Female, 1938, born in Zhenhai, Zhejiang.
He is currently the vice chairman of China Calligraphers Association and the chairman of Shanghai Calligraphers Association.
Regular script learning about Europe and strictness began with Su, Huang, Mi and Cai, and traced back to the "two kings", and was successively taught by famous Shanghai scholars such as Shen and Gong. His books are valued by Yilin for their profound skill, strong personality and outstanding style.
A good book can do all kinds of things.
His works have participated in the first, second and fourth national calligraphy seal cutting exhibitions and Sino-Japanese calligraphy art exchange exhibitions, and have been selected for exhibitions in Japan for many times.
1974, the running script copybook Selected Poems and Songs of Lu Xun was published.
1980 He also wrote the inscription on the cover of Selected 100 Excellent Works in China.
Characteristics of Zhou Huijun's Calligraphy
Her calligraphy has two characteristics: first, the pen is bright, and second, the composition is wonderful. Zhou Huijun doesn't pay much attention to the pen and the pen heart in his book, but he "should be skillful in lifting and reaching the realm of being smart in all directions and outstanding in five aspects". Therefore, her pen is like an array of horses, dripping and carefree, and her brushwork is bright, clean and vigorous, which is very Mi Fei's "Chinese calligraphy" flavor. But slightly different, long paintings are often full of twists and turns, with a sense of valley. This is one of them.
Zhou Huijun's book emphasizes "knowing white and hiding black". In the article "Journey to the Book Road", she said: "Words are composed of stippling, and blank is also a part of words. Only when the virtual and the real live together can they become works of art. Therefore, in her writing, she pays special attention to the layout of composition, and strives to "know the white and keep the black" and "live with the virtual and the real", so as not to let the words and lines be bland, and always combine the big and the small, the thick and the thin, the right and the edge, the long and the short, thus generating momentum and strength in strong contrast and forming a vivid picture from the scattered division of black and white. This is the second one.
It is precisely because Zhou Huijun's cursive script is lively, cadenced, dripping with joy, wonderful in composition, strong in contrast and vivid in charm that his style is outstanding, vibrant and full of energy, which is well received.
Besides cursive script, Zhou Huijun's seal script is also worth appreciating. Her seal script is often full of interest in cursive script, and her brushwork is sharp and vigorous. Her brushwork is bold, elegant and elegant, which is similar to that of Gu Zhuo. Her composition and layout are also unique, which shows that she attaches importance to the "big impression" of her works.