gold body: graceful
The most prominent feature of the thin golden body is the word "strength of character". Its "strength of character" is mainly reflected in the following three aspects:
1, writing is against the law and does the opposite.
Calligraphy has always been introverted, and the words written are round and full. And Evonne's thin gold body, don't talk about these, but also do the opposite. The result is not only thin and strong, but also sharp.
Let's look at his "Two Poems Borrowed from Wind and Frost":
Chinese characters are like bamboo, tall and straight, thin and steep. The last stroke of each horizontal stroke, the long point at the end of each vertical stroke, and every pause and turn are carefully preserved.
Extremely fine words and slender arc pens are elegant as tendons, but they also contain strength. The exposed brushwork did not obliterate the charm of words, but added a lot of spirit because of the thinness of words.
The sharpness of the thin gold body is especially reflected in the writing of the left hand. Please see:
Skim the writing, use the pen in place, clean and tidy. Looking closely, it looks like a slender bamboo leaf, a drawn sword and a sharp dagger.
2, shangyi, into the natural state of mind.
Song people are interested in calligraphy and like to integrate their interests into calligraphy. Zhao Ji's thin golden body is no exception. Look at his summer:
Elegant font and lively brushwork reflect Evonne's natural mentality and gentle bookish spirit. Zhao Mengfu commented on his thin body and said, "The sky is beautiful and interesting."
Evonne's interest in skinny body is inseparable from his love for cranes. He not only loves cranes, but also uses them as metaphors. He once wrote a picture of a crane to express his interest.
Cranes have been called "cranes" since ancient times. Its exquisite temperament conforms to Evonne's unique and elegant taste. Therefore, in his writing, he likes to use the "crane knee" brushwork.
The whole thin golden body, smart and elegant writing style, natural and leisurely, also reflects the crane's uniqueness.
Therefore, this thin golden body has a deeper meaning because of Evonne's interest.
3, to draw into the book, full of charm.
Bo Jin's calligraphy incorporates many painting factors and adds a lot of charm. Such as bamboo leaves, orchid leaves, crane legs, petals, horses and so on. , make the thin golden body's pen and ink full of charm.
? In addition, thin gold calligraphy is often used by Evonne to write poems for his meticulous painting. Calligraphy and painting are a perfect match. From this point of view, thin and sharp, clever and easy-going, add rhyme to the painting, and make the thin gold body graceful. This is probably why people like to be thin.
? Third, the achievement of thin gold body: seeking failure alone
Evonne's thin golden body is lively and elegant. Especially in the works in the middle and late mature period, the mood of suffering is more atmospheric than before. Please look at his Square Stone:
We can see that the writing style of Wan Fang's Poetic Style has changed from smart and free-spirited in the past to hearty Chinese characters, showing its domineering.
We can imagine that when Evonne was writing, he must have exhausted his strength and even used his life to write. In the staggered brushstrokes, we can still appreciate Zhao Ji's gesture of running and letting go.
In the Qing Dynasty, Chen Bangyan once commented on "The Left Poem Post": "This volume is a book with brushwork, without pen and ink, and it is like a orchid bamboo, with a rainy wind."
The writing of "Thin Gold Style" reached its peak. So far, no one can.
People love the thin gold body. In order to learn the thin gold body, the main points are summarized as follows: "The tail of the mouse nails the head, the bamboo sticks to the waist, and when it dies, it belongs to the hairspring, and the bow and arrow belong to the horse."
But in the end, because the thin gold body is carefree and carefree, the brushwork is exposed, and it is the most difficult to learn. And because the emperors of Evonne's generation were lofty and unrestrained, few people could reach this state of mind.
Therefore, the once brilliant thin gold body has almost no successors.
? In history and culture, the thin golden bodies of stars have been put on hold. Song Huizong and Evonne's achievements in thin gold body are still in a desperate state.
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