The initial formation stage of "Yan Ti" was before Yan Zhenqing was 50 years old. Works at this time, such as "Many Pagodas", can be seen from the writing style that Yan Zhenqing's main style is stable, vigorous, solid, vigorous and powerful, with prominent compact, complete and stable writing structure and many clear and far-reaching features between the lines.
Yan Zhenqing also strives to combine vigorous and enchanting. Every time he writes, he is vigorous and powerful, and his brushwork is enchanting. The main works are real books and cursive scripts, and occasionally I dabble in official and seal scripts, but there are few. Yan Zhenqing started from the early Tang Dynasty, but broke away from the old style of the early Tang Dynasty and became independent, deeply influenced by Zhang Xu. ?
2, accurately grasp the font writing, reflecting the majesty of the font.
"Yan Ti" has both form and spirit, and is maturing. Yan Zhenqing was from 50 to 65 years old. During this period, Yan Zhenqing pinned all his emotions on calligraphy, repeatedly scrutinized "Yan Ti", demanded that his calligraphy be tangible and spiritual, and practiced repeatedly, and finally succeeded. From the works of this period, we can see that he increased the strength of great people, focused on writing, and used the technique of seal writing to turn the circle into a hidden front, just like an inkpad font.
The strokes form a round head and a thin tail, and the straight drawing highlights the momentum of the bow and arrow to be sent. Every word follows the writing method of horizontal thin vertical thick, and the pen tip becomes thinner at the end of the hook, highlighting the strength. When writing si, use the principle of twists and turns to write each hook full, domineering, uniform radian, full and powerful.
When Yan Zhenqing wrote the folding pen, he used the brushwork of secretly turning the pen. Judging from the structure of the characters, the characters are atmospheric, plain and steady, and the fonts are rigorous. The achievements in calligraphy have reached a rare level. Yan Zhenqing abandoned the previous regular script style and created a bold and enchanting "face".
3. The theme of calligraphy highlights philosophy and embodies emotion in calligraphy.
In Yan Zhenqing's works in his later years, such as Yan Bei, Yan Bei, Li, etc., Yan Zhenqing mainly focused on injecting fresh vitality into the old and spicy writing style, making the writing full of vitality and dense, revealing the perfect brushwork and bold style in the rich and mellow style.
In his later years, Yan Zhenqing showed his understanding and experience of life in his calligraphy works, and integrated the philosophy of life with calligraphy, vividly showing it with the dynamic philosophy of life in pen and ink, which made his words full of vitality.
Introduction to Yan Zhenqing:
Yan Zhenqing (August 23, 709-784) was born in Lingya Linyi (now Linyi City, Shandong Province) and Jingzhao Wannian (now Xi City, Shaanxi Province). Yan Shigu V was a famous official, calligrapher and secretary supervisor in the Tang Dynasty. He was once a famous painter such as Sun and Situ.
Yan Zhenqing, a native of Langya Yanshi, was a scholar in the 22nd year of Emperor Xuanzong of Tang Dynasty (734). He used to be the censor and an assistant in the temple. Later, because he offended Yang, the powerful minister, he was demoted to be the prefect of the plain and was called "Yan Plain" by the world. During the Anshi Rebellion, Yan Zhenqing led the rebels to fight against the rebels and once recovered Hebei. Later, he went to Fengxiang and was made a minister.
When Tang Daizong was an official, he went to the official department of Shangshu Province, and a prince and a surname named him Duke Lu, which was called Duke Yan Lu in history. In the first year of Xingyuan (784), he was sent to tell the rebel Li Xilie that he refused the thief in awe and was finally slapped to death. After he was killed, Cao's heirs and soldiers of the three armed forces cried. Posthumous title Si Tuleideng, posthumous title "in the text".
Yan Zhenqing's calligraphy is exquisite and good at it. Chu Suiliang, a beginner, studied under Zhang Xu and got his brushwork. Its regular script is dignified and majestic, and its running script is vigorous and powerful, which has created a "Yan style" regular script and has a great influence on later generations. Together with Zhao Meng, Liu Gongquan and Ou Yangxun, they are also called "four masters of regular script". Together with Liu Gongquan, they are called "Yan Liu" and "Yangu".
He is also good at poetry, such as You, Ji, Wu, Ji, Lu Ji and Linchuan Ji, all of which have been lost. The Song people compiled Yan Ji.