Inscription pinyin

Pinyin for tablet computer (bēi tiè).

Bēi tiè refers to the "Hei Hu" in the past, which is not only a work of art with cultural and historical connotations, but also a combination of artistic taste and technical processing.

In order to record the important events and grand celebrations of the previous dynasties, famous craftsmen carved literary forms and calligraphers' handwriting on cliff walls and stone tablets, so the stone tablets had multiple artistic contents, and they were also mounted into axes or books, which became stone tablets.

Monument is a combination of monument and monument. In fact, the "monument" refers to the rubbings of stone carvings, and the "monument" refers to the collection of ancient famous inks, which are carved on wooden boards or stones. In the early days of printing development, inscriptions were all important means to spread culture. In the future, people will learn these written materials in order to learn calligraphy or make historical materials.

Inscription sentence:

1, "His book style is integrated with inscriptions, and his spirit is broad-minded. Regardless of the structure and lines, it is not the main reason, but it is natural to leave it unadorned.

2, because I don't know why, I have to make an inscription with a pen, hiding my head and protecting my tail, being careful ... it's too bad.

3. Zeng Xiangbiao's calligraphy cultivation has a long history. Fill in the red mold when you are a teenager, attach a monument when you are a teenager, and repair everything in middle age. After he entered the age of knowing his destiny, he gradually formed his own artistic personality.

4. Today's Shuyuanmen is an antique commercial street with the architectural style of Ming and Qing Dynasties. There are all kinds of rubbings, celebrity calligraphy and paintings, seals and Four Treasures of the Study, which is not surprising to Minghua.

5, in fact, regret is more real, such as brokeback Venus, Han and Wei inscriptions.

There are many inscriptions by famous calligraphers in the museum.

7. A calligrapher who doesn't know the inscription is like a farmer who doesn't know the millet and a craftsman who doesn't know the axe.