1, familiar with the stroke structure:
Every Chinese character is composed of basic strokes, such as horizontal, vertical, left-handed and left-handed. In the evolution of Chinese characters, we should first be familiar with and master the structure and application of each stroke, so as to better understand the evolution and changes of glyphs.
2. Keep the strokes stable:
In the process of writing Chinese characters, we should keep the wrist, arm and body stable, so as to avoid shaking and instability, which will affect the overall beauty of Chinese characters.
3. Practice common words:
In the process of the evolution of Chinese painting, we can choose some commonly used words or our favorite words, practice them repeatedly, gradually master their changing rules, and innovate and give play to them.
4, pay attention to the aesthetic effect:
In the evolution of calligraphy, we should pay attention to aesthetic effects and make reasonable innovations and changes according to our own aesthetic feelings and style characteristics, thus forming a unique calligraphy style.
Evolution of Chinese characters:
1. In the late Shang Dynasty, about14th century BC, stereotyped writing was initially formed, namely Oracle Bone Inscriptions. Oracle Bone Inscriptions is both a hieroglyph and a phonography. Until now, there are still some pictographs in Chinese characters, which are very vivid.
2. In the late Western Zhou Dynasty, Chinese characters developed into Da Zhuan. The development of seal script has produced two characteristics: first, the lines with uneven thickness in the early days became uniform and soft, and the lines they drew with utensils were very concise and vivid; Second, standardization, the glyph structure tends to be neat, and gradually deviates from the original shape of the picture, laying the foundation for the square characters.
3. Li Si, the prime minister of Qin Dynasty, simplified Da Zhuan and changed it to Xiao Zhuan. Small seal script not only simplifies the shape of big seal script, but also achieves the perfection of lineation and standardization, and becomes a neat, harmonious and very beautiful square font which is basically rectangular. Almost at the same time, it also produced a kind of official script, whose shape expanded into a flat square on both sides.